Ute Lemper

Ute Lemper

Rendezvous with Marlene

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Promotional Photos: Russ Rowland (B&W Version), David Andrako (B&W Version), Lucas Allen (B&W Version),

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Radio Promotion: Neal Sapper

 

Publicity: Broadway World, Time Square Chronicles, The Up Coming, London Theatre Reviews, Broadway.com, Playbill, Times Square Chronicles, Financial Times, Far Out Magazine, New Jersey Jazz Society, Jazz Square (Russian), Broadway World

 

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Ute Lemper’s “Rendezvous With Marlene” has one more live stream on Saturday, December 5, 2020, at 2:00 pm (EST) and December 15, 2020, at 8:00 pm (EST). Tickets may be purchased here.

 

Quote from Kevin Wilson

11.25.20


KINDRED SPIRITS
Ute Lemper channels Dietrich on
Rendezvous with Marlene

It takes a kind of fearlessness to address the mythical talent of superstar Marlene Dietrich. Dietrich’s stardom is legendary; her story a picaresque of adventure, fantasy, imagination, and coveted reality. Yet, if anyone can begin to touch Dietrich’s transcendent nature, to tell her story, it would have to be Berlin-born, New York-based Ute Lemper.

Lemper, a multi-talented musical theater and cabaret star, has lit up stages—acting, singing, dancing, writing, even painting—since the early ’80s. She began with Chekhov and Weill, among others, making a name for herself as an outsized talent.

But it was as a songstress, particularly as an exponent of the music of the Weimar Republic, that Lemper made her most lasting impact. She brings immense theatricality to her music, along with irony, sexuality, satire, and humor. She received a tremendous amount of attention for her dramatic cabaret-style performances and was heralded as the “New Dietrich.” In 1988, after receiving a Moliére Award for her performance in “Cabaret” in Paris, Ute sent a note to Dietrich, essentially apologizing for all the comparisons. I explained to her that I was just starting my career and that the comparisons were inappropriate,” said Lemper. I thanked her for inspiring me to become a performer and mentioned how much I admired her many achievements on stage and screen.”

A month later, Dietrich, then in her late 80s, called Lemper. Dietrich was a recluse by that time and had not left her Paris home for many years. But she and Lemper connected and the discussion was incredibly rich and profound. She told me everything about her life–emotional and historical—and I was very overwhelmed by it all,” said Lemper. It took me thirty years to think about it and finally be ready to put it into a show.” The three-hour conversation the two had discussing Dietrich’s fascinating life, forms the foundation of Rendezvous with Marlene, a lavish, lovable homage to the great performer. It began as a performance and is now a spectacular recording of the same name.

Ute sings to us Marlene’s story, fabulous songs from all the chapters of her life, from the Berlin cabaret years to her Burt Bacharach collaborations, with whom Dietrich toured for 15 years. Lemper puts her own spin on the material, injects them with modern drama, melodrama, and unfiltered flourishes of Dietrich’s sensuality.

Ute Lemper Rendezvous with Marlene is “An unforgettable evening: stylish, graceful, heart-warming and powerful, this is an event not to be missed,” says Shane Morgan of St. George’s Bristol, UK.

Essentially, Rendezvous with Marlene is the sound of one enormous talent passing her story along to another. And while we don’t know what motivated Dietrich to transfer her life story to Lemper, she most certainly sensed they were kindred spirits. You don’t have to listen long to the many lush tracks on Rendezvous with Marlene to understand that the two possess a simpatico life, sharing a kind of distinct versatility, attitude, humor, and multi-faceted approach to art. One critic raved: “An extraordinary, unforgettable evening with a sublime artist at the height of her powers – it should on no account be missed!” (Musical Theatre Review)

“A superb tribute to one astonishing woman from another, fascinating, enlightening, intense, often moving, and always entertaining,” according to Northern Soul.

“What a gift it was to hear Marlene talk about her life,” says Lemper. “This recording is my personal tribute to her. She was sexy, tough, and funny and her comic timing was ever-present, even in her singing,” said Lemper. “She was a free spirit,” Lemper recalls. “She was politically and morally outspoken and courageous. She was ladylike and bossy. She had class but loved whiskey, dirty jokes, and a good smoke. I tell her story through my eyes and sing her songs with my voice. She is using my body and voice to speak.”

Successfully. Says a critic writing for Gay UK, “By a huge margin the finest act of sustained, emotional intensity and fearless self-revelation I’ve ever seen. Ute – like Bowie, Callas, and Garland before her – is in an unprecedented class of her own.”

 

 

Click here for the full review!

 

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Described as an “extraordinary, unforgettable evening with a sublime artist at the height of her powers – it should on no account be missed!” (Musical Theatre Review), Ute Lemper’s “Rendezvous With Marlene” channels Dietrich’s story of courage, glamour, and humanity. Ahead of her time, Dietrich was a legend as an actress, singer, fashion icon, and free spirit. In her first show entirely focused on honoring Marlene, based on the true story of a phone call they shared, Lemper interprets some of Dietrich’s most beautiful songs and recounts some captivating secrets of her life. Don’t miss this enthralling exploration of Marlene’s career and personal life.

Click here to log in and buy your ticket for this unique performance. Tickets are $25.00, and one ticket serves a whole family and friends watching together.

Here is the setlist for the performance:
Where Have All The Flowers Gone (Pete Seeger)
Just A Gigolo (Leonello Casucci)
One For My Baby (Harold Arlen / Johnny Mercer)
Life’s A Swindle (Mischa Spoliansky / Marcellus Schiffer)
They Call Me Naughty Lola (Friedrich Hollaender)
Boys In The Backroom (Frank Loesser / Friedrich Hollaender)
Lili Marleen (Norbert Schulze / Hans Leip)
Ruins Of Berlin (Friedrich Hollaender)
Black Market (Friedrich Hollaender)
When The World Was Young (Johnny Mercer / M. Philippe-Gérard)
Ne me quitte pas (Jacques Brel)
Laziest Gal In Town (Cole Porter)
The Answer My Friend Is Blowing In The Wind (Bob Dylan)
Que reste-t-il de nos amours / I Wish You Love (Charles Trenet)
Falling In Love Again (Friedrich Hollaender)

Ute’s band for this performance will be:
Vana Gierig : Piano
Jesse Mills : Violin
Matthew Parrish : Bass
Todd Turkisher : Drums

 

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Dreamstage never streams pre-recorded material.

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Click here to watch the full performance on YouTube

 

 

When she received much acclaim for her 1988 performance in the Paris staging of Cabaret, including some comparison to Marlene Dietrich, German actress/singer UTE LEMPER felt embarrassed by this, and wrote a note to Dietrich apologizing for the comparison.  She received a phone call from Dietrich in return, and during their lengthy conversation, Dietrich recalled much of what had occurred in her life.  It was an occasion of great significance for Lemper.  A few years ago, Lemper created Rendezvous With Marlene (Jazzhaus – 184).  This show, originally done as a cabaret performance, provided an overview of Dietrich’s life and career, with Lemper performing 20 songs associated with Dietrich.  I saw the show at the York Theater last year, and greatly enjoyed it.  Lemper does an effective job of capturing the Dietrich persona, but also brings much of her own performing personality to the production.  She is an accomplished actress and singer, who moves easily between being herself and channeling Dietrich.  The recording contains only the musical portion of the show, but stands nicely on its own.
Review by Joe Lang

 

In addition to this has been watched 75,000 times on Ute and lyricist Paulo Coelho’s  and 
Her website news includes her live-streamed Carnegie Hall program that had 60K views just on Facebook in addition to actual Carnegie website views.
That was followed by co-hosting WQXR’s Music Never Sleeps event.
And here’s the full LIVE stream from her terrace in NY with the sunset . All together 8 songs …

Ute Lemper – Rendezvous with Marlene

The history of this album takes us back more than thirty years to 1988. It was then that a three-hour telephone conversation took place in Paris between two German women, two Actresses and singers, Marlene Dietrich and Ute Lemper. Some of our readers do not need to explain who they are, but for the rest, especially the young ones, we will have to tell them…

So, Marlene Dietrich (1901-1992). A sex symbol of her era, a great actress and singer. Her fame rose in the 20s, in the film “Blue angel”, which brought her unprecedented success not only at home, but also far beyond its borders. After moving to Hollywood, she quickly became a star there. The Nazis who came to power in Germany promised Marlene all imaginable benefits for her return. But Marlene Dietrich was sharply negative about Hitler and his brown pack. She defiantly renounced her German citizenship and accepted US citizenship. During the war, she often performed in front of allied soldiers in Europe. Someone pointed out that Dietrich was more often on the front line than Eisenhower. After the collapse of Nazism, she continued her brilliant career. In 1960, she arrived in her native Berlin, where she was obstructed, considered a traitor. After a while, Marlene settled in Paris. After an unfortunate fall from the stage in 1975, she could only walk with a stick – and did not want to be seen like this. Then she lived as a recluse in Paris, not communicating with anyone, her relationship with her daughter was very difficult, in the past there were stormy romances with world celebrities, in the past there was fame.

This is what Marlene called Ute Lemper (b.1963) in 1988. Starting with performances with a jazz-rock band, she turned into a musical and cabaret star by the age of 25-just like Dietrich once did. In 1988, in Paris, she was awarded the prestigious Moliere Prize for playing and singing in the musical “Cabaret”. That’s when she sent the card to Dietrich. A miracle happened: she suddenly agreed to talk to Ute on the phone. For three long hours, Marlene told her young companion many secrets of her personal and creative life. Ute was lucky: the stars came together and the great diva wanted to pour out her soul.

Many years later, in 2019, the already very famous Lemper put this conversation at the heart of her show Rendezvous with Marlene, where she tells the story of the life of Marlene Dietrich from the stage and sings songs from her repertoire. The audio album Rendezvous with Marlene is a kind of soundtrack of a very successful show, met with the most positive responses around the world. Like Dietrich, Lemper sings here in three languages-German, English and French, and sings with a very precise balance between Dietrich’s characteristic singing style and the danger of “playing too much” in imitation of her unique husky contralto. Here you can hear songs from the time of Dietrich’s success in Weimar Germany – the world-famous Lili Marlen, songs by her favorite composer Friedrich Holender, who, like her favorite Director von Sternberg, had to flee from the persecution of the Nazis, – Wenn Ich mir wunschen durfte, Ruins Of Berlin, sound jazz standards Mercer (One For My Baby, When The Workd Was Young) and porter (the Laziest Gal In Town) times of successful collaboration with Bert Bacharach, songs of great American folk singers Pete Seeger (Where Have All the Flowers Gone) and Bob Dylan (Blowing In the Wind), beautiful French songs, for example, Marie Marie Gilbert BECO. In short, this is a stunning excursion into the popular music of the twentieth century, which was loved and sung by the great Marlene Dietrich.

© 2020 Jazzhaus Records

20 tks / 74 mins

Link provided by Mixed Media

Leonid AUSKERN

style jazz
author Leonid AUSKERN
country Germany
musical style crossover
https://jazzquad.ru/index.pl?act=PRODUCT&id=5553

 

Whaling City Sound attends Jazz Congress 2019

Whaling City Sound attends Jazz Congress 2019

Ginny Shea attends

Jazz at Lincoln Center
10 W 60th St
New York, NY, 10023
on behalf of

with NBC10’s Mario Hilario

Your Digital Marketing Priorities

Having a presence digitally means more than just having a website. Molly Garber of digital marketing firm Capacity Interactive, which counts Jazz at Lincoln Center, Carnegie Hall and The Kennedy Center as clients, shares five core priorities and how you can tackle them successfully, even with limited time and money.
Intro: Aaron Bisman (Jazz at Lincoln Center)
Panelists: Molly Garber (Capacity Interactive)

with vocalist Kristen Lee Sergeant from Inside Out WCS087 

Jazz Entrepreneurship: Online Strategies, Offline Results

3 presenters talk about their entrepreneurial ventures: what’s been successful, what’s worked, and what hasn’t. Short individual presentations followed by Q&A.
Moderator: Ashley Kahn
Panelists: Marc Plotkin (Clive Davis School of Recorded Music at NYU), Meghan Stabile (Revive Music), Spike Wilner (Smalls Jazz)

JukeBox Jury Presented by JazzWeek

Many new releases are a slam dunk at jazz radio: down-the-middle post bop, high-profile vocalists, or the latest reissue or “lost” recording. But what about artists and recordings that exist along the fringe or push the envelope? How do radio stations decide what music gets on the air? A panel of radio programmers preview music ranging from the mainstream to the adventurous, and detail why or why not each track would work on jazz radio.
Moderators: Brad Stone and J Hunter (WVCR)
Panelists: Elizabeth A. Farriss (KEWU), Willard Jenkins (WPFW), Michael Valentine (WDNA), Gary Vercelli (KXPR)

Strategic Partnership in Practice: Jazz Night in America

What does an effective strategic partnership look like? How is it created and what does it take to maintain it? What value does each individual partner see in such a relationship and what can the jazz community learn from this unique partnership between NPR Music, WBGO, and Jazz at Lincoln Center.
Moderator: Neal Shapiro (WNET)
Panelists: Gabrielle Armand (Jazz at Lincoln Center), Anya Grundmann (NPR), Amy Niles (WBGO)

Perfect Pitch: Will This Press Kit Get Me Booked?

Independent artists invited to submit their press kit or EPK to panel of judges for a live review.  Beyond personal feedback, the session leverages these real life examples to highlight best practices and opportunities for artists to best represent themselves through their bios, press releases, photos, videos, press clips, etc.
Moderator: Katie Simon (WBGO/Jazz Night in America)
Panelists: Bobby D. Asher (The Clarice Smith Performing Arts Center at the University of Maryland), Janis Burley Wilson (August Wilson Center/Pittsburgh International Jazz Festival), Georgina Javor (Jazz at Lincoln Center)

Grab and Go food/drink with sponsor tables in Mica and Ahmet Ertegun Atrium

Monica Herzig’s SHEROES WCS106 featured on Antidote musician/promoter Ken Avis’ sponsored table

With pianist-composer Greg Murphy (Summer Breeze WCS081 and the soon released Bright Idea WCS111 and keyboard wiz Jason Miles (To Grover With Love / LIVE IN JAPAN WCS078, Kind of New WCS073)

Greg and Ray Blue

with Danny Bacher’s Still Happy WCS110 producer Jeff Levenson

KEYNOTE: Lundvall Visionary Award & Art Blakey Centennial Celebration

The Jazz Congress is honored to present the 2019 Bruce Lundvall Visionary Award to Darlene Chan, a tireless, behind the scenes advocate for so many artists and the music at large.
Immediately following the presentation of the award, members of the Jazz Messengers will reconvene onstage for a once in a lifetime reunion, hosted by Celine Peterson.
Panelists: Terence Blanchard, Randy Brecker, Cameron Brown, Donald Brown, Steve Davis, Leon Lee Dorsey, Essiet Essiet, Kevin Eubanks, Jon Faddis, Benny Green, Billy Harper, Donald Harrison, Eddie Henderson, Vincent Herring, Harold Mabern, Branford Marsalis, Wynton Marsalis, Ralph Peterson Jr., Bill Pierce, Lonnie Plaxico, Wallace Roney, Melissa Slocum, Charles Tolliver, Steve Turre, Bobby Watson

Opening Night Reception sponsored by BOLDEN, opening in theaters spring 2019

Celebrate opening night of Jazz Congress with BOLDEN, inspired by the life of Buddy Bolden. The film reimagines the compelling, powerful and tragic life of an unsung American hero who invented Jazz.

 

#TBT ’14 Jazz Connect

Alma Micic/WCS

Alma Micic/WCS

LABEL: Whaling City Sound  

Alma Micic

Web site

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Press Release

Publicity: ALL MUSICAll About Jazz

Radio Promotion: Neal Sapper and Matt Hughes of New World n Jazz

 

Summary of Previous Campaign:
16 weeks total
5 weeks on the charts
Peak position #30

Click here to read George Harris of Jazz Weekly review of Alma Micic’s new album “That Old Feeling”

Promo Photos: 1,2,3,4

CDs:  Whaling City Sound, distributed by NAXOS of America

Purchase on:screen-shot-2016-09-21-at-10-16-20-amscreen-shot-2016-09-21-at-10-16-06-am

Listen: Song Clips

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L-R: Alma Micic – vocals, Rale Micic – guitar, Paul Del Nero – bass, Chris Poudrier – drums, Neal Weiss – producer, Whaling City Sound

New Bedford, MA Thursday evening 6.8.17

 
Alma will be releasing “That Old Feeling” on Vinyl on April 3, 2020!
Title of Album: THAT OLD FEELING       ARTIST: ALMA MICIC
Track listing:

AGNZ “Chance Meeting” is #17 this week on the JazzWeek jazz chart!

AGNZ “Chance Meeting” is #17 this week on the JazzWeek jazz chart!

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agnzUpon hearing the news from Neal Sapper of 41 position jump…

Surprise. Rare to carry over to new year, and also rare to go up after dropping down: defying gravity. ~Neal Weiss, Whaling City Sound

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Four powerful jazz artists in mid-career, all with New England roots and impressive experience, come together in one explosion of brilliant light, to produce ten originals, full of purposeful playing and sublime solos.

Chance meeting indeed!

Perhaps though it’s not a coincidence that drummer Adam Nussbaum, bassist Dave Zinno, guitarist Jay Azzolina, and saxophonist Dino Govoni met at all.

Together, the first-call quartet fuses beautifully on their debut play date together.

Presiding over the session seems to be the musical spirit of Michael Brecker, Govoni and the band’s collective inspiration and the launching pad for much of the work on Chance Meeting.

With Brecker in mind, the four musicians—educators, bandleaders, conductors and original artists—form a single dynamic enterprise, playing with the confidence of visionaries that have the same elevated goal: to reach a new level not as individuals, but as a team, as an exhilarating ensemble with multiple talents but a single mind.

Buy now click on either below

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