Support the unveiling of a previously hidden gem in jazz history! We’re thrilled to introduce “1959: Vol 7: The Lost Tapes” by Terry Gibbs’ Dream Band, a long-lost recording capturing the magic of vibraphonist Terry Gibbs and his legendary big band. This remarkable album showcases Gibbs’ unparalleled talent as both a vibraphonist and bandleader, alongside a roster of jazz virtuosos who shaped the landscape of the late 50’s Los Angeles jazz scene. Despite its historical significance, this treasure remained undiscovered for decades until now.
Your contribution will assist in mixing and mastering for optimal sound quality, crafting captivating album artwork and packaging, producing physical copies for wider accessibility, distributing the recording across various platforms, and amplifying awareness through PR, advertising, and outreach efforts.
By supporting this endeavor, you’re not just funding a musical project; you’re also helping to safeguard an essential piece of jazz history and paying homage to the enduring legacy of Terry Gibbs. Join us in celebrating his timeless brilliance and introducing his music to new generations of listeners. Terry Gibbs, at nearly a century old, is not slowing down. He’s produced this remarkable new live CD with his six-time Grammy-nominated big band. “1959: The Lost Tapes, Vol. 7” consists of previously undiscovered tracks from the same sessions as the band’s previous recordings, capturing the band at their peak performance. Engineered by the legendary Wally Heider, these recordings from March and November of 1959 boast exceptional quality that transcends time.
The Terry Gibbs Dream Band was a beacon of innovation in the L.A. and national big band scene, performing jazz standards, big band classics, and unreleased numbers. Featuring original charts by renowned arrangers Al Cohn, Bob Brookmeyer, Marty Paich, Med Flory, and the recently deceased Bill Holman (the last band member alive except for Terry), this ensemble set the stage for the adventurous big bands of the 1960s. Join us in honoring this influential legacy and allowing others to experience the magic of Terry Gibbs’ Dream Band.
Throughout Terry’s illustrious career, he collaborated with many renowned artists, contributing to over 80 albums. Some of the notable musicians he worked with include Tommy Dorsey, Buddy Rich, Woody Herman, Benny Goodman, Charlie Parker, Dizzy Gillespie, Max Roach, Buddy DeFranco, Bud Powell, Louie Bellson, Art Blakey, Coleman Hawkins, Roy Eldridge, Marian McPartland, Alice Coltrane, Terry Pollard, Clark Terry, James Moody, Ray Brown, Nicholas Payton, Joey DeFrancesco, Sarah Vaughan, Dinah Washington, Ella Fitzgerald, Burt Bacharach, Lou Rawls, Barry Manilow, Rod Stewart, Phil Spector, Teddy Wilson, Gene Ammons, Sonny Stitt, Barry Harris, Jimmy Heath, Hank Jones, Elvin Jones, Mel Lewis, Stan Getz, Zoot Sims, Lester Young, Count Basie, Duke Ellington, Tito Puente, Lionel Hampton, Gary Burton, Red Norvo, Ray Charles, Carmen McRae, Jimmy Witherspoon, Eartha Kitt, Lalo Schifrin, Joe Williams, Jimmy Smith, Thad Jones, Tommy Flanagan, Oscar Pettiford, Charlie Shavers, Dexter Gordon, Chick Corea, Sonny Rollins, Kenny Burrell, Oscar Peterson, Erroll Garner, Hal Blaine, Earl Palmer, Kim Keltner, and Don Shirley.
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Terry Gibbs will go live again! This coming Sunday at 1 pm pacific time, here on Facebook live. He’ll tell stories and answer questions from anybody who’s interested. He had a really great time answering all the questions that were asked.
At age 92 years old, vibraphonist Terry Gibbs was still a musical force when he recorded 92 Years Young Jammin’ at the Gibbs House (Whaling City Sound, 2017). His son, drummer Gerry Gibbs, paid homage to him with Songs from My Father (Whaling City Sound, 2021) with the Thrasher Dream Trio band. As for this recording for his father, Gerry Gibbs says, “Recording this record with my Pops will always be so memorable because it will be his last work.” Accordingly, at the ripe age of 98 years old, Terry Gibbs has released the last album of his storied career and life with The Terry Gibbs Songbook, recorded and performed by the Terry Gibbs Legacy Band featuring Gerry and an all-star cast of players including saxophonist Scott Hamilton and vocalist Danny Bacher, who fit the bill to the tee.
Having an outstanding reed section to work with, the challenge became how to feature each player by giving them proper solo space on each track. The Brazilian flavored opener, “Let’s Go To Rio,” features Ranier on the first solo with Allen and Hamilton on two choruses of eight bars each. The following “Those Eyes, Those Lips, That Nose, That Face, That Girl,” has Allen and Hamilton supporting Bacher on vocals.
One beautiful ballad played to the heart is the gorgeous “I Was Loved,” with Hamilton doing the love solos all by himself as the vocalist displays his warmth and soul, letting it all hang out. The tempo changes dramatically on the perky “Now’s The Time To Groove,” a lively swinging number that has the shoulders moving and the fingers snapping. This is the only piece that features Terry Gibbs on vocals, trading words with Bacher on a cheery, playful piece of music.
There are other memorable songs on this session and one for sure is the melodic “The House That Might Have Been,” featuring Hamilton again on some delicious solo moments. Allen takes center stage on the slow ballad of “Nina.” The boisterous and swinging “I Can Hardly Wait for Saturday Night” has Allen and Hamilton featured on multiple four-bar solos in one of the gyrating pieces of the session.
Two of the outstanding tunes of the album are “And That’s Why They Call It The Blues,” and the swinging “Stay With Me Tonight” which features solos from Ranier, Allen and Hamilton. The Terry Gibbs Songbook is the perfect Swan Song, a final musical gesture from an unforgettable jazz legend whose music will surely live on.
Mondays With Morgan is a column in LondonJazz News written by Morgan Enos, a music journalist based in Hackensack, New Jersey. Therein, he dives deep into the jazz that moves him – his main focus being the scene in nearby New York City.
This week, Enos spoke with the legendary vibraphonist Terry Gibbs, active since the 1940s; to trace his development is to tell the story of a large swath of jazz history.
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Terry Gibbs, who turns 99 next October 13, has had quite a remarkable career. One of the greatest vibraphonists of all time, Gibbs was a professional by the age of 12 (back in 1936). He became famous as a member of Woody Herman’s Second Herd, worked with Buddy Rich, Chubby Jackson and the Benny Goodman Sextet, mastered bebop, and was a bandleader throughout much of his career. Gibbs led his orchestra, The Dream Band, during the late 1950s and early ‘60s, headed the regular group on the Steve Allen Show in the 1960s, and had a quintet with clarinetist Buddy DeFranco. His memoirs, Good Vibes, is both quite informative and often hilarious. Gibbs was active into his early nineties before deciding to retire.
The Terry Gibbs Songbook is a special final musical project in Gibbs’ career. There is one major error in the liner notes that needs to be corrected. It is stated that because Gibbs helps out with the singing and plays some two-handed piano on the humorous and nostalgic “Now’s The Time To Groove,” he is the first musician to record in eight decades. Actually Benny Carter recorded in nine; however Terry Gibbs still has the record. In addition to recording commercially in nine decades (starting in 1946), if one counts a radio show on which Gibbs in the 1930s played some classical music (tapes still exist and briefly appeared on You Tube), he is the only musician ever to have recorded in ten decades!
While Gibbs occasionally wrote songs that he recorded as instrumentals through the years, this project is a bit different. 15 of the great vibraphonist’s compositions have been given lyrics and are sung by Danny Bacher, a fine jazz vocalist who could have fit in well with jazz groups in the 1950s. Eight of the numbers have words by Michael Dees while the other collaborators were lyricists Arthur Hamilton, Bobby Troup, Steve Allen, and Jerry Gladstone with two of the songs having lyrics by Gibbs himself.
Terry Gibbs’ music has always swung and this set is certainly no exception. He gathered together pianist Tom Ranier (also heard a bit on tenor), bassist Mike Gurrola, and his son drummer Gerry Gibbs, and was able to easily talk the two great swing tenors Scott Hamilton and Harry Allen into joining the group. While each song has a Bacher vocal, there is a lot of solo space for the tenors and Ranier. The tunes range from love songs (including the touching “I Was Loved”) and wistful memories of his life to plenty of joyful swing. Such titles as “I Can Hardly Wait For Saturday Night,” “Play And Sing,” “And That’s Why They Call It The Blues,” “Stay With Me Tonight” (which during its closing part includes some Terry Gibbs vibes from decades ago), and the jazz waltz “Say Goodbye” are among the many rewarding songs on this set that could become standards in the future if heard by enough singers and instrumentalists.
Terry Gibbs has said on numerous occasions that this is his last recording. Hopefully when he turns 100, he will change his mind and do this again! In the meantime, be sure to pick up a copy of The Terry Gibbs Songbook which is available from www.whalingcitysound.com and www.amazon.com.
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“Terry Gibbs Returns with Homemade Recording” interview by Kirk Silsbee in July 2017 DOWNBEAT:
“IN 2015, VETERAN VIBRAPHONIST TERRY Gibbs decided to put his mallets away for good, leaving the family musical legacy to his son, drummer Gerry Gibbs. But a funny thing happened on the way to retirement: Terry got the itch and asked Gerry to bring some players to his house for an informal jam. Gerry’s wife posted a YouTube video of the get-together, which went viral a few days later. The group then decided to have a session with the tape rolling, and the result is an album Terry never thought he’d make—92 Years Young: Jammin’ At The Gibbs House (Whaling City Sound). The loquacious Terry Gibbs was happy to talk to DownBeat about the unique circumstances behind this project and reflect on his storied career.”
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Gerry Gibbs Thrasher People
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LABEL: Whaling City Sound
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Featured Track “Bopstacle Course” on SoundCloud
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Gerry Gibbs Thrasher Dream Trios
Songs From My Father
LABEL: Whaling City Sound
Publicity: Lydia Liebman
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Featured Track “Bopstacle Course” on SoundCloud
Distribution: NAXOS of America ArkivJazz
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Gerry Gibbs Thrasher Dream Trios – Songs from My Father (Whaling City Sound) – This outing returns to the trio configurations as he pays homage to his 96-year-old father, Terry Gibbs, one of the last living architects of bebop and an innovator on the vibraphone. Gerry selects 18 tunes from his dad’s discography, giving them a more contemporary sheen spread across 2 CDs. Notably, this project also features one of the late Chick Corea’s compositions, “Tango for Terry,” and two arrangements done specifically for this album. Gerry Gibbs tapped several legendary players, three NEA Jazz Masters and perhaps two or three future ones, informing these luminous trios – Corea and Ron Carter, Kenny Barron and Buster Williams, Patrice Rushen and Larry Goldings, and Geoff Keezer and Christian McBride along with percussionist Kyeshie Gibbs. (Received Grammy nomination for Best Improvised Jazz Solo for Kenny Barron on “Kick Those Feet”).
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AUGUST 13, 2021
GERRY GIBBS THRASHER DREAM TRIOS – SONGS FROM MY FATHER (CD)
Whaling City Sound
Songs From My Father is the much-anticipated new album from renowned musical polymath Gerry Gibbs. On his thirteenth release as a leader, drummer — percussionist — bandleader — arranger Gibbs presents a smashing double-disc masterwork featuring four iterations of his acclaimed Thrasher Dream Trio. Under his astute direction, this band of jazz titans pays homage to the musical legacy of Gerry’s 96-year-old father, Terry Gibbs. To honor Terry, one of the last living architects of bebop and innovators of the vibraphone, Gerry selected 18 tunes from his father’s vast discography and interpreted the timeless material through his own refined compositional lens with inventive, modern arrangements. Notably, Songs From My Father features the last recorded performance of the great Chick Corea, and includes one of Chick’s tunes composed specifically for this project. With Gibbs in the drum chair, his Thrasher Dream Trios include Corea and Ron Carter; Kenny Barron and Buster Williams; Patrice Rushen and Larry Goldings and Geoff Keezer & Christian McBride; along with percussionist Kyeshie Gibbs. With this new recording, Gerry Gibbs cements his standing as one of the most creative and forward-thinking musicians on the contemporary jazz scene. Disc 1 features Corea and Carter on “Bopstacle Course,” composed in 1974 and “Sweet Young Song of Love” composed in 1985, and arranged by Gibbs and Corea. The first disc’s final track, “Hey Chick,” is a special homage to the memory of Corea. The Thrasher Dream Trio is featured on the album opener “Kick Those Feet” and “Take It From Me” both composed in 1964. “Smoke Em Up” (1968) and “Lonely Days” (1955) both feature Gibbs alongside pianist Patrice Rushen and organist Larry Goldings. Gibbs per- forms with pianist Geoff Keezer and bassist Christian McBride on 1955s “Nutty Notes,” and 1958s “The Fat Man.” Disc 2 provides audiences with further arrangements of timeless Gibbs compositions including 1949s “T & S” and 1955s “Lonely Dreams” featuring Barron, Gibbs and Williams; 1978s “Townhouse 3,” 1961s “Hippie Twist” and 1958s “Pretty Blue Eyes” featuring Rushen, Gibbs and Goldings; 1978s “4 A.M,” 1961s “For Keeps” and 1955s “Gibberish” featuring Keezer, Gibbs and McBride; and 1964s “Waltz For My Children” featuring and arranged by Corea, alongside Gibbs and Carter as well as the final piece on the album —“Tango For Terry” written and performed by Corea for his old friend Terry Gibbs.
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The history of this project is very dramatic. The album, conceived as a tribute from his son – the father, the famous drummer and band leader of “The Thrasher” Gerry Gibbs – the 96-year-old legendary Terry Gibbs, who played with Benny Goodman, Charlie Parker, Art Blackie, Dizzy Gillespie etc., who composed more than 300 compositions, who recorded 65 solo albums and was the # 1 vibraphone player from 1950 to 1955 according to DownBeat and Metronome polls, turned into a double tribute with a very sad connotation. However, let’s go in order …
The double album Songs From My Father amazes with its monumentality. Gerry has selected 18 compositions from different years from the vast creative heritage of his father. Known for his signature Thrasher Dream Trio chamber ensembles, Jerry decided to entrust the performance of this music to several Thrasher Dream Trios, composed of the outstanding jazz musicians of our time. There are four of them in the album. Chick Corea and Ron Carter play in one with him, Kenny Barron and Buster Williams in the other, Patrice Rushen and Larry Goldings in the third (the only trio where a Hammond organ sounds instead of bass) and in the fourth – Jeff Keezer and Christian McBride. How do you like the team? In my opinion, just fantastic!
But what does it mean to implement such a project, and even in a covid year ?! Gerry Gibbs traveled half of America in ten months, coordinating the work schedules of the project participants in order to make these recordings. Terry’s old friend Chick Corea was especially inspired by the idea of this tribute. He wrote the composition “Tango For Terry” specially for the album, which became the final track of the album, and also made arrangements for two more compositions. Gerry and Chick called up almost every week, discussed the progress of the project, and just talked “for life.” And then came the unexpected and black news of Chick Corea’s death. And it so happened that four pieces recorded for this album with his participation turned out to be the last lifetime recordings of this amazing musician …
Shocked by this tragedy, the project participants said goodbye to Corea with dignity. Gerry and his father jointly renamed Terry’s 1961 composition “Hey Jim” to “Hey Chick”, and it was jointly performed for the project by all eight of its members (each with a pair of choruses). In addition, Gerry also edited his father’s vibraphone solo from that old recording from the early 60s into this recording. This piece took a special place in the album, remarkable in all respects. If you love jazz, you just have to hear this unique work – and say goodbye to Chick Corea …
Review by
Leonid Auskern
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Gerry Gibbs publishes Songs from my father with unreleased music by Chick Corea
Songs from my father is the highly anticipated new album from music scholar Gerry Gibbs. It is his thirteenth release as frontman, drummer, percussionist and bandleader, as well as arranger, Gibbs presents a two-disc masterpiece featuring four versions of his acclaimed trio that goes by the name Trasher Dream Trio.
Under his clever leadership, the band of jazz titans pay heartfelt tribute to the musical legacy of Gerry’s father, Terry Gibbs, one of the last living architects of be bop and innovators of the percussion instrument: the vibraphone.
For this purpose Gerry selected no more and no less than 18 melodies from his father’s vast discography and interpreted the material in a timeless way through his own compositional prism and lens, with ingenious and modern arrangements. Also Songs from my father has the last performance recorded with the great Chick Corea, piano genius who also passed away a few dates ago. It also includes one of the melodies Chick composed specifically for this project.
With Gibbs on drums, he has had the chance to record on this album with his stellar trios. Here you can enjoy excellent musicians such as Korea himself, Ron Carter, Kenny Barron, Buster Williams, Patrice Rushen, Larry Goldings, Geoff Keezer and Christian McBride.
A global pandemic could not stop this prolific jazz man, but rather, on the contrary, positively inspired him leaving an echo of an impressive season of creative production. Gibbs presents this album fresh from his epic 2019 work titled Our People, which defies the musical genre. Some critics defined it as “cleverly overlapping pieces that often come close to cinematic … quite a feat.”
We also had access to his previous 2020 Emotional Pandemic, an 18-track album entirely composed and performed by his own person. The 8 instruments. In fact, this was the launch that caught the attention of Chick Corea himself. Korea asked the drummer the process for recording all the instruments. That minimal conversation evolved into the possibility of collaboration and the concept was born: it was possible to release a double album as a result of collaborations with four amazing triso, including the aforementioned collaboration with Chick and Ron Carter.
In this state of affairs, later Korea asked to become even more deeply involved in work, in music. He composed an original piece under the title Tango For Terry, dedicated especially to Terry Gibbs and even arranging two pieces for the album.
Gibbs comments “What he wanted to do seemed almost impossible with the covid. There was a lot of fear, travel, safety precautions and logistics. How do 4 trios coordinate when a disease spreads all over the world and in the USA? That was the challenge and yet Gibbs saw the opportunity and did not give up organizing several trips to capture the sounds. Without a doubt, he has been worth it.
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Our People
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“Weather or Not”
Nice to hear graphically arranged material of Weather Report. Keep up with your creative mission! ~Wayne Shorter“Gerry has created his own world on this recording. The amount of time and effort he brought to the project is astounding. The music itself is extremely wide ranging touching upon several distinct idioms …..quite impressive.” – Dave Liebman
Listen on SoundCloud “Black Market”
Listen on SoundCloud “Just Glad to Be Anywhere”
Photos: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14
Youtube – Gerry Gibbs on the drums
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Radio Promotion: #1
WCS 091 Weather or Not
“Joe Zawinul always had the utmost respect for maestros Kenny Barron and Ron Carter. I am certain that their Thrasher Trio-mate Gerry Gibbs’ name would have been added to that select list had Joe been able to hear Gerry’s realization of the music of Weather Report as played by his new trio that includes Alex Collins on piano, Fender Rhodes, organ & vocals, plus Hans Glavishnig on acoustic bass (whose playing on this CD bears an uncanny resemblance to maestro Carter’s). Here is a unique reading of Weather Report’s music that is totally fun to listen to. As an insider, I can say that this album sheds new light on the WR canon while spotlighting the intrinsic talent and sounds of Gerry’s new band. I feel the better for having heard this recording.Jaco would have loved Hans’ playing on “A Remark You Made” … I know that I do.
– Peter Erskine
Great musical interpretations by drummer/visionary Gerry Gibbs of the various songs originally recorded by supergroup Weather Report. Gerry’s drumming is impeccable throughout. The band really cooks!! A “must have” CD!– Alphonse Mouzon(Original Drummer and Founding Member of Weather Report)Chairman of Tenacious Records
Gerry Gibbs and Thrasher People visit the Music of Weather Report with great re-interpretations and success, and if that wasn’t enough on this 2 CD set, you can hear the Thrasher Trio tackle Gerry Gibbs’ complex original compositions each of which tell a unique story like the Weather Report tunes… real impressive playing from everyone…this stuff ain’t easy folks!! They kill it!– Randy Brecker
I am having so much fun listening to Gerry’s new trio cd celebrating the music of weather report. Totally swingin’ and lots of surprises. Gerry is a very interesting artist for me to listen to, he is not only a great drummer with tons of spirit and ideas but he is a great arranger and writer. His deep understanding of history and love of the music is always present as is his sense of humor. Hard swing, funk blues, a great shuffle and lots of soul, all the things I love about jazz music are constantly being addressed, taken apart, put back together backwards then forwards and inside out without being tongue in cheek or labored. New and fresh ideas being examined from many angles through the eyes of artists who know the roots. An oasis of swingin’ jazz at a time when it is really needed. Thank you Gerry!
– Mike Clark
This CD would not have been documented if it had not been for my Thrasher People Brothers, Alex and Hans. Special Thanks to Alex for taking my 12 arrangements and 16 originals and not only transcribing them from my computer mock ups but for memorizing all 28 songs and for going out of your ways every step of the way.
Thanks to Thadd – Your presence was felt all through out ! Never seen but felt for sure.
Special thank you’s to DW Drums Special Thank you to all at DW Drums. Special thank you to Don Lombardi, John Good and special thanks to Garrison
Special Thank you to Evans Drum Heads & Pure Sound Percussion. Huge Thanks to my brother Marco Soccoli for not just taking care of me, equipment wise, but stopping in and out of the recording sessions to give all his knowledge of different drum heads that he sent and brought to the studio for this recording. He helped me constantly change heads to different models on 15 different DW Drums used on these 2 CD’s
Special Thanks to Zildjian. Extra special Thanks to Kirsten Matt and Sarah Hagan for sending bells and special effects cymbals the day before recording started..Love you guys.
Thank you Vic Firth Drum Sticks, Humes and Berg Drum Bags
Special Thanks to my wife Kyeshie Gibbs. She was there during every minute in the studio all 5 days and had many great ideas during the tracking and mixing of these CD’s
Special Thanks as always to my Pops who encouraged me to go out every night and find the new members of THRASHER PEOPLE.
During the preparation for this recording a few key people really made some amazing things happen in many ways related to this recording. Much love to 2 of the best drummers on the planet – Mike Clark and Joey Heredia. Also huge thanks to Weather Report Alumni and 3 of the most important and influential musicians, Peter Erskine, Alex Acuna, Alphonse Mouzon, Thank you to Randy Brecker and Mike for their kind thoughts about the music after they heard the 2 CDs. One of the most knowledgeable and creative music writers in the music world Bill Milkowski. Special Thanks to Keyboard Wizard and Producer Nick Manson for some great imput. Thank you to Stan & Jerry (Owners of Pro Drum Shop in Hollywood California) for taking care of all my equipment over the last 25 years.
Thank you to all the amazing sound people involved – David Stoller & Mark Marciano and of course huge hugs and love to Nancy Marciano
Thanks to Whaling City Sound Team Neal Weiss, Dave Arruda Jr and Ginny Shea
This CD is dedicated to Neal Weiss for his 10 years of huge support, love, friendship and always great input and amazing care of all the projects we have done together for his wonder Whaling City Sound Label.
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2023 Festival
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Today, the folks behind the 25th annual Rhythm & Roots, Music, Dance and Food Festival delivered the names of the headliners and associated acts for the gathering, which takes place over Labor Day Weekend, Sept. 1 through 3, at Ninigret Park in Charleston, R.I.
The impending spring event will include Greensky Bluegrass, Trombone Shorty and Dumpstaphunk as headliners. The bill includes 20 other acts, such as Steve Riley & the Mamou Playboys, Curley Taylor & Zydeco Trouble, The Revelers, Corey Ledet Zydeco, Old Fashioned Aces and more.
Rounding out the current lineup are Knickerbocker All-Stars, Mighty Soul Drivers, Ward Hayden & The Outliers, Paul Gabriel Blues Band and Christine Ohlman & Rebel Montez with the Sin Sisters. Additional players will be added the schedule in the coming weeks.
The Rhythm & Root Festival boasts three stages, the Rhythm (primary) stage with standing room and lawn seating and the tented Roots and Dance stages. Moreover, the festival features over a dozen food vendors, a range of craft vendors, beer and wine.
For tickets to the annual event, visit Rhythm & Roots Festival’s official website.
Grace Potter, Little Feat, Cowboy Mouth to Headline Rhythm & Roots
Labor Day Weekend Festival Opens Friday with New Orleans Theme
CHARLESTOWN, R.I. –– The 24th Rhythm & Roots Music, Dance and Food Festival kicks off with a New Orleans party of musical styles followed by traditionalists, little-known talent, fan favorites and new interpreters of the ever-expanding definition of roots music.
The Sept. 2, 3 & 4 festival, held at Ninigret Park every year, will feature headliners Cowboy Mouth on Friday, Grace Potter on Saturday and Little Feat on Sunday. They will join Samantha Fish, Anders Osborne & Jackie Green, North Mississippi All-Stars, The Pine Leaf Boys, The New Orleans Suspects, and longtime festival performers Donna the Buffalo and Steve Riley and the Mamou Playboys. Over two dozen bands will cover the map of musical styles – Cajun, R&B, Delta blues, Zydeco, soul, country, rock and gospel among them.
The festival, now produced by GoodWorks Entertainment, offers the same “chill but lively” vibe that’s made it a much-awaited, end-of-summer reunion for friends and family for over two decades. Founder and longtime producer Chuck Wentworth, who sold the festival earlier this year, is still involved and brings his family’s expertise to the party.
As always, the festival features music on three stages, including the Dance Tent for two-step and waltz enthusiasts. Local beer, wine and seltzers are available, as is food of all kinds from popular vendors and sales of artisans’ wares are back. Ninigret Park’s playground, swimming, tennis or biking are options for anyone needing a break between bands. RV, pop-up and tent camping is available and enhances the overall festival experience. Festival grounds open at 4 p.m. Friday and noon on Saturday and Sunday. Performances start one hour after opening through 11 p.m. Tickets range from $49 for the Friday New Orleans opener to $249 to camp, dance and hear music all three days. (Note that the three-day camping tickets sold out last year.)
Here’s what you can expect.
FRIDAY
The diversity of styles is a major draw for returning fans, and New Orleans, a city synonymous with diverse music, is the theme for the opening night of the festival. The rowdy sound of the rock/punk/blues band Cowboy Mouth will highlight the evening. Perhaps best known for their mid-1990s hit, “Jenny Says,” the New Orleans natives will offer up a live concert experience likened to a Southern gospel revival “without the religion,” according to bandleader, drummer and lead singer Fred LeBlanc, formerly of the punk band Dash Rip Rock. “With every show, no matter where it is, we try to turn it into New Orleans during the middle of Mardi Gras.”
The New Orleans Suspects bring their swamp rock party to Charlestown, along with two first-timers to the festival, the Honey Island Swamp Band, with its mix of blues, south and country, and singer/songwriter/keyboardist John Papa Gros. Fan favorites Nathan and the Zydeco Cha-Chas will perform regional southern Louisiana dance music.
Cedric Watson, of Cedric Watson & Bijou Creole, is a four-time Grammy-nominated fiddler, singer and accordionist; Zydeco and Cajun specialists Rose and the Bros will also be performing in the Dance Tent.
SATURDAY
Saturday’s headliner is a well-loved fixture on the festival scene – Grace Potter – who has performed with Neil Young, the Allman Brothers, Mavis Staples and Kenny Chesney. Spin magazine has described her as “one of the greatest living voices in rock today,” and her solo album Daylight was nominated for a Grammy in 2020 for best rock performance for the title track and best rock album, even though it includes classic country, piano ballads, blues and soul too.
Saturday also brings together two dynamic singer-songwriter-guitarists – Anders Osborne, honored as NOLA’s best guitarist and singer by Offbeat multiple times, and the Americana and roots music performer Jackie Greene, former lead guitarist for the Black Crowes and Trigger Hippy. Together, they will play bare-bones acoustic performances of each other’s songs. Both tour non-stop and sell out venues wherever they play. Bands who are called back to Rhythm & Roots again and again are the rockin’ Pine Leaf Boys, Steve Riley and the Mamou Playboys and the eclectic Donna the Buffalo to play Saturday and Sunday.
SUNDAY
On the final day of the festival, the legendary Little Feat will make Ninigret Park a stop on their Waiting For Columbus 45th Anniversary Tour, which marks their first live album and one of their most popular. Feat takes California rock, funk, folk, jazz, country, rockabilly, swamp boogie and more, and stirs it into a rich musical gumbo. The band has been leading people in joyful dance ever since it began in 1969.
The bluesy Samantha Fish, whose music incorporates multiple genres, including rock, country, funk, bluegrass and ballads, will join the renowned North Mississippi Allstars, which just released its 13th album Set Sail, displaying a stunning variety of roots music.
The Festival Update
Rhythm & Roots was canceled in 2020 by COVID, and returned last year thanks to a dedicated and enthusiastic community of music lovers, dancers, campers, food vendors, artisans and hundreds of volunteers. The 2022 festival almost didn’t happen because producer Chuck Wentworth became ill during the festival last year and doctors warned him to keep stress to a minimum.
Wentworth and his family made the tough decision to step away and cancel the festival. Multiple offers to buy Rhythm & Roots came quickly, and the choice landed with Hartford, Conn.-based GoodWorks Entertainment, led by CEO Tyler Grill. “We sold it to them because they were intent on keeping the 24-year legacy alive,” Wentworth said. “They’re not really changing anything major. Their philosophy mirrors that of Rhythm & Roots – that’s why they’re the perfect fit to take over.” The Wentworth family, which includes Chuck’s wife Deb, their three children and nine grandchildren, will remain involved.
The festival features dozens of performers, so check out the full lineup of musicians, and download The 2022 Rhythm & Roots playlist on Spotify. Find answers to questions about parking, camping, accessibility, volunteering or a number of other issues at rhythmandroots.com.
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We asked Rhythm & Roots fans to “keep the vibe alive” after last year’s cancellation, and you delivered. You had faith that we’d put together a diverse lineup for the 23rd Rhythm & Roots festival, and it was a great success.
It takes an extended family of hundreds of volunteers to produce a three-day festival of music, food and dancing, with 1,000+ campers, 24 bands and more than 40 performances on three stages. The jobs are big and small, but each task is essential. Artisans and food vendors, many of whom have been with us from the beginning, brought their own flair to the festival.
It was rewarding to see everyone working together – face to face! – for a common goal: to create a musical experience that will be remembered for years to come. A 2020 without Rhythm & Roots has made us even more grateful for your hard work and for the music lovers and dance enthusiasts who make R&R a ‘must-do’ every year. Thanks go to each one of you.
We’re already planning the 24th Rhythm & Roots Festival, set for Sept. 2, 3 and 4, 2022.
Let us know your favorites and any new bands you’d like to hear because roots music is constantly evolving. We’ll keep you informed as the lineup develops.
Thank you all again and stay tuned,
Chuck, Deb and the entire Wentworth family
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6 N.E. music fests just a tank of gas away
The Rhythm & Roots Festival
Charlestown, R.I.; Sept. 3-5
Miles from Boston: 90
From Creole to Cajun, this one has it all. What, you need more? Fine, how about folk, funk and rock? This little jam hosted by our neighbors to the south gets back in action with sets from Donna the Buffalo, John Hiatt, local piano whiz Veronica Lewis, Ward Hayden & the Outliers and a score more.
Veronica Lewis. Photo courtesy artist management
Great news!! Rhythm & Roots Music, Dance and Food Festival
is happening on September 3, 4 and 5, 2021
at Ninigret Park in Charlestown RI
After a long dry year and a half without live music and festivals, we know you are as excited as we are to gather and celebrate, so make sure you’re not left out. Due to the probable state and local limited capacity mandates, tickets will be in short supply this year, so be sure to reserve your spot early, as our allotment of available tickets is limited and will most likely sell out.
So, this brings up the big question — how do we proceed to plan (and attend) a festival safely around the limitations necessitated by the Covid virus? For starters, we are adhering to the rules and regulations set forth by the State of Rhode Island for large events. These mandate that there will be a limited amount of attendees allowed on site, and that we follow guidelines for mask wearing, social distancing, hand washing and all of the other CDC protocols.
These rules are changing and loosening up every couple of weeks, and we are anticipating that the situation will be much more advantageous for the festival by the end of the summer. In our favor is our new governor, Daniel McKee, is an advocate of tourism and opening up the parameters for large events and festivals in the state. Whatever occurs though, our main concern will be the health and safety of all of our festival patrons. Please be assured that we will do whatever is necessary to keep everyone safe and secure.
Tickets go on sale May 12 at 10:00 am, so be sure to get yours ASAP! You don’t want to miss out, but tickets will be limited, and if you snooze, you may lose.Thanks! Stay safe, get vaccinated and we hope to see you on Labor Day Weekend! “Keep the Vibe Alive In 2021.”
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Music industry consultant and publicist Ginny Shea has garnered international exposure for her clients through radio and video promotion, print media, and her vast industry network.
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