Harvie S/Sheryl Bailey (Plucky Strum)/WCS
Harvie S/Sheryl Bailey (Plucky Strum)
Harvie S short bio
Sheryl short bio
Publicity: Sounds of Timeless Jazz, New Jazz Adds WTJU, Sounds of Timeless Jazz, JazzPodium Review, Jazzwise Magazine (UK), Jazziz, Improvijazzation Nation, VintageGuitarMagazine, Something Else!, Buffalo News, JazzTimes, Jersey Jazz
Listen to the feature on BreakThru Radio
Radio promo by: New World ‘n Jazz
6/8 #47; 6/1 #39; 5/25 #40; 5/18 #35; 5/11 #56 Chartbound; 5/4 #103; 4/27 Most Added #155; 4/20 #260 Chart History
Promo Photos by Nick Carter: Departure cover photo, Photo 1, Photo 2
HarvieS+SherylBHarvie S2Harvie S3
As seasoned and important players on the national and international trad jazz scenes, Sheryl Bailey and Harvie S—known together as Plucky Strum—made real impact with their recent eponymous debut, a work which showcased discerning talent and true creative craft.
On their follow-up, the aptly named Departure, Harvie and Bailey dig a little deeper, engaging in some creative improvisation and interplay. Those familiar with their work—Harvie has played with many of the greats, including Jim Hall, Larry Coryell, Pat Martino, Gil Evans and Thad Jones—will love how they’ve enhanced the adventure here, filtering in Sheryl’s electric guitar with subtle electronics, clever bebop excursions and some stellar, simpatico interplay that takes the duo into exhilarating sonic regions.
All in all, Departure is accomplished and masterful. The material is bravely selected and boldly performed. The recording is balanced and skillfully produced, with lovely mixing and mastering. Interpretations, like CSN’s “Suite: Judy Blue Eyes” with Harvie’s bowed bass lines and Sheryl’s tactile exploration, is one example, but there are many equally wonderful examples on the record, all of which deserve to be heard. This is major league stuff, brilliant and beautiful.
Plucky Strum Review Jazz Podium
SHERYL BAILEY GETS PLAYFUL AND VIRTUOSIC AT THE BULLS HEAD
Introducing Plucky Strum
Sheryl Bailey – Saint Nick
(Whaling City Sound)
Although guitarist Sheryl Bailey and bassist Harvie S have been neighbors for years and have gigged together, recording a duo session together is an idea that didn’t materialize until Bailey acquired a new, custom-made acoustic guitar. An informal jam one day lit the spark, and the heartfelt, intimate and stylistically diverse Plucky Strum is the result.
The relaxed mood that permeates most of the tracks is particularly evident on Bailey’s “Broken Glass,” a ballad rhythmically tied to gently sashaying bossa pulses. The guitarist leads the way throughout, her lustrous chords and single-note soloing sketching the tune’s meditative theme while the bassist remains in a supporting role. On Harvie’s good-natured “Bluzin’ F,” he and Bailey partner on tight unison lines that lend the piece a sense of formal structure. Throughout the album, though, the duo mostly switch between lead and supporting roles while milking the blues dialect to full effect. Bailey’s folksy “Woods Talk” finds the guitarist at her most expressive, spinning off steely chords and blues-inflected solo lines while Harvie displays the full tonal range of his double-bass, from plucked staccato notes in the outer limits of his instrument’s upper register to the rich, resonant tones at the bottom end.
Two tributes are album highlights. “To Bea,” written by Harvie to honor his late mother, is a vivacious, up-tempo bossa romp. “Charlie Haden,” another work by the bassist, is an homage to the late jazz legend that radiates a happy, upbeat spirit.
Regardless of their stylistic orientation, the 10 performances captured on Plucky Strum are uniformly warm-blooded, refreshingly spontaneous and occasionally truly virtuosic. —Mark Holston
– See more at: https://www.jazziz.com/harvie-s-sheryl-bailey/#sthash.JY0LTFA3.dpuf
~A nice review written by editor, Dan Forte~
WHALING CITY SOUND
“HARVIE S-SHERYL BAILEY/Plucky Strum: The cover art could trick you into thinking this is a Grant Geissman set. Fun thing is, the playing could as well. With the guitarist and the bassist playing friendlier music that either of these chopmeisters is usually associated with, they might only be a duo with no augmentation, but they know how to raise a proper racket. With killer technical skills between them, they actually sound like they are putting that aside to have a good time. Never coming off like the master class it really is, this is just two cats working it off the clock that invite you to string along for a good time.”
Announces April 7th release of
Whaling City Sound is proud to announce the release for the debut acoustic project from bass virtuoso, Harvie S and “sizzling guitar goddess” Sheryl Bailey
CD Release Performances
April 12 3-5 p
April 17, 6p
55 Christopher St. (Sixth/Seventh Avenue) New York (212) 929-9883
April 23, 6:30pPlucky Strum, featuring ten original tunes by Sheryl Bailey and Harvie S, is an extraordinary pairing that weaves together intimate musical story lines.It is in a category ‘beyond’ Jazz, utilizing a myriad of musical styles.Made up of Sheryl’s acoustic guitar and Harvie’s acoustic bass,the two explore the joy of creative improvisation through lush harmonies, beautiful melodic lines, and captivating rhythms.
Email firstname.lastname@example.org to request advance copies for review.