Support the unveiling of a previously hidden gem in jazz history! We’re thrilled to introduce “1959: Vol 7: The Lost Tapes” by Terry Gibbs’ Dream Band, a long-lost recording capturing the magic of vibraphonist Terry Gibbs and his legendary big band. This remarkable album showcases Gibbs’ unparalleled talent as both a vibraphonist and bandleader, alongside a roster of jazz virtuosos who shaped the landscape of the late 50’s Los Angeles jazz scene. Despite its historical significance, this treasure remained undiscovered for decades until now.
Your contribution will assist in mixing and mastering for optimal sound quality, crafting captivating album artwork and packaging, producing physical copies for wider accessibility, distributing the recording across various platforms, and amplifying awareness through PR, advertising, and outreach efforts.
By supporting this endeavor, you’re not just funding a musical project; you’re also helping to safeguard an essential piece of jazz history and paying homage to the enduring legacy of Terry Gibbs. Join us in celebrating his timeless brilliance and introducing his music to new generations of listeners. Terry Gibbs, at nearly a century old, is not slowing down. He’s produced this remarkable new live CD with his six-time Grammy-nominated big band. “1959: The Lost Tapes, Vol. 7” consists of previously undiscovered tracks from the same sessions as the band’s previous recordings, capturing the band at their peak performance. Engineered by the legendary Wally Heider, these recordings from March and November of 1959 boast exceptional quality that transcends time.
The Terry Gibbs Dream Band was a beacon of innovation in the L.A. and national big band scene, performing jazz standards, big band classics, and unreleased numbers. Featuring original charts by renowned arrangers Al Cohn, Bob Brookmeyer, Marty Paich, Med Flory, and the recently deceased Bill Holman (the last band member alive except for Terry), this ensemble set the stage for the adventurous big bands of the 1960s. Join us in honoring this influential legacy and allowing others to experience the magic of Terry Gibbs’ Dream Band.
Throughout Terry’s illustrious career, he collaborated with many renowned artists, contributing to over 80 albums. Some of the notable musicians he worked with include Tommy Dorsey, Buddy Rich, Woody Herman, Benny Goodman, Charlie Parker, Dizzy Gillespie, Max Roach, Buddy DeFranco, Bud Powell, Louie Bellson, Art Blakey, Coleman Hawkins, Roy Eldridge, Marian McPartland, Alice Coltrane, Terry Pollard, Clark Terry, James Moody, Ray Brown, Nicholas Payton, Joey DeFrancesco, Sarah Vaughan, Dinah Washington, Ella Fitzgerald, Burt Bacharach, Lou Rawls, Barry Manilow, Rod Stewart, Phil Spector, Teddy Wilson, Gene Ammons, Sonny Stitt, Barry Harris, Jimmy Heath, Hank Jones, Elvin Jones, Mel Lewis, Stan Getz, Zoot Sims, Lester Young, Count Basie, Duke Ellington, Tito Puente, Lionel Hampton, Gary Burton, Red Norvo, Ray Charles, Carmen McRae, Jimmy Witherspoon, Eartha Kitt, Lalo Schifrin, Joe Williams, Jimmy Smith, Thad Jones, Tommy Flanagan, Oscar Pettiford, Charlie Shavers, Dexter Gordon, Chick Corea, Sonny Rollins, Kenny Burrell, Oscar Peterson, Erroll Garner, Hal Blaine, Earl Palmer, Kim Keltner, and Don Shirley.
Friday, January 26, 2018 8p
Vance Gilbert
With Kerri Powers
Infinity Music Hall
20 W. Greenwoods Road (Rt. 44), Norfolk, CT
phone: 860-542-5531
Price: $24.00
The Art of Storytelling
Vance Gilbert Works His Magic at the Historic Infinity Hall
His reputation precedes him. But that’s no reason to let an opportunity to see Vance Gilbert pass you by! Fresh off a tour of Australia, Vance has for some time now been a major mover of the singer-songwriter scene. His penchant for storytelling, mingled with his terrific sense of humor makes a Gilbert gig a lively event indeed. And, oh by the way, if you’ve heard the man’s latest album, Nearness of You—or any of his albums for that matter—you know he can sing.
Gilbert was born and raised in the Philly area and he started his career in Boston aspiring to be a jazz singer. But things happened, and he soon found himself in the warm embrace of the singer-songwriter world, opening for folks like Shawn Colvin and later comedians George Carlin and Paul Reiser. One of those shows, in Dallas, earned him some good press from the local paper: “With the voice of an angel, the wit of a devil, and the guitar playing of a god, it was enough to earn him that rarity: an encore for an opener.” Of course, that was ages ago. But the fact is, Gilbert has only gotten to be a more engaging performer, with beautiful, worldly stories, finely honed guitar technique, and a voice that delivers.
Over two decades-plus in the music business, Vance has produced a healthy helping of great recordings, including the widely raved about BaD Dog Buffet. Old White Men hit the Top 10 on the Folk DJ chart on its release and Unfamiliar Moon landed in the Boston Globe’s Top 10 Records of the Year upon its release in 2005. Perhaps most importantly for the purposes of this particular press release is the fact that Vance’s live album, Somerville Live, issued in 2000, was described by the Boston Globe as a work “young songwriters should study the way law students cram for bar exams.” And we haven’t even talked about Nearness of You, which features Vance singing stripped down versions of 14 of his jazz faves.
Vance’s upcoming gig at Infinity Hall will be reliably memorable. His show is entertaining, his stories are by turns funny and poignant, and his music, above all, is well worth hearing.
Frederick Farell, Dave Liebman & Bob, Red Rock Recording Studion , June 11, 2015. David W. Coulter Photography
“Distant Song”
Photo: #1 (headshot, vocal recording)
#2 (headshot, vocal recording)
#4 (group shot, left: Richard Beirach, middle: Fred Farell, right: Dave Liebman)
Publicity Lemon Wire, All About Jazz, bebop spoken here, Jazz Weekly, Keys and Chords, Jazz Global Beat, ALL MUSIC, JazzQuad
Radio
Buy
Mixed Media Client since: 2017
“Listening to Farell is like stepping back in Time, to mid-20th Century America, when Jazz and Romance were popular. His Sounscapes are like Odes to Love…Farell’s “Distant Song” provides enough soothing sounds for listeners to ponder the Human condition…He is joined by Dave Liebman on soprano & tenor Saxophones, and by Richie Beirach on acoustic Piano.”
“…FARELL is the real deal in terms of Sincerity, his voice speaks authority as does the tender Truth expressed in his Lyrics…and musical arrangements…A performance that regularly stops you…in your tracks…”
“The mood of the Program is dark blue, solemn, and well matched to Fred’s Baritone, and the accompanying Instrumentation…with Farell writing all the Lyrics.”
“Fred Farell’s new CD is rewarding on several levels. His lyrics for the songs of Dave Liebman and Richie Beirach show that the instrumental pieces are surprisingly singable, adding to the jazz vocal repertoire. His singing is warm, quietly expressive, and really gets into the messages of the songs. And the playing of Liebman and Beirach is as creative as ever. Their fans will find much to enjoy on this rewarding set.”
Scott Yanow, Jazz journalist/Historian and Author of “The Jazz Singers”
Vocalist Fred Farell’s latest project Distant Song captures the music of Liebman and Beirach beautifully. Farell didn’t merely copy Liebman’s and Beirach’s compositions, he added sublime lyrics and a magically ethereal vocal style.
Richard Beirach, Dave Liebman, Frederick Farell, Red Rock Recording Studios, June 11, 2015. David W. Coulter Photography
Image from HighResAudio.
Publicity: Amazon, Jazz Journal, Bebop Spoken Here, Paris Move, Forward, New World ‘n’ Jazz, CeraJazz, The Honest Broker (Ted Gioia), All About Jazz, Jazz Forums, Audiophile Audition, JazzWax, Substack, The Arts Fuse, WBGO, Dusty Groove, New World ‘n’ Jazz, PRX, KMUW, The New York City Jazz Record, Tom Hull – On The Web
YouTube: Devil & The Deep Blue Sea, Good Vibes: A Quick Portrait
Photo: album Hi-Res Front cover
Distribution:
Mixed Media Client since: 2017
Click here for the full review
Click here to read the full article
YouTube: Jazz Video Guy/Bret Primack, Devil & The Deep Blue Sea, Good Vibes: A Quick Portrait
Photo: Terry Gibbs Recording Hi Res, Front cover, Back cover
Publicity: Jazz Journal, Jazz Weekly, All About Jazz, London Jazz News, JazzSquare, Jazz Quad, Songbook Promo, All About Jazz, LA Jazz Scene, Cabaret Scenes, London Jazz News
Click here to read the full article
Click here to read the full article
Terry Gibbs will go live again! This coming Sunday at 1 pm pacific time, here on Facebook live. He’ll tell stories and answer questions from anybody who’s interested. He had a really great time answering all the questions that were asked.
At age 92 years old, vibraphonist Terry Gibbs was still a musical force when he recorded 92 Years Young Jammin’ at the Gibbs House (Whaling City Sound, 2017). His son, drummer Gerry Gibbs, paid homage to him with Songs from My Father (Whaling City Sound, 2021) with the Thrasher Dream Trio band. As for this recording for his father, Gerry Gibbs says, “Recording this record with my Pops will always be so memorable because it will be his last work.” Accordingly, at the ripe age of 98 years old, Terry Gibbs has released the last album of his storied career and life with The Terry Gibbs Songbook, recorded and performed by the Terry Gibbs Legacy Band featuring Gerry and an all-star cast of players including saxophonist Scott Hamilton and vocalist Danny Bacher, who fit the bill to the tee.
Having an outstanding reed section to work with, the challenge became how to feature each player by giving them proper solo space on each track. The Brazilian flavored opener, “Let’s Go To Rio,” features Ranier on the first solo with Allen and Hamilton on two choruses of eight bars each. The following “Those Eyes, Those Lips, That Nose, That Face, That Girl,” has Allen and Hamilton supporting Bacher on vocals.
One beautiful ballad played to the heart is the gorgeous “I Was Loved,” with Hamilton doing the love solos all by himself as the vocalist displays his warmth and soul, letting it all hang out. The tempo changes dramatically on the perky “Now’s The Time To Groove,” a lively swinging number that has the shoulders moving and the fingers snapping. This is the only piece that features Terry Gibbs on vocals, trading words with Bacher on a cheery, playful piece of music.
There are other memorable songs on this session and one for sure is the melodic “The House That Might Have Been,” featuring Hamilton again on some delicious solo moments. Allen takes center stage on the slow ballad of “Nina.” The boisterous and swinging “I Can Hardly Wait for Saturday Night” has Allen and Hamilton featured on multiple four-bar solos in one of the gyrating pieces of the session.
Two of the outstanding tunes of the album are “And That’s Why They Call It The Blues,” and the swinging “Stay With Me Tonight” which features solos from Ranier, Allen and Hamilton. The Terry Gibbs Songbook is the perfect Swan Song, a final musical gesture from an unforgettable jazz legend whose music will surely live on.
Mondays With Morgan is a column in LondonJazz News written by Morgan Enos, a music journalist based in Hackensack, New Jersey. Therein, he dives deep into the jazz that moves him – his main focus being the scene in nearby New York City.
This week, Enos spoke with the legendary vibraphonist Terry Gibbs, active since the 1940s; to trace his development is to tell the story of a large swath of jazz history.
To read the full article click here.
Terry Gibbs, who turns 99 next October 13, has had quite a remarkable career. One of the greatest vibraphonists of all time, Gibbs was a professional by the age of 12 (back in 1936). He became famous as a member of Woody Herman’s Second Herd, worked with Buddy Rich, Chubby Jackson and the Benny Goodman Sextet, mastered bebop, and was a bandleader throughout much of his career. Gibbs led his orchestra, The Dream Band, during the late 1950s and early ‘60s, headed the regular group on the Steve Allen Show in the 1960s, and had a quintet with clarinetist Buddy DeFranco. His memoirs, Good Vibes, is both quite informative and often hilarious. Gibbs was active into his early nineties before deciding to retire.
The Terry Gibbs Songbook is a special final musical project in Gibbs’ career. There is one major error in the liner notes that needs to be corrected. It is stated that because Gibbs helps out with the singing and plays some two-handed piano on the humorous and nostalgic “Now’s The Time To Groove,” he is the first musician to record in eight decades. Actually Benny Carter recorded in nine; however Terry Gibbs still has the record. In addition to recording commercially in nine decades (starting in 1946), if one counts a radio show on which Gibbs in the 1930s played some classical music (tapes still exist and briefly appeared on You Tube), he is the only musician ever to have recorded in ten decades!
While Gibbs occasionally wrote songs that he recorded as instrumentals through the years, this project is a bit different. 15 of the great vibraphonist’s compositions have been given lyrics and are sung by Danny Bacher, a fine jazz vocalist who could have fit in well with jazz groups in the 1950s. Eight of the numbers have words by Michael Dees while the other collaborators were lyricists Arthur Hamilton, Bobby Troup, Steve Allen, and Jerry Gladstone with two of the songs having lyrics by Gibbs himself.
Terry Gibbs’ music has always swung and this set is certainly no exception. He gathered together pianist Tom Ranier (also heard a bit on tenor), bassist Mike Gurrola, and his son drummer Gerry Gibbs, and was able to easily talk the two great swing tenors Scott Hamilton and Harry Allen into joining the group. While each song has a Bacher vocal, there is a lot of solo space for the tenors and Ranier. The tunes range from love songs (including the touching “I Was Loved”) and wistful memories of his life to plenty of joyful swing. Such titles as “I Can Hardly Wait For Saturday Night,” “Play And Sing,” “And That’s Why They Call It The Blues,” “Stay With Me Tonight” (which during its closing part includes some Terry Gibbs vibes from decades ago), and the jazz waltz “Say Goodbye” are among the many rewarding songs on this set that could become standards in the future if heard by enough singers and instrumentalists.
Terry Gibbs has said on numerous occasions that this is his last recording. Hopefully when he turns 100, he will change his mind and do this again! In the meantime, be sure to pick up a copy of The Terry Gibbs Songbook which is available from www.whalingcitysound.com and www.amazon.com.
Click here to read the full review!
Click here to read the full review!
Click here to read the full article
“Terry Gibbs Returns with Homemade Recording” interview by Kirk Silsbee in July 2017 DOWNBEAT:
“IN 2015, VETERAN VIBRAPHONIST TERRY Gibbs decided to put his mallets away for good, leaving the family musical legacy to his son, drummer Gerry Gibbs. But a funny thing happened on the way to retirement: Terry got the itch and asked Gerry to bring some players to his house for an informal jam. Gerry’s wife posted a YouTube video of the get-together, which went viral a few days later. The group then decided to have a session with the tape rolling, and the result is an album Terry never thought he’d make—92 Years Young: Jammin’ At The Gibbs House (Whaling City Sound). The loquacious Terry Gibbs was happy to talk to DownBeat about the unique circumstances behind this project and reflect on his storied career.”
Click on Terry’s name above to see full Amazon list. 
Music industry consultant and publicist Ginny Shea has garnered international exposure for her clients through radio and video promotion, print media, and her vast industry network.
read more
