Upon hearing the news from Neal Sapper of 41 position jump…
Surprise. Rare to carry over to new year, and also rare to go up after dropping down: defying gravity. ~Neal Weiss, Whaling City Sound
Four powerful jazz artists in mid-career, all with New England roots and impressive experience, come together in one explosion of brilliant light, to produce ten originals, full of purposeful playing and sublime solos.
Chance meeting indeed!
Perhaps though it’s not a coincidence that drummer Adam Nussbaum, bassist Dave Zinno, guitarist Jay Azzolina, and saxophonist Dino Govoni met at all.
Together, the first-call quartet fuses beautifully on their debut play date together.
Presiding over the session seems to be the musical spirit of Michael Brecker, Govoni and the band’s collective inspiration and the launching pad for much of the work on Chance Meeting.
With Brecker in mind, the four musicians—educators, bandleaders, conductors and original artists—form a single dynamic enterprise, playing with the confidence of visionaries that have the same elevated goal: to reach a new level not as individuals, but as a team, as an exhilarating ensemble with multiple talents but a single mind.
Terry Gibbs will go live again! This coming Sunday at 1 pm pacific time, here on Facebook live. He’ll tell stories and answer questions from anybody who’s interested. He had a really great time answering all the questions that were asked.
At age 92 years old, vibraphonist Terry Gibbs was still a musical force when he recorded 92 Years Young Jammin’ at the Gibbs House (Whaling City Sound, 2017). His son, drummer Gerry Gibbs, paid homage to him with Songs from My Father (Whaling City Sound, 2021) with the Thrasher Dream Trio band. As for this recording for his father, Gerry Gibbs says, “Recording this record with my Pops will always be so memorable because it will be his last work.” Accordingly, at the ripe age of 98 years old, Terry Gibbs has released the last album of his storied career and life with The Terry Gibbs Songbook, recorded and performed by the Terry Gibbs Legacy Band featuring Gerry and an all-star cast of players including saxophonist Scott Hamilton and vocalist Danny Bacher, who fit the bill to the tee.
Having an outstanding reed section to work with, the challenge became how to feature each player by giving them proper solo space on each track. The Brazilian flavored opener, “Let’s Go To Rio,” features Ranier on the first solo with Allen and Hamilton on two choruses of eight bars each. The following “Those Eyes, Those Lips, That Nose, That Face, That Girl,” has Allen and Hamilton supporting Bacher on vocals.
One beautiful ballad played to the heart is the gorgeous “I Was Loved,” with Hamilton doing the love solos all by himself as the vocalist displays his warmth and soul, letting it all hang out. The tempo changes dramatically on the perky “Now’s The Time To Groove,” a lively swinging number that has the shoulders moving and the fingers snapping. This is the only piece that features Terry Gibbs on vocals, trading words with Bacher on a cheery, playful piece of music.
There are other memorable songs on this session and one for sure is the melodic “The House That Might Have Been,” featuring Hamilton again on some delicious solo moments. Allen takes center stage on the slow ballad of “Nina.” The boisterous and swinging “I Can Hardly Wait for Saturday Night” has Allen and Hamilton featured on multiple four-bar solos in one of the gyrating pieces of the session.
Two of the outstanding tunes of the album are “And That’s Why They Call It The Blues,” and the swinging “Stay With Me Tonight” which features solos from Ranier, Allen and Hamilton. The Terry Gibbs Songbook is the perfect Swan Song, a final musical gesture from an unforgettable jazz legend whose music will surely live on.
Mondays With Morgan is a column in LondonJazz News written by Morgan Enos, a music journalist based in Hackensack, New Jersey. Therein, he dives deep into the jazz that moves him – his main focus being the scene in nearby New York City.
This week, Enos spoke with the legendary vibraphonist Terry Gibbs, active since the 1940s; to trace his development is to tell the story of a large swath of jazz history.
Terry Gibbs, who turns 99 next October 13, has had quite a remarkable career. One of the greatest vibraphonists of all time, Gibbs was a professional by the age of 12 (back in 1936). He became famous as a member of Woody Herman’s Second Herd, worked with Buddy Rich, Chubby Jackson and the Benny Goodman Sextet, mastered bebop, and was a bandleader throughout much of his career. Gibbs led his orchestra, The Dream Band, during the late 1950s and early ‘60s, headed the regular group on the Steve Allen Show in the 1960s, and had a quintet with clarinetist Buddy DeFranco. His memoirs, Good Vibes, is both quite informative and often hilarious. Gibbs was active into his early nineties before deciding to retire.
The Terry Gibbs Songbook is a special final musical project in Gibbs’ career. There is one major error in the liner notes that needs to be corrected. It is stated that because Gibbs helps out with the singing and plays some two-handed piano on the humorous and nostalgic “Now’s The Time To Groove,” he is the first musician to record in eight decades. Actually Benny Carter recorded in nine; however Terry Gibbs still has the record. In addition to recording commercially in nine decades (starting in 1946), if one counts a radio show on which Gibbs in the 1930s played some classical music (tapes still exist and briefly appeared on You Tube), he is the only musician ever to have recorded in ten decades!
While Gibbs occasionally wrote songs that he recorded as instrumentals through the years, this project is a bit different. 15 of the great vibraphonist’s compositions have been given lyrics and are sung by Danny Bacher, a fine jazz vocalist who could have fit in well with jazz groups in the 1950s. Eight of the numbers have words by Michael Dees while the other collaborators were lyricists Arthur Hamilton, Bobby Troup, Steve Allen, and Jerry Gladstone with two of the songs having lyrics by Gibbs himself.
Terry Gibbs’ music has always swung and this set is certainly no exception. He gathered together pianist Tom Ranier (also heard a bit on tenor), bassist Mike Gurrola, and his son drummer Gerry Gibbs, and was able to easily talk the two great swing tenors Scott Hamilton and Harry Allen into joining the group. While each song has a Bacher vocal, there is a lot of solo space for the tenors and Ranier. The tunes range from love songs (including the touching “I Was Loved”) and wistful memories of his life to plenty of joyful swing. Such titles as “I Can Hardly Wait For Saturday Night,” “Play And Sing,” “And That’s Why They Call It The Blues,” “Stay With Me Tonight” (which during its closing part includes some Terry Gibbs vibes from decades ago), and the jazz waltz “Say Goodbye” are among the many rewarding songs on this set that could become standards in the future if heard by enough singers and instrumentalists.
Terry Gibbs has said on numerous occasions that this is his last recording. Hopefully when he turns 100, he will change his mind and do this again! In the meantime, be sure to pick up a copy of The Terry Gibbs Songbook which is available from www.whalingcitysound.com and www.amazon.com.
“Terry Gibbs Returns with Homemade Recording” interview by Kirk Silsbee in July 2017 DOWNBEAT:
“IN 2015, VETERAN VIBRAPHONIST TERRY Gibbs decided to put his mallets away for good, leaving the family musical legacy to his son, drummer Gerry Gibbs. But a funny thing happened on the way to retirement: Terry got the itch and asked Gerry to bring some players to his house for an informal jam. Gerry’s wife posted a YouTube video of the get-together, which went viral a few days later. The group then decided to have a session with the tape rolling, and the result is an album Terry never thought he’d make—92 Years Young: Jammin’ At The Gibbs House (Whaling City Sound). The loquacious Terry Gibbs was happy to talk to DownBeat about the unique circumstances behind this project and reflect on his storied career.”
O’s Notes: The pandemic put drummer/composer Gerry Gibbs 9th album on hold but a series of discussions and fate led to him making Songs From My Father, an album dedicated to his father, vibraphonist/composer Terry Gibbs. There are four distinct Thrasher Dream Trios: with 1. the late Chick Corea (p) and Ron Carter (b), 2. Kenny Barron (p) and Buster Williams (b), 3. Patrice Rushen (p) and Larry Goldings (B3), and 4. Geoff Keezer (p) and Christian McBride (b). Gerry plays drums and percussion on all 19 tracks (2 discs). There’s an upbeat contemporary Latin vibe on “Townhouse 3”, heavy swing on “Bopstacle Course” and “4 A.M.” They take a breath on “Lonely Dreams”, a ballad before ending disc 1 with “Hey Chick” featuring vibraphonist Terry Gibbs. Disc 2 ends with “Tango for Terry” composed by Chick for the elder Gibbs. This was Corea’s last recording, adding to the allure of this historic recording.
Gerry Gibbs Thrasher Dream Trios – Songs from My Father(Whaling City Sound) – This outing returns to the trio configurations as he pays homage to his 96-year-old father, Terry Gibbs, one of the last living architects of bebop and an innovator on the vibraphone. Gerry selects 18 tunes from his dad’s discography, giving them a more contemporary sheen spread across 2 CDs. Notably, this project also features one of the late Chick Corea’s compositions, “Tango for Terry,” and two arrangements done specifically for this album. Gerry Gibbs tapped several legendary players, three NEA Jazz Masters and perhaps two or three future ones, informing these luminous trios – Corea and Ron Carter, Kenny Barron and Buster Williams, Patrice Rushen and Larry Goldings, and Geoff Keezer and Christian McBride along with percussionist Kyeshie Gibbs. (Received Grammy nomination for Best Improvised Jazz Solo for Kenny Barron on “Kick Those Feet”).
Gerry Gibbs took advantage of the corona time by criss-crossing the United States in order to record enough material for a double CD with four different trios. The percussionist did not play ‘Song for my father’ (‘standard’ by Horace Silver, as attentive readers know) but ‘Songs From My Father’. His father is the vibraphonist Terry Gibbs, who also apparently composed enough material for such a production. On piano we hear Chick Corea – in one of his last recordings – as well as Kenny Barron, Geoff Keezer and Patrice Rushen. Corea contributed one piece: the only track not by Pa Gibbs. A tough piece with a few tempo changes, in which son Gibbs had to read a lot. But he must have inherited that skill from his father, who did a lot of studio work after all.
Terry Gibbs’ eighteen pieces – written in the years 1949-1985 – are mostly handy and playable. No complicated harmonies, but a strong groove: in fours, funky or Latin. Son Gibbs is like a fish in water in that. The blues and ‘I got rhythm’ are there; in addition, some atmospheric ballads and a new melody about the chords of ‘Softly as in a morning sunrise’. Simplicity and logic, that’s what it’s all about.
The piano giants make no effort to present themselves emphatically. They swing with dedication and smooth fingers. Whether the basses of Ron Carter and Buster Williams have been recorded properly is a matter of taste. Your reviewer hears a grunt similar to anything but a double bass. Christian McBride’s bass, recorded unamplified as always, was spared this fate.
Gerry Gibbs (57) uses the term “Thrasher” for just about everything he’s in charge of. That can be a Thrasher Big Band or, like here, four times a Trasher Dream Trio. That “Dream” is another favorite qualifier of his father, who for years led his Dream Band: a collection of studio musicians from LA who came to jazz on Monday or Tuesday nights.
Terry Gibbs (96, actually: Julius Gubenko) is present in one piece in which all the participants can be heard: a matter of complicated overdubbing. The old boss is astonishingly flexible in this. The old Gibbs recorded a complete album for the same label in 2017. 92 Years Young: Jammin at The Gibbs House.
GERRY GIBBS THRASHER DREAM TRIOS – SONGS FROM MY FATHER (CD)
Whaling City Sound
Songs From My Father is the much-anticipated new album from renowned musical polymath Gerry Gibbs. On his thirteenth release as a leader, drummer — percussionist — bandleader — arranger Gibbs presents a smashing double-disc masterwork featuring four iterations of his acclaimed Thrasher Dream Trio. Under his astute direction, this band of jazz titans pays homage to the musical legacy of Gerry’s 96-year-old father, Terry Gibbs. To honor Terry, one of the last living architects of bebop and innovators of the vibraphone, Gerry selected 18 tunes from his father’s vast discography and interpreted the timeless material through his own refined compositional lens with inventive, modern arrangements. Notably, Songs From My Father features the last recorded performance of the great Chick Corea, and includes one of Chick’s tunes composed specifically for this project. With Gibbs in the drum chair, his Thrasher Dream Trios include Corea and Ron Carter; Kenny Barron and Buster Williams; Patrice Rushen and Larry Goldings and Geoff Keezer & Christian McBride; along with percussionist Kyeshie Gibbs. With this new recording, Gerry Gibbs cements his standing as one of the most creative and forward-thinking musicians on the contemporary jazz scene. Disc 1 features Corea and Carter on “Bopstacle Course,” composed in 1974 and “Sweet Young Song of Love” composed in 1985, and arranged by Gibbs and Corea. The first disc’s final track, “Hey Chick,” is a special homage to the memory of Corea. The Thrasher Dream Trio is featured on the album opener “Kick Those Feet” and “Take It From Me” both composed in 1964. “Smoke Em Up” (1968) and “Lonely Days” (1955) both feature Gibbs alongside pianist Patrice Rushen and organist Larry Goldings. Gibbs per- forms with pianist Geoff Keezer and bassist Christian McBride on 1955s “Nutty Notes,” and 1958s “The Fat Man.” Disc 2 provides audiences with further arrangements of timeless Gibbs compositions including 1949s “T & S” and 1955s “Lonely Dreams” featuring Barron, Gibbs and Williams; 1978s “Townhouse 3,” 1961s “Hippie Twist” and 1958s “Pretty Blue Eyes” featuring Rushen, Gibbs and Goldings; 1978s “4 A.M,” 1961s “For Keeps” and 1955s “Gibberish” featuring Keezer, Gibbs and McBride; and 1964s “Waltz For My Children” featuring and arranged by Corea, alongside Gibbs and Carter as well as the final piece on the album —“Tango For Terry” written and performed by Corea for his old friend Terry Gibbs.
The history of this project is very dramatic. The album, conceived as a tribute from his son – the father, the famous drummer and band leader of “The Thrasher” Gerry Gibbs – the 96-year-old legendary Terry Gibbs, who played with Benny Goodman, Charlie Parker, Art Blackie, Dizzy Gillespie etc., who composed more than 300 compositions, who recorded 65 solo albums and was the # 1 vibraphone player from 1950 to 1955 according to DownBeat and Metronome polls, turned into a double tribute with a very sad connotation. However, let’s go in order …
The double album Songs From My Father amazes with its monumentality. Gerry has selected 18 compositions from different years from the vast creative heritage of his father. Known for his signature Thrasher Dream Trio chamber ensembles, Jerry decided to entrust the performance of this music to several Thrasher Dream Trios, composed of the outstanding jazz musicians of our time. There are four of them in the album. Chick Corea and Ron Carter play in one with him, Kenny Barron and Buster Williams in the other, Patrice Rushen and Larry Goldings in the third (the only trio where a Hammond organ sounds instead of bass) and in the fourth – Jeff Keezer and Christian McBride. How do you like the team? In my opinion, just fantastic!
But what does it mean to implement such a project, and even in a covid year ?! Gerry Gibbs traveled half of America in ten months, coordinating the work schedules of the project participants in order to make these recordings. Terry’s old friend Chick Corea was especially inspired by the idea of this tribute. He wrote the composition “Tango For Terry” specially for the album, which became the final track of the album, and also made arrangements for two more compositions. Gerry and Chick called up almost every week, discussed the progress of the project, and just talked “for life.” And then came the unexpected and black news of Chick Corea’s death. And it so happened that four pieces recorded for this album with his participation turned out to be the last lifetime recordings of this amazing musician …
Shocked by this tragedy, the project participants said goodbye to Corea with dignity. Gerry and his father jointly renamed Terry’s 1961 composition “Hey Jim” to “Hey Chick”, and it was jointly performed for the project by all eight of its members (each with a pair of choruses). In addition, Gerry also edited his father’s vibraphone solo from that old recording from the early 60s into this recording. This piece took a special place in the album, remarkable in all respects. If you love jazz, you just have to hear this unique work – and say goodbye to Chick Corea …
Gerry Gibbs publishes Songs from my father with unreleased music by Chick Corea
Songs from my father is the highly anticipated new album from music scholar Gerry Gibbs. It is his thirteenth release as frontman, drummer, percussionist and bandleader, as well as arranger, Gibbs presents a two-disc masterpiece featuring four versions of his acclaimed trio that goes by the name Trasher Dream Trio.
Under his clever leadership, the band of jazz titans pay heartfelt tribute to the musical legacy of Gerry’s father, Terry Gibbs, one of the last living architects of be bop and innovators of the percussion instrument: the vibraphone.
For this purpose Gerry selected no more and no less than 18 melodies from his father’s vast discography and interpreted the material in a timeless way through his own compositional prism and lens, with ingenious and modern arrangements. Also Songs from my father has the last performance recorded with the great Chick Corea, piano genius who also passed away a few dates ago. It also includes one of the melodies Chick composed specifically for this project.
With Gibbs on drums, he has had the chance to record on this album with his stellar trios. Here you can enjoy excellent musicians such as Korea himself, Ron Carter, Kenny Barron, Buster Williams, Patrice Rushen, Larry Goldings, Geoff Keezer and Christian McBride.
A global pandemic could not stop this prolific jazz man, but rather, on the contrary, positively inspired him leaving an echo of an impressive season of creative production. Gibbs presents this album fresh from his epic 2019 work titled Our People, which defies the musical genre. Some critics defined it as “cleverly overlapping pieces that often come close to cinematic … quite a feat.”
We also had access to his previous 2020 Emotional Pandemic, an 18-track album entirely composed and performed by his own person. The 8 instruments. In fact, this was the launch that caught the attention of Chick Corea himself. Korea asked the drummer the process for recording all the instruments. That minimal conversation evolved into the possibility of collaboration and the concept was born: it was possible to release a double album as a result of collaborations with four amazing triso, including the aforementioned collaboration with Chick and Ron Carter.
In this state of affairs, later Korea asked to become even more deeply involved in work, in music. He composed an original piece under the title Tango For Terry, dedicated especially to Terry Gibbs and even arranging two pieces for the album.
Gibbs comments “What he wanted to do seemed almost impossible with the covid. There was a lot of fear, travel, safety precautions and logistics. How do 4 trios coordinate when a disease spreads all over the world and in the USA? That was the challenge and yet Gibbs saw the opportunity and did not give up organizing several trips to capture the sounds. Without a doubt, he has been worth it.
“Weather or Not” Nice to hear graphically arranged material of Weather Report. Keep up with your creative mission! ~Wayne Shorter
“Gerry has created his own world on this recording. The amount of time and effort he brought to the project is astounding. The music itself is extremely wide ranging touching upon several distinct idioms …..quite impressive.” – Dave Liebman
It is unique and kind of madcap, the sign of a fertile artist plowing through all the ideas swirling around his brain. “Instead of creating one musical concept, I wanted it to sound like 16 trios, so that’s why the music was so eclectic.” Gerry Gibbs is the artist, and his new, two-disc set—one disc devoted to the blazing Weather Report, the second to his own diverse material—leads listeners through a fun house of styles. Disc One is devoted to Weather Report tribute, but it’s not nearly the lukewarm cover collection by aspiring fusioneers you might expect. (Because, perhaps, they might beat Zawinul and company at their own game?) Instead, Gibbs opts to re-imagine the material from the POV of an acoustic piano-led trio, the featured instrument played by luminous new talent Alex Collins, with brilliant Austrian-born Hans Glawischnig on bass. The sparks sure do fly on familiar melodies: “Palladium,” “Teen Town,” “Birdland,” naturally, and “Black Market.” There’s lots to dig into here, and you certainly don’t have to be a Weather Report fan to dig it. Disc Two features Gibbs cranking up the creative juices on a set of originals, traversing from flamenco to pulse-quickening funk, calypso, gospel Latin jazz, R&B and plenty of all-out swing. While Gibbs has tackled myriad projects in the past, from 2006‘s Thrasher Big Band project Live at Luna’s to 2010‘s The Electric Thrasher Orchestra Plays The Music of Miles Davis (’67-’75) and 2013‘s Grammy-nominated Thrasher Dream Trio (with Ron Carter and Kenny Barron), this rich two-CD set, his 11th as a bandleader, is his most audacious and fully-realized project to date, an early crowning achievement from a restless spirit and a triumphant, indefatigable artist.
It is unique and kind of madcap, the sign of a fertile artist plowing through all the ideas swirling around his brain. “Instead of creating one musical concept, I wanted it to sound like 16 trios, so that’s why the music was so eclectic.” Gerry Gibbs is the artist, and his new, two-disc set—one disc devoted to the blazing Weather Report, the second to his own diverse material—leads listeners through a fun house of styles. Disc One is devoted to Weather Report tribute, but it’s not nearly the lukewarm cover collection by aspiring fusioneers you might expect. (Because, perhaps, they might beat Zawinul and company at their own game?) Instead, Gibbs opts to reimagine the material from the POV of an acoustic piano-led trio, the featured instrument played by luminous new talent Alex Collins, with brilliant Austrian-born Hans Glawischnig on bass. The sparks sure do fly on familiar melodies: “Palladium,” “Teen Town,” “Birdland,” naturally, and “Black Market.” There’s lots to dig into here, and you certainly don’t have to be a Weather Report fan to dig it. Disc Two features Gibbs cranking up the creative juices on a set of originals, traversing from flamenco to pulse-quickening funk, calypso, gospel Latin jazz, R&B and plenty of all-out swing. While Gibbs has tackled myriad projects in the past, from 2006‘s Thrasher Big Band project Live at Luna’s to 2010‘s The Electric Thrasher Orchestra Plays The Music of Miles Davis (’67-’75) and 2013‘s Grammy-nominated Thrasher Dream Trio (with Ron Carter and Kenny Barron), this rich two-CD set, his 11th as a bandleader, is his most audacious and fully-realized project to date, an early crowning achievement from a restless spirit and a triumphant, indefatigable artist.
“Joe Zawinul always had the utmost respect for maestros Kenny Barron and Ron Carter. I am certain that their Thrasher Trio-mate Gerry Gibbs’ name would have been added to that select list had Joe been able to hear Gerry’s realization of the music of Weather Report as played by his new trio that includes Alex Collins on piano, Fender Rhodes, organ & vocals, plus Hans Glavishnig on acoustic bass (whose playing on this CD bears an uncanny resemblance to maestro Carter’s). Here is a unique reading of Weather Report’s music that is totally fun to listen to. As an insider, I can say that this album sheds new light on the WR canon while spotlighting the intrinsic talent and sounds of Gerry’s new band. I feel the better for having heard this recording.
Jaco would have loved Hans’ playing on “A Remark You Made” … I know that I do.
– Peter Erskine
Gerry, love your interpretations, really gives me lots of inspirations. Keep this up.
– Alex Acuna
Great musical interpretations by drummer/visionary Gerry Gibbs of the various songs originally recorded by supergroup Weather Report. Gerry’s drumming is impeccable throughout. The band really cooks!! A “must have” CD!
– Alphonse Mouzon
(Original Drummer and Founding Member of Weather Report)
Chairman of Tenacious Records
Gerry Gibbs and Thrasher People visit the Music of Weather Report with great re-interpretations and success, and if that wasn’t enough on this 2 CD set, you can hear the Thrasher Trio tackle Gerry Gibbs’ complex original compositions each of which tell a unique story like the Weather Report tunes… real impressive playing from everyone…this stuff ain’t easy folks!! They kill it!
– Randy Brecker
I am having so much fun listening to Gerry’s new trio cd celebrating the music of weather report. Totally swingin’ and lots of surprises. Gerry is a very interesting artist for me to listen to, he is not only a great drummer with tons of spirit and ideas but he is a great arranger and writer. His deep understanding of history and love of the music is always present as is his sense of humor. Hard swing, funk blues, a great shuffle and lots of soul, all the things I love about jazz music are constantly being addressed, taken apart, put back together backwards then forwards and inside out without being tongue in cheek or labored. New and fresh ideas being examined from many angles through the eyes of artists who know the roots. An oasis of swingin’ jazz at a time when it is really needed. Thank you Gerry!
–Mike Clark
Thank You’s
This CD would not have been documented if it had not been for my Thrasher People Brothers, Alex and Hans. Special Thanks to Alex for taking my 12 arrangements and 16 originals and not only transcribing them from my computer mock ups but for memorizing all 28 songs and for going out of your ways every step of the way.
Thanks to Thadd – Your presence was felt all through out ! Never seen but felt for sure.
Special thank you’s to DW Drums Special Thank you to all at DW Drums. Special thank you to Don Lombardi, John Good and special thanks to Garrison
Special Thank you to Evans Drum Heads & Pure Sound Percussion. Huge Thanks to my brother Marco Soccoli for not just taking care of me, equipment wise, but stopping in and out of the recording sessions to give all his knowledge of different drum heads that he sent and brought to the studio for this recording. He helped me constantly change heads to different models on 15 different DW Drums used on these 2 CD’s
Special Thanks to Zildjian. Extra special Thanks to Kirsten Matt and Sarah Hagan for sending bells and special effects cymbals the day before recording started..Love you guys.
Thank you Vic Firth Drum Sticks, Humes and Berg Drum Bags
Special Thanks to my wife Kyeshie Gibbs. She was there during every minute in the studio all 5 days and had many great ideas during the tracking and mixing of these CD’s
Special Thanks as always to my Pops who encouraged me to go out every night and find the new members of THRASHER PEOPLE.
During the preparation for this recording a few key people really made some amazing things happen in many ways related to this recording. Much love to 2 of the best drummers on the planet – Mike Clark and Joey Heredia. Also huge thanks to Weather Report Alumni and 3 of the most important and influential musicians, Peter Erskine, Alex Acuna, Alphonse Mouzon, Thank you to Randy Brecker and Mike for their kind thoughts about the music after they heard the 2 CDs. One of the most knowledgeable and creative music writers in the music world Bill Milkowski. Special Thanks to Keyboard Wizard and Producer Nick Manson for some great imput. Thank you to Stan & Jerry (Owners of Pro Drum Shop in Hollywood California) for taking care of all my equipment over the last 25 years.
Thank you to all the amazing sound people involved – David Stoller & Mark Marciano and of course huge hugs and love to Nancy Marciano
Thanks to Whaling City Sound Team Neal Weiss, Dave Arruda Jr and Ginny Shea
CD Dedication
This CD is dedicated to Neal Weiss for his 10 years of huge support, love, friendship and always great input and amazing care of all the projects we have done together for his wonder Whaling City Sound Label.
Tim Ray Trio on Thursday, March 2, both as part of the Eastern Bank Jazz Series. Tickets for these shows are available online at www.spirecenter.org, call (508) 746-4488.
For more info on Tish Adams’ productions, performances & more: www.tishadams.com
THANK YOU for supporting LIVE MUSIC!
7.10 • 6:30p • Starlight Square • 84 Bishop Allen Dr., Cambridge, MA 02139 • Tim Ray Trio with Terri Lyne Carrington and John Lockwood • Release show postponement due to Covid • Click here for tickets
Sunday April 25th
1 – 3pm
LIVE SHOW: “Tish Adams Presents…” THE TIM RAY TRIO
#ICYMI: Tim Ray Trio performs at the Centre Street Sessions for VAHA New Bedford
This Centre Street Session features two sets by the Tim Ray Trio (5:30p and 7:15p, and streaming thereafter at AHA New Bedford’s Facebook page) with Dave Zinno on bass and Mark Walker on drums.
Until the pandemic shut live music down, Tim was touring as music director and pianist for Tony Bennett, and his recent CD with Terri Lyne Carrington and John Patitucci made the top 10 in the JazzWeek National Radio Chart.
Centre Street Sessions usually take place in the Summer months of June through September outside, in the parking lot of Fiber Optic Center, in the heart of the Historic District and within the Whaling Heritage Historical National Park. Sponsored by AHA, Fiber Optic Center and Whaling City Sound these concerts have showcased many performers and enabled people to enjoy world class music in a relaxed, informal and acoustically comfortable setting.
This performance was recorded earlier in July in the chapel of the renovated Steeple Playhouse new home of the 70+ year old Your Theatre and formerly the First Baptist Church. Renovation is being overseen and supported by the non-profit Waterfront Historic Area LeaguE (WHALE, www.waterfrontleague.org). Professional quality audio, as well as video, was done by John Farrell of Middlehouse Sound. For the last 8 years, Your Theatre has also produced the widely acclaimed New Bedford JazzFest, held on the waterfront near downtown, and surrounded by New Bedford’s record setting fishing fleet.
December 9th – Friday 7:30pm Tony Bennett and his Quartet in Concert
featuring Tony – voice, Tim – piano/MD, Gray Sargent – guitar, Marshall Wood – bass & Harold Jones – drums
Dodd Auditorium, University of Mary Washington
Fredricksburg, VA
for more info please visit www.tonybennett.com
December 10th – Saturday 7pm Tony Bennett and his Quartet in Concert
featuring Tony – voice, Tim – piano/MD, Gray Sargent – guitar, Marshall Wood – bass & Harold Jones – drums
Pfleger Concert Hall, Rowan University
Glassboro, NJ
for more info please visit www.tonybennett.com
December 12th – Monday 8pm Tony Bennett and his Quartet in Concert
featuring Tony – voice, Tim – piano/MD, Gray Sargent – guitar, Marshall Wood – bass & Harold Jones – drums
Paramount Theater
Charlottesville, VA
for more info please visit www.tonybennett.com January 12th – Thursday 7 – 10pm The Tim Ray Trio
featuring John Lockwood – bass & Mark Walker – drums
Thelonious Monkfish
Cambridge, MA
for more info please visit www.theloniousmonkfish.com
I’m Beginning to See the Light (D. Ellington) 5:37
Monk’s Dream (T. Monk) 5:12
Toys (H. Hancock) 6:27
DE-Train (T. Ray) 3:50
Joy (T. Ray) 6:38
I’ve Been to Memphis (L. Lovett) 5:47
Dolphin Dance (H. Hancock) 3:23
Windows (C. Corea) 5:37
So Tender (K. Jarrett) 5:52
Star Eyes (G. de Paul / D. Raye) 6:51
Peace (H. Silver) 5:22
12 x 7 (J. Lockwood) 3:08
~~~~~~~~~~~~~~~~~~~~~~~~
Tim Ray – piano
John Lockwood – bass
Mark Walker – drums
Recorded 2014 in the WGBH Fraser Performance Studio, Boston, MA
Engineering, mixing and editing – Antonio Oliart Ros
Liner notes – Bob Blumenthal
Thanks to Neal Weiss, Dave, Ginny and everyone at Whaling City Sound for all your work to help make this recording possible. Thanks also to John, Mark, Antonio and Bob for their artistry and unparalleled skills. And a big thank you to Tyson for her help in making this project (and all my projects) a better and more rewarding experience.
Tim Ray is a Steinway artist and endorses Steinway Pianos
Mark Walker is a Yamaha, Paiste, Remo, Vic Firth and LP artist
For more information on this recording, or inquiries on booking this group, please visit AgitatedCatMusic.com
Music industry consultant and publicist Ginny Shea has garnered international exposure for her clients through radio and video promotion, print media, and her vast industry network.
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Upon hearing the news from Neal Sapper of 41 position jump…
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Music industry consultant and publicist Ginny Shea has garnered international exposure for her clients through radio and video promotion, print media, and her vast industry network.
