- Website
- Twitter
- Facebook
- Google +
- Instagram
- YouTube
- Videos: The Experience
- 2018 Publicity: Cranston Herald, Elmore, Lament for a Straight Line, The Sun Chronicle, The Improper Bostonian, Arts Fuse, The Day (New London, CT), WhoFish, What’s Up Rhode Island, Westerly Sun, Providence Journal, Go Local Prov, Motif, What’s Up Newport, RI Monthly, RI Monthly, Providence Journal, The Patch CT The Lymes, Southern Rhode Island Newspaper Group, New Hampshire Register, What’s Up Newport/WADK radio, What’s Up Newport/Ward Hayden, Chariho Times, NBC 10,411 Media, Providence Journal
- Radio: 630wpro.com, WVKR
- EPK
- Media CREDENTIAL Application: Click Here
- 2018 Artist Line Up
- 2018 Press releases: Dropbox
- Mixed Media Client since: 2016
Back to Client List
I like to hear Steve Earle sing just fine, but I really like to hear him talk. The man behind “Guitar Town,” “Copperhead Road” and “Galway Girl” is headlining the three-day-long Rhythm & Roots Festival at Charlestown, RI’s Ninigret Park on Friday night, and for the last few mornings I’ve been scrolling Earle interviews while riding the bus to work in Brooklyn. Pithy, witty, earnest, occasionally wise – the 63-year-old singer is a thoughtful gent whose on-stage exposition can be just as entertaining as his interview responses. Below you’ll find 10 quick bites that stuck with me this week.
Earle’s band the Dukes doesn’t pull any punches when they kick their country-rock into action; they knock you around a bit. Last year’s So You Wannabe an Outlaw has just as much snarl as his best work, and the Waylon and Willie covers mix well with the Earle originals. So save some energy for the Friday closer at Ninigret; it’s the 30th anniversary of Copperhead Road album and the Dukes have been roaring through its program. The Rhythm & Roots curators saved the best for last.
++++++++++++++++++++++++++++++++++++++++++++++++++++
I’m a firm believer that rock & roll only becomes an art form because of the lyrics. If it hadn’t been for Bob Dylan wanting to be John Lennon and John Lennon wanting to be Bob Dylan, it wouldn’t have been cranked up to the level of literature that makes it OK for rock & roll to be taken seriously. – Rolling Stone
I know one way [Willie Nelson] heard about me was his, like, grandniece heard him playing the version of ‘The Devil’s Right Hand’ by the Highwaymen when she about five or something. And he played the whole record for relatives some place and she said, ‘I don’t know. I like it better by the real guy.’ So, around then, Willie would occasionally refer to me as ‘the fucking real guy.’ – PopMatters
I like sitting where I want to in the movies, and when you go to the theater at the last minute you can get a really good seat if you’re looking for a single. If I go to a baseball game I can stay for the whole thing. Being single in New York City doesn’t suck. I’m lonely sometimes, but I’m on the road half the time and that’s pretty lonely anyway. – The Guardian
I couldn’t have made this record [‘So You Wannabe an Outlaw’] if I hadn’t have made all the records I made between ‘Guitar Town’ (Earle’s 1987 debut album) and this one. I joked when somebody earlier asked me what this record was before I actually made it and I said it might have been the record I might have made if (label executive) Jimmy Bowen hadn’t pissed me off after ‘Guitar Town.’ It was funny, but the deal is that all the stuff that I’ve done, I don’t have a single record that I’m not proud of or any musical wave that I’ve ever made that I regret. – KansasCity.com
I have the complete works of William Shakespeare on my phone but I also have all of the Harry Potter books. I think J.K. Rowling will be remembered. She is the (Charles) Dickens of our era. – Eldoradonews.com
I’m OK with “folk singer.” Rock ‘n’ roll is folk music, and so is hip-hop. When a couple of kids get a piece of digital gear they don’t really understand, and throw the fucking manual away and just start pushing buttons, that’s the same thing as an NYU student with a banjo in 1957. It’s just doing it yourself, making music for yourself. – Billboard
To tell you the truth, for my own output, what I’m interested in are old-fashioned musicals, where the play holds up and each and every one of the songs holds up on their own, when you take them out of their environment. It’s starting to happen again. “Dear Evan Hansen” is really good and that’s pretty inspiring. I loved “Hamilton,” which I saw three times, (it’s) everything that it’s cracked up to be. But it’s still an opera and not a book musical. I’m just fascinated with book musicals because it’s an American art form. We kind of invented it. – theplanetweekly
I’m still writing the political record, but I’m going to hold it and keep writing it because I want it to be exactly right, and not come out until late 2019/2020 so it bumps up right against the election cycle. – City Pages
I think “Blowing in the Wind,” is way up there [as far as political songs go]. It’s an overt anti-war statement right as we were getting into the Vietnam War. When we were just getting into it, some people were just figuring it out what Vietnam was.. The Peter, Paul and Mary version, which I thought was the coolest things because I love Peter, Paul and Mary records. They’re not watered down or anything, they’re just their versions of those songs and they prove that he was important, that he was important as a songwriter. His manager knew that and his manager knew that you have a copyright that’s why he was able to make a living even though he wasn’t selling that many records. – The Nation
The best stuff coming out of Nashville is all by women except for Chris Stapleton. He’s great. The guys just wanna sing about getting fucked up. They’re just doing hip-hop for people who are afraid of black people. I like the new Kendrick Lamar record, so I’ll just listen to that. – The Guardian
Full Rhythm & Roots Line-Up
Check Earle’s track on Marc Ribot’s upcoming Songs of Resistance 1942-2018
Several shows of note next week all happening on Thursday evening. Get your Rhythm & Roots festival fix on Thursday night with a pre-fest kickoff show by Donna the Buffalo happening at The Knickerbocker Music Center in Westerly (35 Railroad Avenue)…
FESTIVAL ALERT:
The big music festival event in these parts happens next weekend (i.e., Labor Day weekend). The annual Rhythm & Roots Festival begins on Friday, August 31, and continues through late night Sunday of that weekend at Ninigret Park in Charlestown. The 21th edition of the event is overloaded with talent featured across multiple stages. This year’s headliners include Taj Mahal Trio, Steve Earle & The Dukes, Leftover Salmon, Hot Rize (featuring Red Knuckles & The Trailblazers, Donna the Buffalo, and Asleep at the Wheel. Also performing are Los Texmaniacs, Steve Riley & the Mamou Playboys, Shinyribs, CJ Chenier & the Red Hot Louisiana Band, Bonerama, Larry Campbell & Teresa Williams, Say Darling, Feufollet, Big Sam’s Funky Nation, Cedric Ballou & the Zydeco Trendsetters, Session Americana, Dustbowl Revival, Girls Guns & Glory, Earle & Coffin, Kristin Andreassen & Bright Sides, GroovaLottos, Len Cabral, and more. Visit www.rhythmandroots.com for all the information.
Dan Ferguson is a free-lance music writer and host of The Boudin Barndance, broadcast Thursday nights from 6 – 9 pm on WRIU-FM 90.3.
###
For artist line up updates see website
ATTENTION MEDIA INTERESTED IN COVERING THIS EVENT/REQUESTING CREDENTIALS!
Last year we implemented the Vendini TicketAgent Management System and now require all media covering/requesting credentials for this year’s Rhythm & Roots Festival
The deadline for media application registration is August 10, 2018:
Not all credential requests will be approved.
Credentials will only be issued for members of the media on assignment.
Guests of media may buy a ticket here.
You are welcome to add camping for $50.
We look forward to your continued support and coverage of our festival.
Advanced Ticket Sales End Soon
Don’t wait for the gate!
Get your tickets before the gate price increase on Aug 24th
Tickets
CHARLESTOWN – If the only problem with life is that it doesn’t have any background music, then Labor Day weekend is going to perfect things. From Aug. 31 through Sept. 2, the 21st Annual Rhythm & Roots Festival will be bringing Ninigret Park to a rousing musical frenzy once again.
Calypso, jazz, reggae, gospel, soul, blues, swing, folk; if you can dance or dream to it, it’ll be echoing across the fields. Four separate stages will be the scene of a variety of events. The Family Stage draws kids of all ages with comedians, dance lessons, bubble art and hula-hooping. Arts & crafts projects, table games, a costume workshop, Twister, parachute games and nightly movies will command the attention of toddlers to teens.
The Dance Stage will be the place for those ready to swing and sway their cares away, across a 4,400-square foot tented wooden dance floor.
The Roots Stage will be hosting various workshops. And the Rhythm Stage will host over thirty different musical acts including Americana soul band Dustbowl Revival, Grammy-winning country swing band Asleep at The Wheel, blues musicians Taj Mahal Trio, and the Magnolia Cajun Band.
Also featured during the solid-packed event will be a Mardi Gras parade, and storytelling by children’s book author Len Cabral, the grandson of a Cape Verdean whaler. An oral history of Rhode Island’s indigenous people will also be shared.
Handmade gifts will be available for sale as well as food, and you’ll realize quickly that the grub here isn’t carnival-style eats. Kimchi, Thai noodles, smoked meats, potato pancakes and po-boys are just some of the unique selections on the menu, along with meat-free options and craft beers.
Come for a day or stay for the entire experience. Camping on the grounds is available for those who don’t mind roughing it. For those who do, there is the “glamping” option. The latter provides your ten-by-sixteen-foot tent, four cots, a rechargeable lantern, private portable toilet and a decorative throw rug, in addition to other necessities and niceties.
While on the grounds, feel free to take advantage of the park’s bike paths, swimming pond and playground. The event will include 24-hour security and first-aid.
Ticket prices vary depending on your plans, your age and your needs. From single day tickets, to 3-day teen passes to four nights of sleeping under the stars in style, you can make the call at the gate or save some cash by buying your tickets or making your reservations in advance.
Ninigret Park is located at 4890A Old Post Road in Charlestown. If you’ve never had the Rhythm & Roots experience, come and discover why tens of thousands of people from all over the United States and Canada venture out to Rhode Island Labor Day weekend to see Mardi Gras done New England style.
For tickets, reservations or questions, call 401-783-3926.
Dance Stage Daily Schedule
FRIDAY
1:00 – 2:00 Zydeco Dance Instruction w/ Zydeco Hogs
2:30 – 4:30 Cedryl Ballou
5:00 – 7:00 Los Texmaniacs
7:30 – 9:30 Feufollet
10:00 – 12:00 CJ Chenier
SATURDAY
1:00 – 2:00 Zydeco Dance Instruction w/ Zydeco Hogs
2:30 – 4:30 Feufollet
5:00 – 7:00 Cedryl Ballou
7:30 – 9:30 Steve Riley
10:00 – 12:00 CJ Chenier
SUNDAY
12:45 – 1:45 Cajun Dance Instruction w/ Magnolia
1:45 – 2:15 Cajun Music Camp
2:30 – 4:30 Cedryl Ballou
5:00 – 7:00 Feufollet
7:30 – 9:30 CJ Chenier
10:00 – 12:00 Steve Riley & the Mamou Playboys
LEARN MORE
Premium Parking Passes | Glamping Tents Almost Sold Out | Sponsorship Openings
August 31, September 1 & 2, 2018
Ninigret Park, Charlestown, Rhode Island
Rhythm Stage Daily Schedule
FRIDAY
1:00 – 2:00 Session Americana
2:15 – 3:15 Girls, Guns and Glory
3:30 – 4:30 Feufollet
4:45 – 5:45 Larry Campbell & Teresa Williams
6:00 – 7:15 Big Sam’s Funky Nation
7:30 – 9:00 Donna the Buffalo
9:30 – 11:00 Steve Earle & the Dukes
SATURDAY
1:00 – 2:00 Cedryl Ballou & the Zydeco Trendsetters
2:15 – 3:15 Say Darling
3:30 – 4:30 Steve Riley & the Mamou Playboys
4:45 – 5:45 Bonerama
6:00 – 7:15 Dustbowl Revival
7:30 – 9:00 Asleep At The Wheel
9:30 – 11:00 Leftover Salmon
SUNDAY
1:00 – 2:00 Earle & Coffin
2:15 – 3:15 Golden Triangle
3:30 – 4:30 CJ Chenier
4:45 – 6:00 Los Texmaniacs
6:15 – 7:30 Shinyribs
7:45 – 9:15 Hot Rize feat. Red Knuckles & the Trailblazers
9:30 – 11:00 Taj Mahal Trio
2018 LINE UP
2018 SCHEDULE
Glamping – Low Ticket Alert
Why pitch a tent, when you can arrive at your festival campsite with all the work done for you?
New last year, the cushy and convenient camping experience is called “glamping” and includes a 16-by-10 Bell tent with four cots, a rechargeable lantern, camp table, throw rug, decorative bunting, Rhythm & Roots swag and a private portable toilet nearby.
LEARN MORE
Premium Parking
New this year: Premium Parking!
Park in one of the 100 closest parking spots to the front gate.
Buy all 3 days and receive a $10 discount automatically
LEARN MORE
Sponsorship Opportunities
This is a unique opportunity to place your company name and logo before more than 10,000 music-, dance- and food-loving folks who know how to have a great time. If you, or someone you know, is interested in becoming an integral part of Rhythm & Roots, please contact us below for complete information.
Learn More
Join Our Street Team
We’re looking for folks near and far to help us spread the word about Rhythm and Roots in Rhode Island!
Learn More
Rhythm & Roots Offers Free Music Lessons
For Children 8-18
R&R Youth Music Camp Culminates with Sunday PerformanceCHARLESTOWN, R.I. – A free music camp at the Rhythm & Roots Festival is open to all children 8-18, even if their families are not attending the annual music and dance festival at Ninigret Park over Labor Day Weekend.
Kids can learn to play, sing and perform traditional Cajun music. Classes are offered in fiddle, guitar, accordion, mandolin and bass in the Ninigret Park picnic pavilion outside the ticket gate.
Very little experience is needed. If your child can play “Twinkle, Twinkle Little Star,” on the violin or three chords on the guitar, that’s enough. The R&R Youth Music Camp will culminate in a performance before a crowd of enthusiastic parents and festival fans at 2:00 p.m. Sunday in the popular dance tent. “Les Jeunes Cajuns” and their instructors will play and sing tunes they have learned during the weekend.
As part of the festival commitment to keeping traditional Cajun music alive and thriving in New England, the camp is offered at no cost, and admission to the festival is free for kids 12 and younger. Students 13 years and older who are also attending the festival will need to purchase a ticket, which is half price for teenagers.
Renowned fiddle teacher Pam Weeks directs the camp, assisted by Karen McGrath. The gifted and patient teachers include Pam Weeks and Andy Stewart (fiddle); Jim Joseph and Tim Kness (accordion); Mary Jo Slattery and Mark Wholley (guitar); Michael Pattavina (mandolin) and Bill Olson (bass).
Online registration is open through Aug. 28. Find more information and sign up at http://rhythmandroots.com/fun-for-all-ages/#cajun-music-camp. Early registration is appreciated.
For further information, call 207-576-7296 or email Pam Weeks at:fiddlerpam@gmail.com
Taj Mahal Trio, Steve Earle & The Dukes, Leftover Salmon
Performing in Charlestown Labor Day Weekend
Rhythm & Roots Festival Announces 2018 Lineup
The Taj Mahal Trio, Steve Earle & the Dukes and Leftover Salmon will headline the 21st annual Rhythm & Roots Festival, set for Aug. 31–Sept. 2 at Ninigret Park in Charlestown, R.I.
More than 10,000 attendees are expected at the music, dancing, camping, food and family fun festival, which aims to keep American roots music alive with bands playing from 1 p.m. to midnight each day. Gates open at noon.
Blues legend Taj Mahal, who himself encompasses a half century of American roots music, is performing with bassist Bill Rich and drummer Kester Smith, bandmates he’s been performed with on and off for decades. Taj Mahal, who will be 76 by Rhythm & Roots time, will sing and play any number of instruments – guitar, keyboards, banjo and harmonica among them – to create his well-loved, internationally flavored brand of blues.
Steve Earle & the Dukes will celebrate the 30th anniversary of Copperhead Road, his acclaimed bluegrass-meets-metal album. The band will also pay homage to Earle’s musical roots and his love of “outlaw” country artists Waylan Jennings, Willie Nelson and the like, while performing a mix of folk, rockabilly, blues and honky tonk tunes.
Boulder, Colo.-based Leftover Salmon, which releases its newest album May 4, Something Higher, will play their “poly-ethinic Cajun slamgrass” music that has kept them touring for 25 years. Calling themselves direct descendants of bands like Little Feat, New Grass Revival, Grateful Dead and The Band, their music promises to go off in unexpected, adventurous directions.
With three days of music on four stages, Rhythm & Roots offers everything from Cajun and zydeco to blues and swing, and everything in between, for fans of every age.
Grammy award-winning Western swing band Asleep at the Wheel, sought-after performers who call their music “jazz with a cowboy hat,” will put on a highly danceable show. The bluegrass quartet Hot Rize, reunited after a 24-year hiatus, will play with another quartet, their country cousins Red Knuckles and the Trailblazers. Festival favorite Steve Riley & the Mamou Playboys have performed at every Rhythm & Roots since Day One. Other repeat performers – Donna the Buffalo, Los Texmaniacs, Shinyribs, Say Darling, Dustbowl Revival – will join festival newcomers Girls, Guns & Glory, Earle and Coffin and Big Sam’s Funky Nation.
These are just a few of the bands picked by producer Chuck Wentworth, who is known for mixing festival standbys with talented, up-and-coming artists. More artists will be announced. Here’s the lineup so far:
Friday, Aug. 31
Steve Earle & the Dukes, Los Texmaniacs, Donna the Buffalo, Big Sam’s Funky Nation, C.J. Chenier and the Red Hot Louisiana Band, Larry Campbell and Teresa Williams, Say Darling, Earle and Coffin, Girls, Guns and Glory, Feufollet, Cedryl Ballou & The Zydeco Trendsetters, Session Americana
Saturday, Sept. 1
Asleep At the Wheel, Leftover Salmon, Shinyribs, Steve Riley & the Mamou Playboys, Los Texmaniacs, Bonerama, Dustbowl Revival, Donna the Buffalo, Big Sam’s Funky Nation, C.J. Chenier and the Red Hot Louisiana Band, Say Darling, Earle and Coffin, Feufollet, Veronica Lewis, Cedryl Ballou & The Zydeco Trendsetters.
Sunday, Sept. 2
Taj Mahal Trio, Hot Rize featuring Red Knuckles and the Trailblazers, Shinyribs, Los Texmaniacs, Steve Riley & the Mamou Playboys, Dustbowl Revival, C.J. Chenier and the Red Hot Louisiana Band, Earle and Coffin, Cedryl Ballou & The Zydeco Trendsetters, Feufollet, Golden Triangle
Artists in Residence (Friday – Sunday)
David Greely, Johnny Nicholas, Ed Poullard & Preston Frank, Hot Tamale Brass Band, Magnolia, Zydeco HogsFor tickets and information, go to
www.rhythmandroots.com, or call 401.783.3926.
###
- 2017 Publicity: GoLocalProv the glide, Providence Journal (3), The Westerly Sun, Rhode Island Public Radio, Narragansett Patch, RI Monthly, Cranston Herald, Providence Journal (2), Westerly Sun, Hey Rhody, Lament For A Straight Line, Providence Journal (1) New Haven Register, WJAR/NBC10, Sound Waves, Motif
Variety is the spice of Rhythm & Roots. Bands on four stages will perform Zydeco, delta blues, swing, swamp pop, polka, honky tonk, klezmer, Celtic, boogie woogie, Cajun, rockabilly and other musical styles that blend and warp all categories.
Producer Chuck Wentworth, who has been in the music festival business for 36 years, said festival-goers have learned to trust his tastes. Fans frequently buy their tickets well before the lineup is announced. He’s particularly proud of bringing music from Canada’s Cape Breton Island and Prince Edward Island to Charlestown, mixing young, little-known musicians with bands that are popular on the festival circuit.
Wentworth says Ninigret Park can accommodate more fans, but he doesn’t want the festival to get too big and lose its friendly, all-ages identity. “It’s like a family reunion for a lot of people,” he says. Groups of friends and families camp in the same spots every year. Couples meet at Rhythm & Roots, then bring their children years later. Last year, a couple got married at the festival.
The bands have a stake in maintaining the Rhythm & Roots vibe too. Bands swap members and learn something from their peers at the workshops held every day in the Roots tent. “They like the atmosphere,” Wentworth says. “They like the ability to play with other bands, discovering a lot of new music and making new connections.”
Wentworth started his festival career while working as a supervisor of aquaculture facilities at the University of Rhode Island, where he hosted WRIU’s folk radio show for many years. At one point, he was using his time off in the summer to book bands and handle logistics at 11 festivals from Alabama to California. He and a partner put together the Cajun & Bluegrass Festival in Escoheag and ran it for 17 years.
Rhythm & Roots was born when Wentworth partnered with the founder of upstate New York’s Grey Fox Bluegrass Festival. They found an ideal location at Ninigret Park. A former U.S. Naval Auxiliary landing field, the park is flat and grassy (perfect for camping), easily accessible off Route 1, and able to accommodate a big crowd. For the last 20 years, Wentworth has improved the power infrastructure at the park to provide top-quality sound, while refining and streamlining the thousands of steps it takes to pull off an event that has doubled in size since he began.
In 2015, Wentworth’s Lagniappe Productions took on all aspects of the festival. Now 11 years into retirement, Wentworth and nearly his entire family keep the festival running, including his wife Debbie, three children, and about half of their grandchildren, aged 3-17. His sister and brother-in-law help out, and he also considers the 400+ volunteers part of his extended family. “There are people who’ve been with us since Day One,” Wentworth says.
This huge festival family intends to keep authentic roots music not just alive, but thriving. Wentworth is committed to welcoming children to the festival, encouraging them to do more that just listen, but to try it out too. Kids under 12 get into the festival free, teenagers are half price, and a no-cost Cajun music camp is available to children in the community who want to learn to play fiddle, accordion, guitar, bass and mandolin. No festival ticket is needed for the camp, which ends with a graduation gig in the dance tent Sunday.
Music on the main RHYTHM STAGE is the focal point of the festival. Seven bands each day get to perform on the “big stage” to showcase the variety that encompasses roots music in a concert-style setting.
The popular DANCE STAGE features a covered, 4,400-square-foot wooden floor that attracts dancers from 38 states and three Canadian provinces. It looks intimidating at first glance, but no matter. Look again and you’ll see accomplished and amateur pairs –young and old, tall and short, serious and carefree – all having a swinging time.
The ROOTS STAGE is an intimate setting where the audience gets to be up close and personal with the artists. This stage will feature at least four workshops each day followed by extended performances and jams from a variety of bands.
The FAMILY STAGE features music, dance, storytelling, crafts and nighttime movies for kids of all ages.
Although music is the centerpiece of Rhythm & Roots, the food is just as diverse. Choose from barbecue ribs, Cajun/Creole specialties, chowder and clam cakes, gyros, Middle Eastern food and desserts, along with craft beers, wine, frozen lemonade and other beverages. In keeping with the family vibe at Rhythm & Roots, Chili Brothers, a first-year food vendor will return for its 20th year. Chili Brothers is well known to those who attend Wentworth’s other annual event, the Mardis Gras Ball at Rhodes on the Pawtuxet.
Craft vendors also sell their handmade gifts at the festival, and a Rhythm & Roots booth will offer T-shirts, sweatshirts and other R&R swag.
Camping is popular at Ninigret, with about 1,500 people staying the entire weekend.Festival attendees will arrive at the camp area to find their tent set up and outfitted with four cots, a lantern, table and other amenities. Make your reservations early next year.
Ninigret covers more than 200 acres, with plenty of opportunities to hike, swim, fish and observe wildlife and birds. Children enjoy the playground and freshwater pond, bike trail, tennis and basketball courts, and public beach. The Frosty Drew Observatory and Nature Center offer star-gazing and programs on marine and aquatic habitats. In addition, Ninigret National Wildlife Refuge has four miles of hiking trails, excellent views of Ninigret Pond, the largest coastal salt pond in Rhode Island, and 250 species of birds.
Rhythm & Roots supports the Charlestown food bank, known as Rhode Island Center Assisting Those in Need or RICAN, and VSA Arts, which provides opportunities for those with disabilities to participate in the arts. The festival also hopes to build awareness of Rhode Island’s Native American culture by partnering with the Tomaquag Museum.
Festival hours are: Friday, 12 p.m. to midnight and Saturday/Sunday 12 p.m. to midnight.
Rhythm & Roots has been called “an incredible experience, a perfectly organized, flawlessly run major destination event that music fans from all over the country will be drawn to.” We’re sure you’ll agree, whether you’re coming for the first time or returning for the 20th.
For tickets and information, go to www.rhythmandroots.com, or call 401.783.3926.
- 2016 Publicity: Southern Rhode Island Newspaper, New Haven Register, The Independent, WPRI TV 12 The Rhode Show, The Westerly Sun, Glide Magazine, Go LocalProv, Lament for a Straight Line-Kweskin, Taj Mahal, Lucinda Williams, David Grisman, Providence Journal, Motif, The Arts Fuse, New Haven Register, Pawtucket Times, Woonsocket Call, Southern RI Newspapers, Turn to 10, The Providence Journal, The Providence Journal, Extraordinary Rendition Band, The Westerly Sun,RFID Journal, RVA Mag, The Day, New Haven Entertainment, Herald Courier
