Ute Lemper/Jazzhaus Records

Ute Lemper/Jazzhaus Records

Time Traveler


Time Traveler VIDEO

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JazzHaus Records


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Radio Promotion: Neal Sapper

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Publicity: Broadway World, Vents Magazine, Indie Band Guru, JW Vibe, Vents Magazine, Town & CountryThe City Paper


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EAN:                         4260075862286 (CD)

composer:                 Ute Lemper
Release date:           26th May 2023

Publisher:                 BMG Rights Management GmbH

Life is a song and it wants to be sung. Ute Lemper, the New York-based German singer and dancer, is renowned for her interpretations of Brecht Weill songs; she slipped into the skin of Marlene Dietrich and has made a name for herself worldwide as a musical performer and specialist for the repertoire of the 1920s. The richer the versatile artist’s palette became, the more she became longingly aware of what else was slumbering inside of her, waiting to be shared with the world. More than anything else, the need to sing about her innermost self was becoming increasingly more urgent. “Time Traveler” is not the first album on which Ute Lemper sings her own material and yet, since the story of this collection of songs already began 23 years ago, it is a turning point in her self-perception. In many ways, the year 2000 was a new beginning for Ute Lemper, a year in which she freed herself from the cocoon of her historical repertoire and found herself in her songs. The album “Punishing Kiss” from that year still consisted of songs that other artists had specifically tailored to her. “I thought to myself, there’s no reason at all why I can’t sit down at the piano and write myself” she says, recapping that turning point. While working on “Punishing Kiss,” she met her future husband Todd Turkisher, who had his own studio in New York’s Chelsea district. There, Ute Lemper’s first self-composed songs were created and recorded on an analog tape machine. For various reasons, however, these songs were not released at the time. They disappeared into the basement, gathering dust for the time being. The album “Between Yesterday and Tomorrow”, with original compositions by Ute was eventually released in 2008. However, these were not the songs written eight years earlier. Subsequently, she set texts by Charles Bukowski, Pablo Neruda and Paulo Coelho to music for three very different albums and other projects followed.

By mere chance, the boxes of tapes that had disappeared two decades earlier reappeared in her in-laws’ basement in 2021. But the original tape machine no longer existed and the songs could not be played back.  As luck would have it, a cassette with a backup copy turned up and, upon hearing these songs again, Ute and Todd embarked on their journey back through time. Thrilled, they arranged for the original tapes to be digitized. “We listened to the songs and agreed that it was worth trying to revive them,” the singer recounts today with euphoria, as if she had discovered this hidden treasure only yesterday. “However, this wasn’t possible with all of the songs, some of which were just too antiquated. But others still had a contemporary pulse that interested me. We did tweak some of these songs in terms of production but even then, it was clear to me that we couldn’t make an album from these old pieces alone. Then one morning I felt the impulse to write new songs again, there was a spark of intuition, additionally inspired by age. The first song that came was ‘Time Traveler,’ because, for me, going back and unfolding this 23-year-old crease in time really is time travel.”

Ute Lemper doesn’t don a mask here but delves into the panopticon of her own life with all its highs and lows, translating joys and pain, longings and their fulfillment into words and music. Through the songs, many encounters with herself at different points in her life became possible. “I’ve lived through a lot in the past 23 years, spinning incessantly around my own axis, but all of that has to be reflected upon from the perspective of the present.” With “Time Traveler” Ute Lemper accomplishes the unusual feat that, for listeners, the 23 years which lie between the individual songs aren’t obvious at all. The present in the past and the past in the present merge as if by osmosis. In the three old songs, Ute Lemper has partially changed the depth of focus lyrically and musically; on the other hand, the seven new songs fully engage with life experiences without corrupting them. She leaves it to the listener to identify the joints between the layers of time for themselves.

“As you get older,” she says Ute Lemper about the way her own two respective life and personality phases interpenetrate, “you constantly uncover new secrets, and these secrets can be so much better illuminated in lyrics and music. The Ute of old learns from the new Ute that less is always more, and that the quiet is always more fascinating than the loud. The lyrics must contain secrets which allow listeners to rediscover secrets of their own. I still carry the young Ute in me but have the opportunity now to allow her more room.

With her new album, Ute Lemper emancipates herself musically from all categories. Depending on socialization and personal preferences one can hear these songs as pop, rock, jazz, soul or chanson, all of these at once, or simply just as Ute Lemper. She is no longer ready to live up to any expectations, but rather draws inspiration from songs that she herself enjoys listening to. This includes references to artists and bands like Hiatus Kaiyote, John Legend, Joni Mitchell, Sarah McLachlan, Annie Lennox, Erykah Badu or Robert Glasper but without attempting to copy any of them.

All songs are one hundred percent Ute Lemper. In some pieces she takes risks in terms of production and sound, initially luring the listener onto a completely wrong path, such as in the title track; in others she conceals small surprising details in the production, putting the songs, herself and not least of all the auditory perception to the test over and over again.

“Time Traveler” is a very personal album, but its message extends far beyond Ute’s own life experience. As society narrows our perception down to a moment that seems to be ever shorter, we forget the importance of taking the past on board and learning from it. “Progress is gaining more and more speed, and we are not encouraged to look in the rearview mirror,” postulates Ute Lemper. “As soon as we embed our lives a little bit more in the past, we learn some interesting things. The more I involve myself with the young Ute, the more I can grasp why I do all of this in the first place.”

With “Time Traveler,” Ute Lemper has given a wonderful gift to herself. And yet, first and foremost, it is an album that functions like a signpost. In the unsparing self-honesty with which, in a most accessible way, Ute Lemper reflects on her life, it’s possible for most listeners to find themselves as well.

UTE LEMPER – Time Traveler


1          Time Traveler                       04:06

2          In My Flame                          04:40

3          Moving On                             03:58

4          Magical Stone                       04:36

5          At The Reservoir                  04:53

6          Little Face – The Sequel     04:09

7          Man With No Face               03:45

8          Envie d’amour                      03:23

9          Cry In The Dark                    03:29

10       The Gift                                  03:46

All musc & lyrics Ute Lemper

Produced by Ute Lemper & Todd Turkisher

Original Analog Recording at Todd’s Studio, NYC summer of 2000, are engineered by Todd Turkisher and Ute Lemper

All new recordings 2021-2022 In our living room, NYC. Analog time travel tape transfers by Steve Rosenthal at The Magic Shop, Brooklyn, NY. Additional present time production/editing Alex Poeppel 2021-2022 and Ari Raskin 2022

Mixed by Kevin Killen, Ute Lemper, Alex Poeppel, Todd Turkisher 2022





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Rendezvous with Marlene















JazzHaus Records


Promotional Photos: Russ Rowland (B&W Version), David Andrako (B&W Version), Lucas Allen (B&W Version),



Radio Promotion: Neal Sapper


Publicity: Theater Weekly, Broadway World 2, Broadway World, Time Square Chronicles, The Up Coming, London Theatre Reviews, Broadway.com, Playbill, Times Square Chronicles, Financial Times, Far Out Magazine, New Jersey Jazz Society, Jazz Square (Russian), Broadway World


Mixed Media Client Since 2020

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Ute Lemper’s “Rendezvous With Marlene” has one more live stream on Saturday, December 5, 2020, at 2:00 pm (EST) and December 15, 2020, at 8:00 pm (EST). Tickets may be purchased here.


Quote from Kevin Wilson


Ute Lemper channels Dietrich on
Rendezvous with Marlene

It takes a kind of fearlessness to address the mythical talent of superstar Marlene Dietrich. Dietrich’s stardom is legendary; her story a picaresque of adventure, fantasy, imagination, and coveted reality. Yet, if anyone can begin to touch Dietrich’s transcendent nature, to tell her story, it would have to be Berlin-born, New York-based Ute Lemper.

Lemper, a multi-talented musical theater and cabaret star, has lit up stages—acting, singing, dancing, writing, even painting—since the early ’80s. She began with Chekhov and Weill, among others, making a name for herself as an outsized talent.

But it was as a songstress, particularly as an exponent of the music of the Weimar Republic, that Lemper made her most lasting impact. She brings immense theatricality to her music, along with irony, sexuality, satire, and humor. She received a tremendous amount of attention for her dramatic cabaret-style performances and was heralded as the “New Dietrich.” In 1988, after receiving a Moliére Award for her performance in “Cabaret” in Paris, Ute sent a note to Dietrich, essentially apologizing for all the comparisons. I explained to her that I was just starting my career and that the comparisons were inappropriate,” said Lemper. I thanked her for inspiring me to become a performer and mentioned how much I admired her many achievements on stage and screen.”

A month later, Dietrich, then in her late 80s, called Lemper. Dietrich was a recluse by that time and had not left her Paris home for many years. But she and Lemper connected and the discussion was incredibly rich and profound. She told me everything about her life–emotional and historical—and I was very overwhelmed by it all,” said Lemper. It took me thirty years to think about it and finally be ready to put it into a show.” The three-hour conversation the two had discussing Dietrich’s fascinating life, forms the foundation of Rendezvous with Marlene, a lavish, lovable homage to the great performer. It began as a performance and is now a spectacular recording of the same name.

Ute sings to us Marlene’s story, fabulous songs from all the chapters of her life, from the Berlin cabaret years to her Burt Bacharach collaborations, with whom Dietrich toured for 15 years. Lemper puts her own spin on the material, injects them with modern drama, melodrama, and unfiltered flourishes of Dietrich’s sensuality.

Ute Lemper Rendezvous with Marlene is “An unforgettable evening: stylish, graceful, heart-warming and powerful, this is an event not to be missed,” says Shane Morgan of St. George’s Bristol, UK.

Essentially, Rendezvous with Marlene is the sound of one enormous talent passing her story along to another. And while we don’t know what motivated Dietrich to transfer her life story to Lemper, she most certainly sensed they were kindred spirits. You don’t have to listen long to the many lush tracks on Rendezvous with Marlene to understand that the two possess a simpatico life, sharing a kind of distinct versatility, attitude, humor, and multi-faceted approach to art. One critic raved: “An extraordinary, unforgettable evening with a sublime artist at the height of her powers – it should on no account be missed!” (Musical Theatre Review)

“A superb tribute to one astonishing woman from another, fascinating, enlightening, intense, often moving, and always entertaining,” according to Northern Soul.

“What a gift it was to hear Marlene talk about her life,” says Lemper. “This recording is my personal tribute to her. She was sexy, tough, and funny and her comic timing was ever-present, even in her singing,” said Lemper. “She was a free spirit,” Lemper recalls. “She was politically and morally outspoken and courageous. She was ladylike and bossy. She had class but loved whiskey, dirty jokes, and a good smoke. I tell her story through my eyes and sing her songs with my voice. She is using my body and voice to speak.”

Successfully. Says a critic writing for Gay UK, “By a huge margin the finest act of sustained, emotional intensity and fearless self-revelation I’ve ever seen. Ute – like Bowie, Callas, and Garland before her – is in an unprecedented class of her own.”



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Described as an “extraordinary, unforgettable evening with a sublime artist at the height of her powers – it should on no account be missed!” (Musical Theatre Review), Ute Lemper’s “Rendezvous With Marlene” channels Dietrich’s story of courage, glamour, and humanity. Ahead of her time, Dietrich was a legend as an actress, singer, fashion icon, and free spirit. In her first show entirely focused on honoring Marlene, based on the true story of a phone call they shared, Lemper interprets some of Dietrich’s most beautiful songs and recounts some captivating secrets of her life. Don’t miss this enthralling exploration of Marlene’s career and personal life.

Click here to log in and buy your ticket for this unique performance. Tickets are $25.00, and one ticket serves a whole family and friends watching together.

Here is the setlist for the performance:
Where Have All The Flowers Gone (Pete Seeger)
Just A Gigolo (Leonello Casucci)
One For My Baby (Harold Arlen / Johnny Mercer)
Life’s A Swindle (Mischa Spoliansky / Marcellus Schiffer)
They Call Me Naughty Lola (Friedrich Hollaender)
Boys In The Backroom (Frank Loesser / Friedrich Hollaender)
Lili Marleen (Norbert Schulze / Hans Leip)
Ruins Of Berlin (Friedrich Hollaender)
Black Market (Friedrich Hollaender)
When The World Was Young (Johnny Mercer / M. Philippe-Gérard)
Ne me quitte pas (Jacques Brel)
Laziest Gal In Town (Cole Porter)
The Answer My Friend Is Blowing In The Wind (Bob Dylan)
Que reste-t-il de nos amours / I Wish You Love (Charles Trenet)
Falling In Love Again (Friedrich Hollaender)

Ute’s band for this performance will be:
Vana Gierig : Piano
Jesse Mills : Violin
Matthew Parrish : Bass
Todd Turkisher : Drums


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Dreamstage never streams pre-recorded material.

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When she received much acclaim for her 1988 performance in the Paris staging of Cabaret, including some comparison to Marlene Dietrich, German actress/singer UTE LEMPER felt embarrassed by this, and wrote a note to Dietrich apologizing for the comparison.  She received a phone call from Dietrich in return, and during their lengthy conversation, Dietrich recalled much of what had occurred in her life.  It was an occasion of great significance for Lemper.  A few years ago, Lemper created Rendezvous With Marlene (Jazzhaus – 184).  This show, originally done as a cabaret performance, provided an overview of Dietrich’s life and career, with Lemper performing 20 songs associated with Dietrich.  I saw the show at the York Theater last year, and greatly enjoyed it.  Lemper does an effective job of capturing the Dietrich persona, but also brings much of her own performing personality to the production.  She is an accomplished actress and singer, who moves easily between being herself and channeling Dietrich.  The recording contains only the musical portion of the show, but stands nicely on its own.
Review by Joe Lang


In addition to this has been watched 75,000 times on Ute and lyricist Paulo Coelho’s  and 
Her website news includes her live-streamed Carnegie Hall program that had 60K views just on Facebook in addition to actual Carnegie website views.
That was followed by co-hosting WQXR’s Music Never Sleeps event.
And here’s the full LIVE stream from her terrace in NY with the sunset . All together 8 songs …

Ute Lemper – Rendezvous with Marlene

The history of this album takes us back more than thirty years to 1988. It was then that a three-hour telephone conversation took place in Paris between two German women, two Actresses and singers, Marlene Dietrich and Ute Lemper. Some of our readers do not need to explain who they are, but for the rest, especially the young ones, we will have to tell them…

So, Marlene Dietrich (1901-1992). A sex symbol of her era, a great actress and singer. Her fame rose in the 20s, in the film “Blue angel”, which brought her unprecedented success not only at home, but also far beyond its borders. After moving to Hollywood, she quickly became a star there. The Nazis who came to power in Germany promised Marlene all imaginable benefits for her return. But Marlene Dietrich was sharply negative about Hitler and his brown pack. She defiantly renounced her German citizenship and accepted US citizenship. During the war, she often performed in front of allied soldiers in Europe. Someone pointed out that Dietrich was more often on the front line than Eisenhower. After the collapse of Nazism, she continued her brilliant career. In 1960, she arrived in her native Berlin, where she was obstructed, considered a traitor. After a while, Marlene settled in Paris. After an unfortunate fall from the stage in 1975, she could only walk with a stick – and did not want to be seen like this. Then she lived as a recluse in Paris, not communicating with anyone, her relationship with her daughter was very difficult, in the past there were stormy romances with world celebrities, in the past there was fame.

This is what Marlene called Ute Lemper (b.1963) in 1988. Starting with performances with a jazz-rock band, she turned into a musical and cabaret star by the age of 25-just like Dietrich once did. In 1988, in Paris, she was awarded the prestigious Moliere Prize for playing and singing in the musical “Cabaret”. That’s when she sent the card to Dietrich. A miracle happened: she suddenly agreed to talk to Ute on the phone. For three long hours, Marlene told her young companion many secrets of her personal and creative life. Ute was lucky: the stars came together and the great diva wanted to pour out her soul.

Many years later, in 2019, the already very famous Lemper put this conversation at the heart of her show Rendezvous with Marlene, where she tells the story of the life of Marlene Dietrich from the stage and sings songs from her repertoire. The audio album Rendezvous with Marlene is a kind of soundtrack of a very successful show, met with the most positive responses around the world. Like Dietrich, Lemper sings here in three languages-German, English and French, and sings with a very precise balance between Dietrich’s characteristic singing style and the danger of “playing too much” in imitation of her unique husky contralto. Here you can hear songs from the time of Dietrich’s success in Weimar Germany – the world-famous Lili Marlen, songs by her favorite composer Friedrich Holender, who, like her favorite Director von Sternberg, had to flee from the persecution of the Nazis, – Wenn Ich mir wunschen durfte, Ruins Of Berlin, sound jazz standards Mercer (One For My Baby, When The Workd Was Young) and porter (the Laziest Gal In Town) times of successful collaboration with Bert Bacharach, songs of great American folk singers Pete Seeger (Where Have All the Flowers Gone) and Bob Dylan (Blowing In the Wind), beautiful French songs, for example, Marie Marie Gilbert BECO. In short, this is a stunning excursion into the popular music of the twentieth century, which was loved and sung by the great Marlene Dietrich.

© 2020 Jazzhaus Records

20 tks / 74 mins

Link provided by Mixed Media


style jazz
author Leonid AUSKERN
country Germany
musical style crossover


Danny Bacher/WCS

Danny Bacher/WCS

Danny Bacher

“Still Happy”

Whaling City Sound Website

Danny Bacher Website





Photo: #1

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Broadway World and Theatre Credits

SoundcloudHooray for Hollywood

Still Happy Press Release

Publicity: Broadway World, Catalyst, The Weekly Challenger, Patch, Broadway World, Playbill, TAPinto East Hanover/Florham Park, Herald-Tribune, Boca NewspaperCNSJazzTimesBroadway WorldNew York Jazz RecordO’s Place JazzThe Island NowThe JW VibeGlide Magazine, Syncopated Times,  JazzWeeklyJAZZIZ MagazineO’s Place Jazz Newsletter,, Jazz Quad (Russia), JazzFlits (Netherlands), Midwest Record Daily Record NJ.com Summer Jazz

Radio: Mike Carlson, JazzWeek 11.19.18JazzWeek 11.12.18

CDs: Distribution: NAXOS of America
Mixed Media Client since: 2015

Liner Notes Credit: Jeff Levenson


Message From Danny,

“Hi All!

Its been a “behind the scenes” kind of summer for me, been working on my next album and writing my book and prepping for some new forthcoming shows, but i wanted to let you know i haven’t forgotten about you! Here’s a little update on things happening this month.

First, I’m thrilled to announce that my Terry Gibbs Songbook album has made it to #28 on the charts and is doing quite well through the country and in Europe. Incase you haven’t gotten your copy yet, get yours here:

Purchase your copy Today!

Im also very excited about an upcoming concert I’ll be doing later this month at Bellworks in Holmdel, NJ. On August 27th at 7pm, Ill be joined by jazz vocalist Charenee Wade and the Grammy nominated Nicole Zuraitis for a salute to the great women of the song! It’s going to be a fabulous show and certainly not one to be missed! So….. don’t miss it!!

Get your tickets here

Stay tuned for more exciting news, but in the meantime, stay happy and keep on Swingin’!



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Hello everybody,

As normalcy approaches, I’m starting to get really busy again, and I’m grateful for that, indeed. Not just doing virtual shows, but actually performing in front of real live people – what a concept!


I do have one more virtual show coming up on Friday, May 7th at 7pm at one of my very favorite “venues,” Metropolitan Zoom. No need to schlep into the city and pay for parking just yet – I’ll be performing right in your living rooms!

The details:

DANNY BACHER ~ Siete de Mayo
with the legendary Allan Farnham on piano
Friday, May 7th 
Get your tickets here: https://metropolitanzoom.ticketleap.com/danny-bacher-050721/dates/May-07-2021_at_0700PM

Hope to see your smiling faces soon! And in the meanwhile, stay safe, happy and keep on swingin’,




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On Saturday, August 29 at 7 pm, you can join Danny Bacher, an award-winning singer/saxophonist and entertainer extraordinaire, as he holds court at the Mansion with Jason Teborek on piano and brings to you an unforgettable night of swingin’ jazz, American popular song, storytelling and laughs with his signature style and wit! Danny Bacher is an award-winning entertainer who is a master of the demanding soprano sax and who combines his virtuosity on the instrument with a talent for comedy and narrative storytelling. He’s a smooth and cool individual who makes hot jazz and pop, cut from the cloth of the great Louis Prima and Mel Torme.

All performances will happen rain or shine under the large wrap-around covered porch. Oakeside Bloomfield Cultural Center is located at 240 Belleville Avenue, Bloomfield, NJ. Visit NiCoriStudios.com for tickets and more information.

Singer and saxophonist Danny Bacher will perform “Get Happy” as part of Lynn University’s Mabel Mabel Mercer Foundation’s Cabaret at Lincoln Center Comes to Live at Lynn on Feb. 13 at 7:30 p.m. at the Keith C. and Elaine Johnson Wold Performing Arts Center. Bacher honors the three Louis—Armstrong, Jordan and Prima. Tickets cost $40.

“The way I like to connect to my audience is through humor and lightness,” says saxophonist, vocalist, and feel-good entertainer Danny Bacher. “l like to convey a positive message.”

Delivered without irony, these sentiments serve as the baseline philosophy behind Still Happy, the follow-up to Danny’s debut recording of 2016, Swing That Music. Whether conveyed through words or deeds, they reflect Danny’s North Star mandate: He aims to please.

He is a pure soul, a humanist at heart, whose creativity aligns perfectly with a desire to spread joy. This record is the latest installment in Danny’s vision of a sing-along, bouncing-ball world. It is a simple reminder: In the hands of a master storyteller, music is magic.

Still Happy features an artful marriage of tunes and performance – Danny leads us through a musical amusement park for grown-ups, replete with razzle, dazzle and hold-your-breath meditations. There’s great humanity here – a coupling of warmth and Wow! – elevating our mood like a fireworks show at the Jersey shore.

And much to speak about: Allen Farnham’s nifty arrangements, crafted to energize Danny’s indefatigable spirit; a rhythm section plus horns plus percussion galvanized tight by purpose and desire (beautifully acknowledged in the artist’s special thank-you’s); Danny’s own “In Spite of All This, I’m Still Happy,” and “Joie de Vivre,” each complementing perfectly the project’s theme and variations; signature moments of song, style and wit, proving that Danny is a triple threat capable of killing (or, at least, injuring) a dedicated audience; and a wry yet reverential send-up of

“Hooray For Holiday,” a peek behind the dream factory curtain, replete with Danny’s original, happy-making lyrics (You’ll be splurgin’ to see a surgeon/He’ll make your tuchas look good…).

“Hollywood” proves to be a touchstone, a contrast to the album’s final track, “Cloudy/Nuages.” Together they reveal the yin and yang of Danny’s personality. The former is exuberant, bracing, filled with vivacity; the latter, ruminative, introspective, private.

One imagines that Danny reached back to the methods of ancient Greek actors, deploying the masks of comedy and tragedy to communicate emotion. These performances, however, are less binary than they appear. Nuance prevails. Danny aims for the heart (and feet) by endowing these tracks – and all others – with sophisticated subtlety.

One hears traces of calypso (“Get Happy”), and doo-wop (“Shaking The Blues Away”), and pure Billie Holiday (“Getting Some Fun Out of Life”).
Together, they – and all other tunes – constitute a clear affirmation of both concept and execution.

So, while Danny makes clear that he is still happy, repeated spins of this record reveal there’s a band and a producer who feel exactly the same way. Fans to follow. Guaranteed.

Jeff Levenson
June 2018

Still Happy

Produced by Jeff Levenson
Executive Producers: Joel M. Bacher, Danny Bacher

Recorded at Teaneck Sound Studio,
October 17th – 18th, 2018

Recording Engineer Dave Kowalski
Mixing Engineer: Jon D’uva
Mastered by Greg Calbi, Sterling Sound

Danny Bacher – Vocals, Soprano Saxophone
Allen Farnham – Piano
Dean Johnson – Bass
Alvester Garnett – Drums
Harry Allen – Tenor Saxophone
Charles Caranicas -Trumpet, Flugelhorn
Rolando Morales-Matos – Percussion:

All arrangements by Allen Farnham
Co-arranged by Danny Bacher

Danny Bacher uses Silverstein Ligatures
Alvester Garnett plays D’Amico Drums
Harry Allen plays D’Addario Select Jazz Reeds
Rolando Morales-Matos plays Pearl Percussion

Artist Thank-You’s

To the following, I want to express my deepest gratitude and heartfelt thanks for making this all possible.

First, to my beautiful and supportive wife Erin, for all of her love, understanding and inspiration; my parents, Jane and Joel, for helping me realize my dreams, for all their love and support, and for putting me on this planet; my brother Josh, sister-in-law Nadia, and little niece Millie, for their help and love, in life and on this project; my grandmother “MaMa” Jean, who helped shape who I am today, and whose valuable lessons in life I cherish always; and my grandmother Ann and grandfathers Harvey and Herb, whom I miss everyday and hold dear in my mind, spirit and heart.

To all of my loving family, loyal fans and, of course, “Bacher’s Backers,” who helped get me to a financial place much appreciated for this recording project. Special thanks to Dr. Daniel Suffin (“DS”); Yanni, Arlene, and li’l Eddie Kaloudis; John McLellan; Carol Scibelli; David Rousso; and Uncle Jon and Aunt Kathy Van Orden. And of course, much love and thanks to the machatunim, Toni, Chuck, and Mikey!

To all of my artistic friends that have given me such guidance and advice through this process, including: Steve Tyrell, Marilyn Maye, Roseanna Vitro, Nancy Marano, Barbara Maier, KT Sullivan, Bob Mover, Ed Joffe, Jason Teborek, Alexis Cole, Chris Byars, Dominic Chianese, Debbi Bush-Whiting, Marilyn Lester, Angelo Badalamenti, the late Lois Laurel Hawes, Richard Cramer, Bill Boggs, Steve Frumkin, Will Friedwald, and all my fellow Friars.

To my band: what an honor to have the support of such tremendous talents! Harry Allen, a true titan on the tenor; Charlie Caranicas, a marvel on trumpet and flugelhorn; Dean Johnson, a solid-rock time-keeper with a heart of gold; Alvester Garnett, the jovial spirit and heartbeat of the ensemble; Rolando Morales-Matos, for his mastery of percussion; and of course to my co-arranger and pianist, Allen Farnham, whose genius in arranging, abilities on the 88’s, and great attention to detail have been crucial to the success of this project.

I must also express gratitude to my producer, Jeff Levenson, whose artful mastery at the helm, both in and out of the studio, was exactly the right balance needed to take this album to heights that I couldn’t have foreseen.

Also, I must thank my family at Whaling City Sound, Neal Weiss and Ginny Shea, for believing in this project. And a special note of thanks to Ashley Perez; Andrea Valentini and Dave Kowalski at Teaneck Sound; Jon D’Uva, a master mixer; and Greg Calbi, the masterer in the mix!

In closing, making this record was a joy from start to finish, and I hope that after you have a listen, like myself, you’ll be “Still Happy!”

Enjoy! -Danny Bacher



01. Getting Some Fun Out of Life (Burke/Leslie, BMG Gold Songs, Burke Music Co, ASCAP)

02. Laughing At Life (Briand/Saban, Cezame Metro Park, BMI)

03. In Spite of All This, I’m Still Happy  (Bacher, Danny Bacher Music, ASCAP)

04. Shakin’ The Blues Away (Chuck, Chappell Edzioni, WB Music, ASCAP)

05. Hooray For Hollywood (Whiting/Mercer, Warner Bros Inc, ASCAP) Additional lyrics by Danny Bacher

06. Lucky To Be Me (Bernstein/Comdon/Green, Leonard Bernstein Music,  Warner Bros, ASCAP)

07. Joie De Vivre  (Bacher, Danny Bacher Music, ASCAP)

08. This Happy Madness Jobim/De Moraes/Lees, Corcavado Music, VA, BMI)

09. Joy Spring (Brown/Hendricks, Cherio, Melody Lane, Second Floor, BMI) Additional lyrics by Danny Bacher

10. Lazy Afternoon (Moross/La Touche, Chappell, Sony ATV Tunes, ASCAP)

11. Get Happy (Arlen/Koehler, SA Music, Warner Bros, ASCAP)

12. Cloudy/Nuages (Biederbecke/Reinhardt, ASCAP


JazzFlits, volume 14, no. 257



Swing That Music

Whaling City Sound


Danny Bacher (vocals, soprano saxophone), Cyrille Aimée (vocals), Warren Vaché (cornet), Pete McGuinness (trombone), Dave Demsey, Houston Person (tenor saxophones), Jason Teborek (piano), Howard Alden (guitar), Ray Drummond (bass), Bill Goodwin (drums),

Danny’s Newsletter

Check out Danny’s newsletter! Learn more about “Swing That Music!”, watch videos and purchase his CD and tickets for his next show, June 27th, at the Bickford Theatre in NY!

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The swing and rhythm & blues, which developed alongside bebop in the 1940s, are still being used as a source of inspiration. British pop singer Joe Jackson already revived the festive jump & jive in a distant past. Over here, in the Netherlands, we have (had) several bands which did the same. The name Jump’n Jive from Zwolle comes to mind. And the Amsterdam Bob Color, although they moved onto rock ’n roll. At the time, that was also the direction this music took: swing – jump ’n jive/rhythm & blues – rock ’n roll. But all this aside.

Danny Bacher is a young American singer, who knows his business. You can hear a touch of Michael Bublé in him, but with plenty of drive and lots of swinging. Bacher has a lot of fun performing, and it shows. He draws from the work of Louis Jordan for  the jump and rhythm & blues. He gets ballads from Louis Armstrong, and polite rock ’n roll from Louis Prima, including the medley ‘Just a gigolo/I ain’t got nobody’. Upon first hearing, Bacher uses the possibilities which are given to him a bit politely, but equally lashes out considerably. He’s not only a singer, but also the soprano saxophonist. Bacher moves through the repertoire with ease, aided here and there by the French-American singer Cyrille Aimée. Of course she takes care of ‘La vie en rose’, sung in French. I suspect a lot of dancing goes on during his concerts. This music demands it.

Hessel Fluitman, translated from Dutch by Nico Cartenstadt


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Danny Bacher is a bright new star on the jazz landscape with a distinctive voice and a gift for phrasing. Says The New York Times, “Swing That Music is effortless fun in a tribute to jazz forerunners. It is about making hot music but staying cool, about cutting up while maintaining effortless self-control revealing Bacher to be prodigiously talented.” With his unusually warm, soulful soprano sax sound and a swingin’ “A LIST” band of jazz royalty, you’ve got the next “new classic” album, Swing that Music! Bacher’s dynamic debut pays homage to three iconic fire-brand “Louis’:” Armstrong, Prima and Jordan, with rare gems from each of their original repertoires. Executive and post-produced by world class jazz Producer, Suzi Reynolds, with Grammy-nominated vocalist Roseanna Vitro as Producer, Bacher is set to launch straight onto the stages and into the hearts of music lovers around the world. Vitro confirms, “Danny is reminiscent of ‘triple talent’ icons like Louis Armstrong and Sammy Davis, Jr. He’s a serious jazz musician who holds his own improvising on sax or scatting with the best musicians on the scene…he has a natural flair for comedy and a voice full of soul.”

229_DANNY BACHER by John Abbott

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