Eric Wyatt Quartet starring Jeff “Tain” Watts at The Velvet Note 11/19 & 11/20

Eric Wyatt Quartet starring Jeff “Tain” Watts at The Velvet Note 11/19 & 11/20

On A Song of Hope, his second album for Whaling City Sound, saxophonist Eric Wyatt offers more than hope; he offers assurance that contemporary jazz is alive and well in and around his home base of Brooklyn, NY. Wyatt, the godson of another rather well-known saxophonist, Sonny Rollins, performs in groups of various sizes, from quartet to octet, with vocals by Samara Joy on two numbers, “Fragile” and Wyatt’s “Say Her Name.” The almost-constants are pianist Donald Vega, bassist Eric Wheeler and drummer Jeff Watts, who are on board for eight numbers but step aside for a pair of Wyatt-Watts duets and are replaced by bassist Mike Boone and his talented fourteen-year-old son, drummer Mekhi Boone, on John Coltrane‘s “Central Park West” and McCoy Tyner‘s “Contemplation.”

 

Watch Jeff “Tain” Watts and Delbert Felix meet after over 25 years!

 

Click here to purchase tickets for November 19th show 

Click here to purchase tickets for November 20th show 

Click here to purchase “A Song of Hope”

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Eric Wyatt

Through his five, now six recordings as a bandleader, tenor talent Eric Wyatt has basically been performing unspoken tributes to Sonny Rollins. This time, he comes right out and says it. Not that he’s mindlessly mimicking the master. Wyatt, who happens to call Rollins his actual godfather, has a way of injecting his passion for bebop and affection for geniuses like Rollins, Charlie Parker, and Pharaoh Sanders, into virtually every note he plays. Wyatt’s latest, The Golden Rule: for Sonny, is his inimitable way of paying tribute to those strong boppers of the past, joined by talents that have been contributing valiantly to the vibrancy of today’s jazz scene—guitarist Russell Malone, pianist Benito Gonzalez, trombonist Clifton Anderson, tenor JD Allen, and emerging youth like Giveton Gelin on trombone and pianist Sullivan Fortner. Together, the posse exudes both class and bold promise as well as dashes of melodic invention. Wyatt says that he will never forget the impact Rollins—who often played with Wyatt’s father—had on him growing up. Here, on The Golden Rule: for Sonny, he proves he is a man of his word.

Eric Wyatt

Through his five, now six recordings as a bandleader, tenor talent Eric Wyatt has basically been performing unspoken tributes to Sonny Rollins. This time, he comes right out and says it. Not that he’s mindlessly mimicking the master. Wyatt, who happens to call Rollins his actual godfather, has a way of injecting his passion for bebop and affection for geniuses like Rollins, Charlie Parker, and Pharaoh Sanders, into virtually every note he plays. Wyatt’s latest, The Golden Rule: for Sonny, is his inimitable way of paying tribute to those strong boppers of the past, joined by talents that have been contributing valiantly to the vibrancy of today’s jazz scene—guitarist Russell Malone, pianist Benito Gonzalez, trombonist Clifton Anderson, tenor JD Allen, and emerging youth like Giveton Gelin on trombone and pianist Sullivan Fortner. Together, the posse exudes both class and bold promise as well as dashes of melodic invention. Wyatt says that he will never forget the impact Rollins—who often played with Wyatt’s father—had on him growing up. Here, on The Golden Rule: for Sonny, he proves he is a man of his word.

Eric Wyatt

Through his five, now six recordings as a bandleader, tenor talent Eric Wyatt has basically been performing unspoken tributes to Sonny Rollins. This time, he comes right out and says it. Not that he’s mindlessly mimicking the master. Wyatt, who happens to call Rollins his actual godfather, has a way of injecting his passion for bebop and affection for geniuses like Rollins, Charlie Parker, and Pharaoh Sanders, into virtually every note he plays. Wyatt’s latest, The Golden Rule: for Sonny, is his inimitable way of paying tribute to those strong boppers of the past, joined by talents that have been contributing valiantly to the vibrancy of today’s jazz scene—guitarist Russell Malone, pianist Benito Gonzalez, trombonist Clifton Anderson, tenor JD Allen, and emerging youth like Giveton Gelin on trombone and pianist Sullivan Fortner. Together, the posse exudes both class and bold promise as well as dashes of melodic invention. Wyatt says that he will never forget the impact Rollins—who often played with Wyatt’s father—had on him growing up. Here, on The Golden Rule: for Sonny, he proves he is a man of his word.

Eric Wyatt

Through his five, now six recordings as a bandleader, tenor talent Eric Wyatt has basically been performing unspoken tributes to Sonny Rollins. This time, he comes right out and says it. Not that he’s mindlessly mimicking the master. Wyatt, who happens to call Rollins his actual godfather, has a way of injecting his passion for bebop and affection for geniuses like Rollins, Charlie Parker, and Pharaoh Sanders, into virtually every note he plays. Wyatt’s latest, The Golden Rule: for Sonny, is his inimitable way of paying tribute to those strong boppers of the past, joined by talents that have been contributing valiantly to the vibrancy of today’s jazz scene—guitarist Russell Malone, pianist Benito Gonzalez, trombonist Clifton Anderson, tenor JD Allen, and emerging youth like Giveton Gelin on trombone and pianist Sullivan Fortner. Together, the posse exudes both class and bold promise as well as dashes of melodic invention. Wyatt says that he will never forget the impact Rollins—who often played with Wyatt’s father—had on him growing up. Here, on The Golden Rule: for Sonny, he proves he is a man of his word.

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