Berklee College of Music, Faculty Notes, Faculty Union
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Guitarist / Composer / Arranger / Educator
Music style types… Pat Metheny, Oz Noy, Steely Dan, Robben Ford, Larry Carlton, Weather Report
Dave Howard performs throughout the United States, Canada and Europe. He is a exciting musician influenced by many great jazz, blues and funk artists. David Howard is a Professor at Berklee College of Music in Boston.
He’s a guitarist, composer, arranger and leader on many recordings including “Souvenirs” featuring Kenwood Dennard. “Clouds”, “Almost Carefree”,and “Block Island Summer” with the Joe Parillo Ensemble, and “Autumn Leaves” with Dave Rasmussen Jazz Orchestra.
Dave has Performed tours and clinics in Europe, and has worked as a Composer and Performer on various jingles.
Some European Concerts and Clinics includes: Roccella Jazz Festival / Clinics with the Dave Howard Calabrese 5tet Project, Cortale’ Jazz festival, Calabria, Italy. Umbria Jazz Clinics with Berklee College of Music, Umbria, Italy and The Pepperoncino Jazz Festival , Calabria, Italy.
Dave leads his group THE DAVE HOWARD INITIATIVE in high energy live performances and recordings of contemporary jazz/funk original compositions.
Dave’s new CD release is “INFINITE BLU” featuring a great group of musicians, six vocalists and all new compositions.
“Just Passing Thru”
Whaling City Sound Website
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Publicity: JazzBluesNews, Neon Jazz, The Jazz Hole, Midwest Book Review, Making A Scene Magazine, Amazon Reviews, Midwest Record Entertainment, Jazz Square, ALL MUSIC, AllAboutJazz
Radio Promotion: New World ‘N Jazz
Distribution: NAXOS of America
Mixed Media Client since: 2017
Just Passing Through
O’s Notes: Saxophonist, composer and producer Miles Donahue presents a fine contemporary jazz set with Just Passing Through. Bassist Joe Santerre gets in the mix on “Living Room Blues” before Donahue soothes us on song “Killing Me Softly”, the lone cover. Guest Mike Stern (g) adds fusion elements to “7-9-65” and the funky “Railroaded”. We also enjoyed the cool vibe of “Donny’s Groove” and “A Man of Few Words”.
Just Passing Thru is the latest music album by Miles Donahue. The songs feature Miles Donahue on saxophones, trumpet, and keyboards; Joe Santerre on electric bass; Larry Finn on drums; Ricardo Monzon on percussion; Alain Mallet on keyboards; with Mike Stern on guitar. The result is a versatile fusion that crosses boundaries of style and substance, from jazz to rhythm & blues to elements of rock and soul, and more. A captivating original treasury, Just Passing Thru is highly recommended. The tracks are “hear My Words”, “Living Room Blues”, “Killing Me Softly”, “Just Passing Thru”, “Donny’s Groove”, “A Man of Few Words”, “7/9/65”, “Railroaded”, and “Ireland”.
Review by Leonid Auskern from Jazz Square
A Welcome Guest
On Just Passing Thru
Miles Donahue makes himself comfortable
Miles Donahue’s latest album, coming on the heels of The Bug (Whaling City Sound, 2017), Just Passing Thru is large in scope and beautiful in execution. The absurdly talented player, vibrant on both tenor and soprano saxes, trumpet, and keyboard, shows just how broad his musical wingspan is. It certainly helps that he has an amazing crew behind him. Joe Santerre provides power grooves on electric bass as does Larry Finn on drums. They are joined by percussionist Ricardo Monzon, keyboard player Alain Mallet, and a handful of tracks featuring guitarist Mike Stern. With a vision that includes Crusaders’ style R&B, Weather Report fusion, and lovely, soulful turns, Donahue is masterly and versatile.
From song to song, there are wide swings of style and substance, from moments of tenderness, passages of grandeur, and fistfuls of exhilarating, technical wonder. The opening “Hear My Words” kicks off with an ingenious, shuffling melody that settles into a samba, and then finishes with a little funk. “Living Room Blues” swings with verve and passion, showcasing Santerre’s powerful bass. “A Man of a Few Words” opens with an introspective statement that morphs into alto soulfulness, buoyed by Mallet’s beautiful electric piano. “Railroaded” has a funk foundation to go along with its zesty ensemble playing. Joining that performance is none other than Mike Stern, one of the great voices in jazz guitar, and his solo here is proof of that. And then there’s the surprising “Ireland,” a nod to Donahue’s ancestral homeland that is both respectful and anthemic, in the way a rock song is anthemic. Talk about unexpected!
Throughout Donahue’s lovely Whaling City Sound recording, he never fails to challenge convention. In many, often subtle ways, he ventures out on the unexpected limb rather than the sturdy one that’s already been tried. His adventurousness is gratifying. Donahue finds a myriad of ways to reward his listeners and we are grateful for that. It may or may not be a fact that jazz musicians age with grace and class. In Miles Donahue’s case, the concept bears out. It is a joy to follow his risky explorations, as he makes his way through a labyrinth of unexpected turns. More than simply Just Passing Thru, Donahue is staying a while, long enough to leave a permanent impression on today’s jazz landscape.
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