“Just Passing Thru”
Whaling City Sound Website
Photos: #1 color, #2 b&w, #3 b&w, #4
Publicity: JazzBluesNews, Neon Jazz, The Jazz Hole, Midwest Book Review, Making A Scene Magazine, Amazon Reviews, Midwest Record Entertainment, Jazz Square, ALL MUSIC, AllAboutJazz
Radio Promotion: New World ‘N Jazz
Distribution: NAXOS of America
Mixed Media Client since: 2017
Just Passing Through
O’s Notes: Saxophonist, composer and producer Miles Donahue presents a fine contemporary jazz set with Just Passing Through. Bassist Joe Santerre gets in the mix on “Living Room Blues” before Donahue soothes us on song “Killing Me Softly”, the lone cover. Guest Mike Stern (g) adds fusion elements to “7-9-65” and the funky “Railroaded”. We also enjoyed the cool vibe of “Donny’s Groove” and “A Man of Few Words”.
Just Passing Thru is the latest music album by Miles Donahue. The songs feature Miles Donahue on saxophones, trumpet, and keyboards; Joe Santerre on electric bass; Larry Finn on drums; Ricardo Monzon on percussion; Alain Mallet on keyboards; with Mike Stern on guitar. The result is a versatile fusion that crosses boundaries of style and substance, from jazz to rhythm & blues to elements of rock and soul, and more. A captivating original treasury, Just Passing Thru is highly recommended. The tracks are “hear My Words”, “Living Room Blues”, “Killing Me Softly”, “Just Passing Thru”, “Donny’s Groove”, “A Man of Few Words”, “7/9/65”, “Railroaded”, and “Ireland”.
Review by Leonid Auskern from Jazz Square
A Welcome Guest
On Just Passing Thru
Miles Donahue makes himself comfortable
Miles Donahue’s latest album, coming on the heels of The Bug (Whaling City Sound, 2017), Just Passing Thru is large in scope and beautiful in execution. The absurdly talented player, vibrant on both tenor and soprano saxes, trumpet, and keyboard, shows just how broad his musical wingspan is. It certainly helps that he has an amazing crew behind him. Joe Santerre provides power grooves on electric bass as does Larry Finn on drums. They are joined by percussionist Ricardo Monzon, keyboard player Alain Mallet, and a handful of tracks featuring guitarist Mike Stern. With a vision that includes Crusaders’ style R&B, Weather Report fusion, and lovely, soulful turns, Donahue is masterly and versatile.
From song to song, there are wide swings of style and substance, from moments of tenderness, passages of grandeur, and fistfuls of exhilarating, technical wonder. The opening “Hear My Words” kicks off with an ingenious, shuffling melody that settles into a samba, and then finishes with a little funk. “Living Room Blues” swings with verve and passion, showcasing Santerre’s powerful bass. “A Man of a Few Words” opens with an introspective statement that morphs into alto soulfulness, buoyed by Mallet’s beautiful electric piano. “Railroaded” has a funk foundation to go along with its zesty ensemble playing. Joining that performance is none other than Mike Stern, one of the great voices in jazz guitar, and his solo here is proof of that. And then there’s the surprising “Ireland,” a nod to Donahue’s ancestral homeland that is both respectful and anthemic, in the way a rock song is anthemic. Talk about unexpected!
Throughout Donahue’s lovely Whaling City Sound recording, he never fails to challenge convention. In many, often subtle ways, he ventures out on the unexpected limb rather than the sturdy one that’s already been tried. His adventurousness is gratifying. Donahue finds a myriad of ways to reward his listeners and we are grateful for that. It may or may not be a fact that jazz musicians age with grace and class. In Miles Donahue’s case, the concept bears out. It is a joy to follow his risky explorations, as he makes his way through a labyrinth of unexpected turns. More than simply Just Passing Thru, Donahue is staying a while, long enough to leave a permanent impression on today’s jazz landscape.
Pre-order on Amazon
The history of this project is very dramatic. The album, conceived as a tribute from his son – the father, the famous drummer and band leader of “The Thrasher” Gerry Gibbs – the 96-year-old legendary Terry Gibbs, who played with Benny Goodman, Charlie Parker, Art Blackie, Dizzy Gillespie etc., who composed more than 300 compositions, who recorded 65 solo albums and was the # 1 vibraphone player from 1950 to 1955 according to DownBeat and Metronome polls, turned into a double tribute with a very sad connotation. However, let’s go in order …
The double album Songs From My Father amazes with its monumentality. Gerry has selected 18 compositions from different years from the vast creative heritage of his father. Known for his signature Thrasher Dream Trio chamber ensembles, Jerry decided to entrust the performance of this music to several Thrasher Dream Trios, composed of the outstanding jazz musicians of our time. There are four of them in the album. Chick Corea and Ron Carter play in one with him, Kenny Barron and Buster Williams in the other, Patrice Rushen and Larry Goldings in the third (the only trio where a Hammond organ sounds instead of bass) and in the fourth – Jeff Keezer and Christian McBride. How do you like the team? In my opinion, just fantastic!
But what does it mean to implement such a project, and even in a covid year ?! Gerry Gibbs traveled half of America in ten months, coordinating the work schedules of the project participants in order to make these recordings. Terry’s old friend Chick Corea was especially inspired by the idea of this tribute. He wrote the composition “Tango For Terry” specially for the album, which became the final track of the album, and also made arrangements for two more compositions. Gerry and Chick called up almost every week, discussed the progress of the project, and just talked “for life.” And then came the unexpected and black news of Chick Corea’s death. And it so happened that four pieces recorded for this album with his participation turned out to be the last lifetime recordings of this amazing musician …
Shocked by this tragedy, the project participants said goodbye to Corea with dignity. Gerry and his father jointly renamed Terry’s 1961 composition “Hey Jim” to “Hey Chick”, and it was jointly performed for the project by all eight of its members (each with a pair of choruses). In addition, Gerry also edited his father’s vibraphone solo from that old recording from the early 60s into this recording. This piece took a special place in the album, remarkable in all respects. If you love jazz, you just have to hear this unique work – and say goodbye to Chick Corea …
Click here to read the full review
Click here to read the full review
Gerry Gibbs publishes Songs from my father with unreleased music by Chick Corea
Songs from my father is the highly anticipated new album from music scholar Gerry Gibbs. It is his thirteenth release as frontman, drummer, percussionist and bandleader, as well as arranger, Gibbs presents a two-disc masterpiece featuring four versions of his acclaimed trio that goes by the name Trasher Dream Trio.
Under his clever leadership, the band of jazz titans pay heartfelt tribute to the musical legacy of Gerry’s father, Terry Gibbs, one of the last living architects of be bop and innovators of the percussion instrument: the vibraphone.
For this purpose Gerry selected no more and no less than 18 melodies from his father’s vast discography and interpreted the material in a timeless way through his own compositional prism and lens, with ingenious and modern arrangements. Also Songs from my father has the last performance recorded with the great Chick Corea, piano genius who also passed away a few dates ago. It also includes one of the melodies Chick composed specifically for this project.
With Gibbs on drums, he has had the chance to record on this album with his stellar trios. Here you can enjoy excellent musicians such as Korea himself, Ron Carter, Kenny Barron, Buster Williams, Patrice Rushen, Larry Goldings, Geoff Keezer and Christian McBride.
A global pandemic could not stop this prolific jazz man, but rather, on the contrary, positively inspired him leaving an echo of an impressive season of creative production. Gibbs presents this album fresh from his epic 2019 work titled Our People, which defies the musical genre. Some critics defined it as “cleverly overlapping pieces that often come close to cinematic … quite a feat.”
We also had access to his previous 2020 Emotional Pandemic, an 18-track album entirely composed and performed by his own person. The 8 instruments. In fact, this was the launch that caught the attention of Chick Corea himself. Korea asked the drummer the process for recording all the instruments. That minimal conversation evolved into the possibility of collaboration and the concept was born: it was possible to release a double album as a result of collaborations with four amazing triso, including the aforementioned collaboration with Chick and Ron Carter.
In this state of affairs, later Korea asked to become even more deeply involved in work, in music. He composed an original piece under the title Tango For Terry, dedicated especially to Terry Gibbs and even arranging two pieces for the album.
Gibbs comments “What he wanted to do seemed almost impossible with the covid. There was a lot of fear, travel, safety precautions and logistics. How do 4 trios coordinate when a disease spreads all over the world and in the USA? That was the challenge and yet Gibbs saw the opportunity and did not give up organizing several trips to capture the sounds. Without a doubt, he has been worth it.
Click here to read the full review
Click here to read the full review
Whaling City Sound WebsiteFacebook
One Min Video Ad for Thrasher People Our People
Publicity: Jazz Journal (UK), IO Pages, New York Jazz Workshop, Nextbop, Jazztimes, All About Jazz, Midwest Review Of Books, Midwest Record, Glide Magazine, Hot House, Dutch Progressive Rock Page, Jazz Weekly, ArkivJazz, San Antonio Current, JazzNews, The Mountain Mail, South Coast today, O’s Place Jazz Newsletter, Improvijazzation Nation, Jazz Life, JazzTimes, Jazz Weekly, Insight, JazzQuad, Jazz News, Something Else Reviews, Midwest Record Entertainment
Mixed Media Client since: 2006
“Weather or Not”
Nice to hear graphically arranged material of Weather Report. Keep up with your creative mission! ~Wayne Shorter
“Gerry has created his own world on this recording. The amount of time and effort he brought to the project is astounding. The music itself is extremely wide ranging touching upon several distinct idioms …..quite impressive.” – Dave Liebman
Listen on SoundCloud “Black Market”
Listen on SoundCloud “Just Glad to Be Anywhere”
Photos: #1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14
Electronic Press Kit
Youtube – Gerry Gibbs on the drums
click here to read the full interview
Radio Promotion: #1
Don’t miss this:
9/14 5-9p Centre Street Sessions Season Finale
Gerry Gibbs & Thrasher People in New Bedford, MA
It is unique and kind of madcap, the sign of a fertile artist plowing through all the ideas swirling around his brain. “Instead of creating one musical concept, I wanted it to sound like 16 trios, so that’s why the music was so eclectic.” Gerry Gibbs is the artist, and his new, two-disc set—one disc devoted to the blazing Weather Report, the second to his own diverse material—leads listeners through a fun house of styles. Disc One is devoted to Weather Report tribute, but it’s not nearly the lukewarm cover collection by aspiring fusioneers you might expect. (Because, perhaps, they might beat Zawinul and company at their own game?) Instead, Gibbs opts to re-imagine the material from the POV of an acoustic piano-led trio, the featured instrument played by luminous new talent Alex Collins, with brilliant Austrian-born Hans Glawischnig on bass. The sparks sure do fly on familiar melodies: “Palladium,” “Teen Town,” “Birdland,” naturally, and “Black Market.” There’s lots to dig into here, and you certainly don’t have to be a Weather Report fan to dig it. Disc Two features Gibbs cranking up the creative juices on a set of originals, traversing from flamenco to pulse-quickening funk, calypso, gospel Latin jazz, R&B and plenty of all-out swing. While Gibbs has tackled myriad projects in the past, from 2006‘s Thrasher Big Band project Live at Luna’s to 2010‘s The Electric Thrasher Orchestra Plays The Music of Miles Davis (’67-’75) and 2013‘s Grammy-nominated Thrasher Dream Trio (with Ron Carter and Kenny Barron), this rich two-CD set, his 11th as a bandleader, is his most audacious and fully-realized project to date, an early crowning achievement from a restless spirit and a triumphant, indefatigable artist.
It is unique and kind of madcap, the sign of a fertile artist plowing through all the ideas swirling around his brain. “Instead of creating one musical concept, I wanted it to sound like 16 trios, so that’s why the music was so eclectic.” Gerry Gibbs is the artist, and his new, two-disc set—one disc devoted to the blazing Weather Report, the second to his own diverse material—leads listeners through a fun house of styles. Disc One is devoted to Weather Report tribute, but it’s not nearly the lukewarm cover collection by aspiring fusioneers you might expect. (Because, perhaps, they might beat Zawinul and company at their own game?) Instead, Gibbs opts to reimagine the material from the POV of an acoustic piano-led trio, the featured instrument played by luminous new talent Alex Collins, with brilliant Austrian-born Hans Glawischnig on bass. The sparks sure do fly on familiar melodies: “Palladium,” “Teen Town,” “Birdland,” naturally, and “Black Market.” There’s lots to dig into here, and you certainly don’t have to be a Weather Report fan to dig it. Disc Two features Gibbs cranking up the creative juices on a set of originals, traversing from flamenco to pulse-quickening funk, calypso, gospel Latin jazz, R&B and plenty of all-out swing. While Gibbs has tackled myriad projects in the past, from 2006‘s Thrasher Big Band project Live at Luna’s to 2010‘s The Electric Thrasher Orchestra Plays The Music of Miles Davis (’67-’75) and 2013‘s Grammy-nominated Thrasher Dream Trio (with Ron Carter and Kenny Barron), this rich two-CD set, his 11th as a bandleader, is his most audacious and fully-realized project to date, an early crowning achievement from a restless spirit and a triumphant, indefatigable artist.
“Joe Zawinul always had the utmost respect for maestros Kenny Barron and Ron Carter. I am certain that their Thrasher Trio-mate Gerry Gibbs’ name would have been added to that select list had Joe been able to hear Gerry’s realization of the music of Weather Report as played by his new trio that includes Alex Collins on piano, Fender Rhodes, organ & vocals, plus Hans Glavishnig on acoustic bass (whose playing on this CD bears an uncanny resemblance to maestro Carter’s). Here is a unique reading of Weather Report’s music that is totally fun to listen to. As an insider, I can say that this album sheds new light on the WR canon while spotlighting the intrinsic talent and sounds of Gerry’s new band. I feel the better for having heard this recording.
Jaco would have loved Hans’ playing on “A Remark You Made” … I know that I do.
– Peter Erskine
Gerry, love your interpretations, really gives me lots of inspirations. Keep this up.
– Alex Acuna
Great musical interpretations by drummer/visionary Gerry Gibbs of the various songs originally recorded by supergroup Weather Report. Gerry’s drumming is impeccable throughout. The band really cooks!! A “must have” CD!
– Alphonse Mouzon
(Original Drummer and Founding Member of Weather Report)
Chairman of Tenacious Records
Gerry Gibbs and Thrasher People visit the Music of Weather Report with great re-interpretations and success, and if that wasn’t enough on this 2 CD set, you can hear the Thrasher Trio tackle Gerry Gibbs’ complex original compositions each of which tell a unique story like the Weather Report tunes… real impressive playing from everyone…this stuff ain’t easy folks!! They kill it!
– Randy Brecker
I am having so much fun listening to Gerry’s new trio cd celebrating the music of weather report. Totally swingin’ and lots of surprises. Gerry is a very interesting artist for me to listen to, he is not only a great drummer with tons of spirit and ideas but he is a great arranger and writer. His deep understanding of history and love of the music is always present as is his sense of humor. Hard swing, funk blues, a great shuffle and lots of soul, all the things I love about jazz music are constantly being addressed, taken apart, put back together backwards then forwards and inside out without being tongue in cheek or labored. New and fresh ideas being examined from many angles through the eyes of artists who know the roots. An oasis of swingin’ jazz at a time when it is really needed. Thank you Gerry!
– Mike Clark
This CD would not have been documented if it had not been for my Thrasher People Brothers, Alex and Hans. Special Thanks to Alex for taking my 12 arrangements and 16 originals and not only transcribing them from my computer mock ups but for memorizing all 28 songs and for going out of your ways every step of the way.
Thanks to Thadd – Your presence was felt all through out ! Never seen but felt for sure.
Special thank you’s to DW Drums Special Thank you to all at DW Drums. Special thank you to Don Lombardi, John Good and special thanks to Garrison
Special Thank you to Evans Drum Heads & Pure Sound Percussion. Huge Thanks to my brother Marco Soccoli for not just taking care of me, equipment wise, but stopping in and out of the recording sessions to give all his knowledge of different drum heads that he sent and brought to the studio for this recording. He helped me constantly change heads to different models on 15 different DW Drums used on these 2 CD’s
Special Thanks to Zildjian. Extra special Thanks to Kirsten Matt and Sarah Hagan for sending bells and special effects cymbals the day before recording started..Love you guys.
Thank you Vic Firth Drum Sticks, Humes and Berg Drum Bags
Special Thanks to my wife Kyeshie Gibbs. She was there during every minute in the studio all 5 days and had many great ideas during the tracking and mixing of these CD’s
Special Thanks as always to my Pops who encouraged me to go out every night and find the new members of THRASHER PEOPLE.
During the preparation for this recording a few key people really made some amazing things happen in many ways related to this recording. Much love to 2 of the best drummers on the planet – Mike Clark and Joey Heredia. Also huge thanks to Weather Report Alumni and 3 of the most important and influential musicians, Peter Erskine, Alex Acuna, Alphonse Mouzon, Thank you to Randy Brecker and Mike for their kind thoughts about the music after they heard the 2 CDs. One of the most knowledgeable and creative music writers in the music world Bill Milkowski. Special Thanks to Keyboard Wizard and Producer Nick Manson for some great imput. Thank you to Stan & Jerry (Owners of Pro Drum Shop in Hollywood California) for taking care of all my equipment over the last 25 years.
Thank you to all the amazing sound people involved – David Stoller & Mark Marciano and of course huge hugs and love to Nancy Marciano
Thanks to Whaling City Sound Team Neal Weiss, Dave Arruda Jr and Ginny Shea
This CD is dedicated to Neal Weiss for his 10 years of huge support, love, friendship and always great input and amazing care of all the projects we have done together for his wonder Whaling City Sound Label.