🎥Video for “Meu Fraco é Café Forte” from Dave Zinno Unisphere release #Fetish

🎥Video for “Meu Fraco é Café Forte” from Dave Zinno Unisphere release #Fetish

Dave Zinno and his Unisphere bandmates—Mike Tucker on tenor sax, Eric Benny Bloom on trumpet and flugelhorn, Leo Genovese on keyboards, Tim Ray on piano, Rafael Barata, drums and percussion, and special guest Rafael Rocha on trombone—have been writing and practicing, biding their time until jazz scene reopened. In that time, Unisphere took advantage and managed to piece together, Fetish, a brilliant and beautiful album. The colorful panorama, tonal palette, and sonic breadth featured on Fetish are breathtaking. Zinno’s Unisphere is jubilant, rapturous, and free. Everyone contributed compositions or arrangements to the project, which creates a stunning picture of the diversity represented by this group. Fetish is the sound of that catharsis, that anticipation, a primal release of aural energy. “This project is the culmination of a year without live music,” says Zinno. “Every ounce of energy and ambition, in reserve from not expending it for so long, is on this record. I hope people feel what we felt while creating it.”

New World N Jazz Dave Zinno Unisphere “Fetish” 9th Most Added (+12) JazzWeek radio 📻 chart 9/20/21 

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“Fetish”

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Dave Zinno Unisphere

Fetish

Whaling City Sound

Bassist and composer Dave Zinno issues his third album, Fetish, with his group Unisphere.  Zinno calls it the culmination of a year without live music and thus, it’s a huge, in some cases, unbridled release of energy for he and his band members – Mike Tucker (tenor sax), Eric Benny Bloom (trumpet & flugelhorn), Leo Genovese (keyboards), Tim Ray (piano), and Rafael Barata (drums/percussion), and guest Rafael Rocha on trombone.  Most of the dozen tunes, recorded in two six-hour sessions, were composed by band members with Zinno (3), Tucker (3), Genovese (2), and Ray (1). They have their hands in the arrangements as well.

The album kicks off with Zinno’s title track. It’s a rollicking, volcanic thrill ride from the outset, meant to convey both chaos and celebration, that eventually settles into a groove once Genovese takes his keyboard solo, and the leader makes an emphatic bass statement to close it out.  Genovese penned the robust, sweeping “Out of the Hole,” one of five where he plays the acoustic piano and Ray sits out. The pace on this one is not quite as frenetic, but it still clips along briskly, propelled by the pianist’s rapid runs and strong horn parts, especially Tucker’s elongated solo. Bloom steps in to make his first compositional contribution to the band on “Unknown Mystery,” a more relaxed pace than the two previous but celebratory and triumphant in tone.  The burning pace, (album has not lagged a bit to this point) continues with the first of Tucker’s tunes, “The Golden Age,” one that he Barata crafted together in a 4/4 meter as a tip to hard bop.

“So Close, So Far,” the second of Zinno’s tunes, begins somewhat tentatively, before Tucker and Bloom state the theme, underpinned by the leader’s bass and Genovese comping on the piano, and stellar solos from Tucker and Bloom. Ray arranged “Beatriz,” from Brazilian composer Edu Lobo, presenting the band its first ballad, with Tucker’s gorgeous tenor leading the way. “Future History,” with its dramatic bass intro, is from composer Paul Nagel, a colorful piece featuring a bright sonic palette that again has sparkling turns from the front line and another glistening Genovese piano spot and impressive work on the kit from Barata.

Tucker authored both the sweeping and uplifting “Melancholy Daydream” and “Over the Horizon.”  The former features both Ray (piano) and Genovese (keyboards) while the latter has Genovese at the piano. Tucker blows a storm in the former while the “Over the Horizon” breathes more easily but seriously, with Tucker, and Genovese engaged in dialogue before Zinno steps forth with his own poignant statement.

“Into the Whole” is the second Genovese piece, a pulsating jazz waltz that features a glowing flugelhorn solo from Bloom, followed by one of Tucker’s more lyrical statements, a rhythm section break led by Zinno, and a mellow trombone entry that builds into a bright burst of all three horns. “Nile” is one of Zinno’s early 1980s compositions inspired by the film “African Queen.” The band does a great job of creating and improvising the jungle sounds, transporting the listener to those river environs.  The final track, “Meu Fraco e Café Forte” is from samba legend Dom Salvador, arranged by Rafael Rocha with assistance from drummer Barata. Unlike the others that were recorded in the studio, this one was recorded remotely with Barata assembling tracks from each member. The title suggests strong coffee and Unisphere, in their consistent fashion, bring the requisite potency, ending with a joyous climax.

This is a most jubilant recording with every track uplifting in its own way. These cats bring their ‘A’ game and swing hard throughout.

Jim Hynes

 

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US gov cracks down on fake Amazon reviews, but here's why it won't work - The Big Smoke

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Readers have seen this name more than once in the reviews of his releases on the site. Two years ago, we also published a review of the previous album of the Dave Zinno’s Unisphere ensemble called “Stories Told” (2019). And after 2019, as you know, came the year marked by the sign of the COVID-19 pandemic …. … It seems to me that it is just right to introduce a special concept: “post-covid jazz”. Thousands of musicians locked in their homes during a lockdown, deprived of the opportunity to perform in front of an audience, have only one option left: to compose music and hope that the clouds will someday dispel. Some people still managed to give network concerts, but the bulk of them worked at home, for the future. And in 2021, a lot of albums appeared based on these materials, albums in the music of which one can almost physically feel the performers’ joy from the possibility of new meetings, while at least in the studio. “Fetish” is one of them. When Zinno and the musicians of his band gathered in the studio in November 2020, each of them brought the material he had accumulated. It has accumulated in as many as 16 songs. As a result, a 12-track program was selected for recording the album. All the musicians who played on “Stories Told” participated in the recording of the album, plus they were joined by Zinno’s old partner, Argentine keyboardist Leo Genovese, famous for his performances with Esperanza Spaulding, and also, as a guest, another, in addition to Raphael Barata, a Brazilian trombonist Rafael Rocha.

The album contains compositions and arrangements by Ray, Tucker, Genovese, Bloom and, of course, Dave Zinno himself – “Fetish”, “So Close So Far”, and “Nile”. The music of the ensemble, which is still mostly hard-bop in style, breathes with energy, joy of musicians’ communication with each other and, of course, mastery that has not disappeared anywhere. The album was recorded in two sessions, six hours each. As Dave himself says, “This project is the culmination of a year without live music. This record contains all the energy and emotions that have accumulated and have not found a way out for such a long time. Hopefully people will feel what we felt while making this album.” Zinno doesn’t have to worry – you can really hear it in the music of “Fetish”.

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“Stories Told”

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Stories Told: JazzWeek #20

River of January: Wicked Local Cambridge, The Enterprise The Funk and Soul Revue, Fall River Herald News, Cape News, Jazz Jam session at the MAC

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Picking up where the enrapturing “River of January” left off, Dave Zinno Unisphere’s follow-up, “Stories Told,” further explores the wild and beautiful jungle of jazz, more specifically, the Brazilian/Latin tributary: electric, funky, passionate, and rhythmic. Zinno (John Medeski, Hal Crook, Adam Nussbaum) here is partnered with Unisphere co-founder Mike Tucker (Arturo Sandoval), Eric “Benny” Bloom (Lettuce), Tim Ray (Tim Ray Trio, Paul Winter Consort) and drummer/percussionist Rafael Barata (Eliane Elias, Marc Johnson, Dianne Reeves). The ensemble is supreme and ambitious, benefiting from having a recording under their collective belt and refinement of the Unisphere mission. The performance is a passionate ode to the band’s multicultural vision.

The recording kicks off with “Neurótico,” by J.T. Meirelles, a samba jazz gem that sets the tone perfectly. Elsewhere, there’s a sweet rendition of Lennon-McCartney’s “Michelle,” arranged by pianist Ray; “Tá,” a rhythmically dynamic fusion of neo-Latin styles; and the powerful “Requiem,” composed by Mike Tucker in his father’s memory, which was heartrending for all of the players. “Stories Told” is, as it should be, a melting pot of pure jazz excitement, performed with verve and executed with inspiration. If you liked “River of January,” a recording with broad appeal and accessibility even considering Unisphere’s gorgeous intricacies, you’ll surely appreciate hearing these Stories.

April 2019

Most Increased #8 and #5 in Most Added!!

Released, “Stories Told” is already one of the most added and biggest gainers on the JazzWeek chart!

“River of January”

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Dave Zinno’s Unisphere Show at Narrows 1/31/18

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1.31 CD RELEASE Narrows Center for the Arts
16 Anawan Street, Fall River, MA 02721

FOR IMMEDIATE RELEASE
For interviews contact: ginny@mixedmediapromo.com
Unisphere CD Release
Wednesday, January 31, 2018 8p
Narrows Center for the Arts
16 Anawan Street
Fall River, MA 02721 – 508-324-1926
Dave Zinno, bass
Mike Tucker, sax
Tim Ray, piano (formerly with Lyle Lovett and occasionally with Tony Bennett, replaces Leo Genovese for this show)
Rafael Barata, drums
Eric “Benny” Bloom, trumpet
$22 advance, $25 day of show
Click link for tickets

Sharing the Love
Dave Zinno Unisphere
brings a jazz celebration to
in late January,
with the release of their new recording,
River of January

If there’s one jazz band you’d consider taking a chance to see live, make it UnisphereDave Zinno’s tremendous and joyous jazz experience. While the band’s recent recording, River of January—of which this night serves as an official release party—is an immense and beautiful record, there’s no doubt that this music is made for the stage.

The band Zinno has assembled is spectacular and all are citizens/musicians of the world. Unisphere includes the talents of sax man Mike Tucker (Arturo Sandoval), drummer Rafael Barata (Milton Nascimento, Marc Johnson), Leo Genovese (Joe Lovano, Esperanza Spaulding), and Crescent City trumpeter Benny Bloom. Tucker, a co-leader on the date, is frighteningly good and a perfect companion to Zinno. Drummer Rafael Barata is on the Rio jazz scene’s first call list, thanks to astonishing technique and great ideas. Argentine pianist and composer Leo Genovese first worked with Zinno in the band of trombone legend Hal Crook. He’s toured with Spaulding, been a member of Joe Lovano’s band, and played memorably with Herbie Hancock and Wayne Shorter. Eric “Benny” Bloom, he of quick wit and showmanship, is himself on the verge of stardom. His New England jazz upbringing plays well now in his New Orleans home.

Digging a bit deeper, the recording takes the vibe of traditional jazz and reverses the paradigm, so the songs, while familiar, evolve and explore. There are many highlights here, and while it wouldn’t be a waste of space, it would be easier to say that these tunes all include rushes of adrenaline, sweetness of melody and serious elements of style. River of January is a work of forward thinking tradition and one that has much substance within it to discover. It’ll be fascinating to see how this material translates, what colors it takes on, how Zinno and the band play it and play with it.

Fans of creative license and jazz invention can dig deep into this record, of course. But best would be to see Unisphere live at the Narrows and pick up their CD on New Bedford’s iconic Whaling City Sound label. It’ll be an excellent way to witness some adventurous jazz up close and personal, and it’s certain to leave you with the great aftertaste of pure jazz joy.

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Dave Zinno Unisphere River of January WCS101 Sentimental yet devoid of bathos, forward-surging yet never at the expense of thought or taste, River of January flows in two directions, simultaneously. Some laws, including those of hydrodynamics, are written to be broken. Unisphere, the cooperative (in so many ways than one) jazz band led by bassist/ composer/ arranger/pedagogue Dave Zinno, infuses the vanguard of modern jazz with what I hear as a romanticism all too uncommon in artistic expression corrupted by the materialist zeitgeist. “Evolution” and “change” are not synonymous, and these guys know it.

Midwest Record reviews John Stein’s Color Tones as “on point beautiful playing”

On January 27th, Midwest Record reviewed John Stein’s newest album Color Tones as follows:

“WHALING CITY SOUND
JOHN STEIN/Color Tones: It’s not daddio jazz but it’s right in the pocket of the classic jazzbo sessions that caught your attention back in the day before you were even sure just what it was that was hitting you. With a crew right in step with the guitarist leading the way, this is on point beautiful playing that you just want to sink back into. Snazzy stuff that grabs you ear and doesn’t let go. Well done throughout.”

View the full review here.

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Danny Bacher/WCS

Danny Bacher/WCS

Danny Bacher

“Still Happy”

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Broadway World and Theatre Credits

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Publicity: Patch, Broadway World, Playbill, TAPinto East Hanover/Florham Park, Herald-Tribune, Boca NewspaperCNSJazzTimesBroadway WorldNew York Jazz RecordO’s Place JazzThe Island NowThe JW VibeGlide Magazine, Syncopated Times,  JazzWeeklyJAZZIZ MagazineO’s Place Jazz Newsletter,, Jazz Quad (Russia), JazzFlits (Netherlands), Midwest Record Daily Record NJ.com Summer Jazz

Radio: Mike Carlson, JazzWeek 11.19.18JazzWeek 11.12.18

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Liner Notes Credit: Jeff Levenson

 

DANNY BACHER’S GIVING A VIRTUAL CONCERT ON SIETE DE MAYO!

Hello everybody,

As normalcy approaches, I’m starting to get really busy again, and I’m grateful for that, indeed. Not just doing virtual shows, but actually performing in front of real live people – what a concept!

 

I do have one more virtual show coming up on Friday, May 7th at 7pm at one of my very favorite “venues,” Metropolitan Zoom. No need to schlep into the city and pay for parking just yet – I’ll be performing right in your living rooms!

The details:

DANNY BACHER ~ Siete de Mayo
with the legendary Allan Farnham on piano
Friday, May 7th 
7pm-8:30pm
Get your tickets here: https://metropolitanzoom.ticketleap.com/danny-bacher-050721/dates/May-07-2021_at_0700PM

Hope to see your smiling faces soon! And in the meanwhile, stay safe, happy and keep on swingin’,

Danny

 

 

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On Saturday, August 29 at 7 pm, you can join Danny Bacher, an award-winning singer/saxophonist and entertainer extraordinaire, as he holds court at the Mansion with Jason Teborek on piano and brings to you an unforgettable night of swingin’ jazz, American popular song, storytelling and laughs with his signature style and wit! Danny Bacher is an award-winning entertainer who is a master of the demanding soprano sax and who combines his virtuosity on the instrument with a talent for comedy and narrative storytelling. He’s a smooth and cool individual who makes hot jazz and pop, cut from the cloth of the great Louis Prima and Mel Torme.

All performances will happen rain or shine under the large wrap-around covered porch. Oakeside Bloomfield Cultural Center is located at 240 Belleville Avenue, Bloomfield, NJ. Visit NiCoriStudios.com for tickets and more information.

Singer and saxophonist Danny Bacher will perform “Get Happy” as part of Lynn University’s Mabel Mabel Mercer Foundation’s Cabaret at Lincoln Center Comes to Live at Lynn on Feb. 13 at 7:30 p.m. at the Keith C. and Elaine Johnson Wold Performing Arts Center. Bacher honors the three Louis—Armstrong, Jordan and Prima. Tickets cost $40.

“The way I like to connect to my audience is through humor and lightness,” says saxophonist, vocalist, and feel-good entertainer Danny Bacher. “l like to convey a positive message.”

Delivered without irony, these sentiments serve as the baseline philosophy behind Still Happy, the follow-up to Danny’s debut recording of 2016, Swing That Music. Whether conveyed through words or deeds, they reflect Danny’s North Star mandate: He aims to please.

He is a pure soul, a humanist at heart, whose creativity aligns perfectly with a desire to spread joy. This record is the latest installment in Danny’s vision of a sing-along, bouncing-ball world. It is a simple reminder: In the hands of a master storyteller, music is magic.

Still Happy features an artful marriage of tunes and performance – Danny leads us through a musical amusement park for grown-ups, replete with razzle, dazzle and hold-your-breath meditations. There’s great humanity here – a coupling of warmth and Wow! – elevating our mood like a fireworks show at the Jersey shore.

And much to speak about: Allen Farnham’s nifty arrangements, crafted to energize Danny’s indefatigable spirit; a rhythm section plus horns plus percussion galvanized tight by purpose and desire (beautifully acknowledged in the artist’s special thank-you’s); Danny’s own “In Spite of All This, I’m Still Happy,” and “Joie de Vivre,” each complementing perfectly the project’s theme and variations; signature moments of song, style and wit, proving that Danny is a triple threat capable of killing (or, at least, injuring) a dedicated audience; and a wry yet reverential send-up of

“Hooray For Holiday,” a peek behind the dream factory curtain, replete with Danny’s original, happy-making lyrics (You’ll be splurgin’ to see a surgeon/He’ll make your tuchas look good…).

“Hollywood” proves to be a touchstone, a contrast to the album’s final track, “Cloudy/Nuages.” Together they reveal the yin and yang of Danny’s personality. The former is exuberant, bracing, filled with vivacity; the latter, ruminative, introspective, private.

One imagines that Danny reached back to the methods of ancient Greek actors, deploying the masks of comedy and tragedy to communicate emotion. These performances, however, are less binary than they appear. Nuance prevails. Danny aims for the heart (and feet) by endowing these tracks – and all others – with sophisticated subtlety.

One hears traces of calypso (“Get Happy”), and doo-wop (“Shaking The Blues Away”), and pure Billie Holiday (“Getting Some Fun Out of Life”).
Together, they – and all other tunes – constitute a clear affirmation of both concept and execution.

So, while Danny makes clear that he is still happy, repeated spins of this record reveal there’s a band and a producer who feel exactly the same way. Fans to follow. Guaranteed.

Jeff Levenson
June 2018

Still Happy

Produced by Jeff Levenson
Executive Producers: Joel M. Bacher, Danny Bacher

Recorded at Teaneck Sound Studio,
October 17th – 18th, 2018

Recording Engineer Dave Kowalski
Mixing Engineer: Jon D’uva
Mastered by Greg Calbi, Sterling Sound

Danny Bacher – Vocals, Soprano Saxophone
Allen Farnham – Piano
Dean Johnson – Bass
Alvester Garnett – Drums
Harry Allen – Tenor Saxophone
Charles Caranicas -Trumpet, Flugelhorn
Rolando Morales-Matos – Percussion:

All arrangements by Allen Farnham
Co-arranged by Danny Bacher

Danny Bacher uses Silverstein Ligatures
Alvester Garnett plays D’Amico Drums
Harry Allen plays D’Addario Select Jazz Reeds
Rolando Morales-Matos plays Pearl Percussion

Artist Thank-You’s

To the following, I want to express my deepest gratitude and heartfelt thanks for making this all possible.

First, to my beautiful and supportive wife Erin, for all of her love, understanding and inspiration; my parents, Jane and Joel, for helping me realize my dreams, for all their love and support, and for putting me on this planet; my brother Josh, sister-in-law Nadia, and little niece Millie, for their help and love, in life and on this project; my grandmother “MaMa” Jean, who helped shape who I am today, and whose valuable lessons in life I cherish always; and my grandmother Ann and grandfathers Harvey and Herb, whom I miss everyday and hold dear in my mind, spirit and heart.

To all of my loving family, loyal fans and, of course, “Bacher’s Backers,” who helped get me to a financial place much appreciated for this recording project. Special thanks to Dr. Daniel Suffin (“DS”); Yanni, Arlene, and li’l Eddie Kaloudis; John McLellan; Carol Scibelli; David Rousso; and Uncle Jon and Aunt Kathy Van Orden. And of course, much love and thanks to the machatunim, Toni, Chuck, and Mikey!

To all of my artistic friends that have given me such guidance and advice through this process, including: Steve Tyrell, Marilyn Maye, Roseanna Vitro, Nancy Marano, Barbara Maier, KT Sullivan, Bob Mover, Ed Joffe, Jason Teborek, Alexis Cole, Chris Byars, Dominic Chianese, Debbi Bush-Whiting, Marilyn Lester, Angelo Badalamenti, the late Lois Laurel Hawes, Richard Cramer, Bill Boggs, Steve Frumkin, Will Friedwald, and all my fellow Friars.

To my band: what an honor to have the support of such tremendous talents! Harry Allen, a true titan on the tenor; Charlie Caranicas, a marvel on trumpet and flugelhorn; Dean Johnson, a solid-rock time-keeper with a heart of gold; Alvester Garnett, the jovial spirit and heartbeat of the ensemble; Rolando Morales-Matos, for his mastery of percussion; and of course to my co-arranger and pianist, Allen Farnham, whose genius in arranging, abilities on the 88’s, and great attention to detail have been crucial to the success of this project.

I must also express gratitude to my producer, Jeff Levenson, whose artful mastery at the helm, both in and out of the studio, was exactly the right balance needed to take this album to heights that I couldn’t have foreseen.

Also, I must thank my family at Whaling City Sound, Neal Weiss and Ginny Shea, for believing in this project. And a special note of thanks to Ashley Perez; Andrea Valentini and Dave Kowalski at Teaneck Sound; Jon D’Uva, a master mixer; and Greg Calbi, the masterer in the mix!

In closing, making this record was a joy from start to finish, and I hope that after you have a listen, like myself, you’ll be “Still Happy!”

Enjoy! -Danny Bacher

 

TRACKS:

01. Getting Some Fun Out of Life (Burke/Leslie, BMG Gold Songs, Burke Music Co, ASCAP)

02. Laughing At Life (Briand/Saban, Cezame Metro Park, BMI)

03. In Spite of All This, I’m Still Happy  (Bacher, Danny Bacher Music, ASCAP)

04. Shakin’ The Blues Away (Chuck, Chappell Edzioni, WB Music, ASCAP)

05. Hooray For Hollywood (Whiting/Mercer, Warner Bros Inc, ASCAP) Additional lyrics by Danny Bacher

06. Lucky To Be Me (Bernstein/Comdon/Green, Leonard Bernstein Music,  Warner Bros, ASCAP)

07. Joie De Vivre  (Bacher, Danny Bacher Music, ASCAP)

08. This Happy Madness Jobim/De Moraes/Lees, Corcavado Music, VA, BMI)

09. Joy Spring (Brown/Hendricks, Cherio, Melody Lane, Second Floor, BMI) Additional lyrics by Danny Bacher

10. Lazy Afternoon (Moross/La Touche, Chappell, Sony ATV Tunes, ASCAP)

11. Get Happy (Arlen/Koehler, SA Music, Warner Bros, ASCAP)

12. Cloudy/Nuages (Biederbecke/Reinhardt, ASCAP

 

JazzFlits, volume 14, no. 257

4.25.16

DANNY BACHER

Swing That Music

Whaling City Sound

Band:

Danny Bacher (vocals, soprano saxophone), Cyrille Aimée (vocals), Warren Vaché (cornet), Pete McGuinness (trombone), Dave Demsey, Houston Person (tenor saxophones), Jason Teborek (piano), Howard Alden (guitar), Ray Drummond (bass), Bill Goodwin (drums),

Danny’s Newsletter

Check out Danny’s newsletter! Learn more about “Swing That Music!”, watch videos and purchase his CD and tickets for his next show, June 27th, at the Bickford Theatre in NY!

Screen Shot 2016-06-23 at 11.59.54 AM

 

Watch a video about the CD:

http://bit.ly/1TgJeYr

JAZZ ON RECORD

The swing and rhythm & blues, which developed alongside bebop in the 1940s, are still being used as a source of inspiration. British pop singer Joe Jackson already revived the festive jump & jive in a distant past. Over here, in the Netherlands, we have (had) several bands which did the same. The name Jump’n Jive from Zwolle comes to mind. And the Amsterdam Bob Color, although they moved onto rock ’n roll. At the time, that was also the direction this music took: swing – jump ’n jive/rhythm & blues – rock ’n roll. But all this aside.

Danny Bacher is a young American singer, who knows his business. You can hear a touch of Michael Bublé in him, but with plenty of drive and lots of swinging. Bacher has a lot of fun performing, and it shows. He draws from the work of Louis Jordan for  the jump and rhythm & blues. He gets ballads from Louis Armstrong, and polite rock ’n roll from Louis Prima, including the medley ‘Just a gigolo/I ain’t got nobody’. Upon first hearing, Bacher uses the possibilities which are given to him a bit politely, but equally lashes out considerably. He’s not only a singer, but also the soprano saxophonist. Bacher moves through the repertoire with ease, aided here and there by the French-American singer Cyrille Aimée. Of course she takes care of ‘La vie en rose’, sung in French. I suspect a lot of dancing goes on during his concerts. This music demands it.

Hessel Fluitman, translated from Dutch by Nico Cartenstadt

Background/Bio:

Screen shot 2016-02-23 at 2.23.14 PM

Danny Bacher is a bright new star on the jazz landscape with a distinctive voice and a gift for phrasing. Says The New York Times, “Swing That Music is effortless fun in a tribute to jazz forerunners. It is about making hot music but staying cool, about cutting up while maintaining effortless self-control revealing Bacher to be prodigiously talented.” With his unusually warm, soulful soprano sax sound and a swingin’ “A LIST” band of jazz royalty, you’ve got the next “new classic” album, Swing that Music! Bacher’s dynamic debut pays homage to three iconic fire-brand “Louis’:” Armstrong, Prima and Jordan, with rare gems from each of their original repertoires. Executive and post-produced by world class jazz Producer, Suzi Reynolds, with Grammy-nominated vocalist Roseanna Vitro as Producer, Bacher is set to launch straight onto the stages and into the hearts of music lovers around the world. Vitro confirms, “Danny is reminiscent of ‘triple talent’ icons like Louis Armstrong and Sammy Davis, Jr. He’s a serious jazz musician who holds his own improvising on sax or scatting with the best musicians on the scene…he has a natural flair for comedy and a voice full of soul.”

229_DANNY BACHER by John Abbott

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