It is one of life’s great blessings to have known, albeit briefly, the wonderful person Reggie Young. You can read about his accomplishments – they were many and significant, particularly to those he helped become stars and chart-toppers – wherever you get your music news. What stood out to me is how humble, considerate and thoughtful he was in person. At a small CD release party for his first CD under his own name, Forever Young, in his home town of Leipers Fork, TN, many of his longtime cohorts and friends paid tribute to a person they respected not just for his unusual musical abilities, but also for the friend they had come to know well and love.
Reggie will be missed by many as one who lived his life as it should be lived, without ego and bluster, with a focused commitment to the musical task at hand and also to respecting and helping those he came to know.
Our condolences go out to Reggie’s family. His warmth and spirit continue to guide us.
Neal Weiss, president
Whaling City Soundleft to right: Tom Evered, Neal Weiss, Jenny Young, Reggie Youngphoto credit Ginny Shea, July 18, 2016, NashvilleSad to report the passing of legendary session guitarist and Whaling City artist Reggie Young. He was one of the most recorded guitarists in the sixties, seventies and eighties playing on numerous legendary hits by Elvis Presley, Dusty Springfield and more.
Young was a member of the country supergroup The Highwaymen w/ Kris Kristofferson, WillieNelson, Johnny Cash and Waylon Jennings. He was also a founding member of the Bill Black Combo. In 1964, The Beatles requested the Combo open for them during their first U.S. tour and invited the group over to England for another month-long tour.
Ginny Shea attends
Jazz at Lincoln Center
10 W 60th St
New York, NY, 10023
on behalf of
with NBC10’s Mario Hilario
Your Digital Marketing Priorities
Having a presence digitally means more than just having a website. Molly Garber of digital marketing firm Capacity Interactive, which counts Jazz at Lincoln Center, Carnegie Hall and The Kennedy Center as clients, shares five core priorities and how you can tackle them successfully, even with limited time and money.
Intro: Aaron Bisman (Jazz at Lincoln Center)
Panelists: Molly Garber (Capacity Interactive)
with vocalist Kristen Lee Sergeant from Inside Out WCS087
Jazz Entrepreneurship: Online Strategies, Offline Results
3 presenters talk about their entrepreneurial ventures: what’s been successful, what’s worked, and what hasn’t. Short individual presentations followed by Q&A.
Moderator: Ashley Kahn
Panelists: Marc Plotkin (Clive Davis School of Recorded Music at NYU), Meghan Stabile (Revive Music), Spike Wilner (Smalls Jazz)
JukeBox Jury Presented by JazzWeek
Many new releases are a slam dunk at jazz radio: down-the-middle post bop, high-profile vocalists, or the latest reissue or “lost” recording. But what about artists and recordings that exist along the fringe or push the envelope? How do radio stations decide what music gets on the air? A panel of radio programmers preview music ranging from the mainstream to the adventurous, and detail why or why not each track would work on jazz radio.
Moderators: Brad Stone and J Hunter (WVCR)
Panelists: Elizabeth A. Farriss (KEWU), Willard Jenkins (WPFW), Michael Valentine (WDNA), Gary Vercelli (KXPR)
Strategic Partnership in Practice: Jazz Night in America
What does an effective strategic partnership look like? How is it created and what does it take to maintain it? What value does each individual partner see in such a relationship and what can the jazz community learn from this unique partnership between NPR Music, WBGO, and Jazz at Lincoln Center.
Moderator: Neal Shapiro (WNET)
Panelists: Gabrielle Armand (Jazz at Lincoln Center), Anya Grundmann (NPR), Amy Niles (WBGO)
Perfect Pitch: Will This Press Kit Get Me Booked?
Independent artists invited to submit their press kit or EPK to panel of judges for a live review. Beyond personal feedback, the session leverages these real life examples to highlight best practices and opportunities for artists to best represent themselves through their bios, press releases, photos, videos, press clips, etc.
Moderator: Katie Simon (WBGO/Jazz Night in America)
Panelists: Bobby D. Asher (The Clarice Smith Performing Arts Center at the University of Maryland), Janis Burley Wilson (August Wilson Center/Pittsburgh International Jazz Festival), Georgina Javor (Jazz at Lincoln Center)
Grab and Go food/drink with sponsor tables in Mica and Ahmet Ertegun Atrium
Monica Herzig’s SHEROES WCS106 featured on Antidote musician/promoter Ken Avis’ sponsored table
With pianist-composer Greg Murphy (Summer Breeze WCS081 and the soon released Bright Idea WCS111 and keyboard wiz Jason Miles (To Grover With Love / LIVE IN JAPAN WCS078, Kind of New WCS073)
Greg and Ray Blue
with Danny Bacher’s Still Happy WCS110 producer Jeff Levenson
KEYNOTE: Lundvall Visionary Award & Art Blakey Centennial Celebration
The Jazz Congress is honored to present the 2019 Bruce Lundvall Visionary Award to Darlene Chan, a tireless, behind the scenes advocate for so many artists and the music at large.
Immediately following the presentation of the award, members of the Jazz Messengers will reconvene onstage for a once in a lifetime reunion, hosted by Celine Peterson.
Panelists: Terence Blanchard, Randy Brecker, Cameron Brown, Donald Brown, Steve Davis, Leon Lee Dorsey, Essiet Essiet, Kevin Eubanks, Jon Faddis, Benny Green, Billy Harper, Donald Harrison, Eddie Henderson, Vincent Herring, Harold Mabern, Branford Marsalis, Wynton Marsalis, Ralph Peterson Jr., Bill Pierce, Lonnie Plaxico, Wallace Roney, Melissa Slocum, Charles Tolliver, Steve Turre, Bobby Watson
Opening Night Reception sponsored by BOLDEN, opening in theaters spring 2019
Celebrate opening night of Jazz Congress with BOLDEN, inspired by the life of Buddy Bolden. The film reimagines the compelling, powerful and tragic life of an unsung American hero who invented Jazz.
#TBT ’14 Jazz Connect
Whaling City Sound was founded in 1999, to provide the musical audience with a bit of our abundance of outstanding musicians, and in doing so, have the artists heard, seen and enjoyed by a wider audience. From the beginning, we aimed for innovative musicianship, impeccable recording quality, and professional packaging that best reflects the feel of each individual recording. Whaling City Sound is dependent on listeners of all types, from radio and retail, to jazz lovers and fans, and it is because of these people, collectively our audience, that we exist. Since our inception, our recordings have helped garner international recognition for our artists. Purchasing music on a label supports artists’ careers and exposes more artists to you. Please show your support for this label and the exceptional artists. What it really comes down to is this – if you like the CDs and buy them, we can continue to make more of them of equal or better quality. Thank you for your time, and enjoy the music.
Click this link to listen to the full interview!