May 18: DAVE ZINNO QUINTET featuring Shawnn Monteiro, Matt DeChamplain and Yoron Israel live in Newport, RI

May 18: DAVE ZINNO QUINTET featuring Shawnn Monteiro, Matt DeChamplain and Yoron Israel live in Newport, RI

The Dr. Martin Luther King, Jr. Community Center this week announced the return of Live from the Loading Dock: A Summer Concert Series for the 2022 season.

On five Wednesday evenings beginning in May, the Center will host a variety of talented and local musicians for the concert series with the scheduled lineup* as followed:

May 18 – DAVE ZINNO QUINTET

Featuring Shawnn Monteiro, Matt DeChamplain and Yoron Israel

All concerts begin at 4:30 p.m. with hamburgers and hotdogs to be provided completely free of charge. Performances will be held at the Loading Dock in front of the Center at 20 Dr. Marcus Wheatland Boulevard. Please bring your lawn chairs so you can sit back and enjoy this fun community event.

Click here to purchase Dave Zinno Unisphere’s latest release “Fetish”

Click here for more information

Dave Zinno Unisphere’s “Fetish” is a “jubilant recording” according to Making A Scene

Dave Zinno Unisphere’s “Fetish” is a “jubilant recording” according to Making A Scene

Dave Zinno Unisphere

Fetish

Whaling City Sound

Bassist and composer Dave Zinno issues his third album, Fetish, with his group Unisphere.  Zinno calls it the culmination of a year without live music and thus, it’s a huge, in some cases, unbridled release of energy for he and his band members – Mike Tucker (tenor sax), Eric Benny Bloom (trumpet & flugelhorn), Leo Genovese (keyboards), Tim Ray (piano), and Rafael Barata (drums/percussion), and guest Rafael Rocha on trombone.  Most of the dozen tunes, recorded in two six-hour sessions, were composed by band members with Zinno (3), Tucker (3), Genovese (2), and Ray (1). They have their hands in the arrangements as well.

The album kicks off with Zinno’s title track. It’s a rollicking, volcanic thrill ride from the outset, meant to convey both chaos and celebration, that eventually settles into a groove once Genovese takes his keyboard solo, and the leader makes an emphatic bass statement to close it out.  Genovese penned the robust, sweeping “Out of the Hole,” one of five where he plays the acoustic piano and Ray sits out. The pace on this one is not quite as frenetic, but it still clips along briskly, propelled by the pianist’s rapid runs and strong horn parts, especially Tucker’s elongated solo. Bloom steps in to make his first compositional contribution to the band on “Unknown Mystery,” a more relaxed pace than the two previous but celebratory and triumphant in tone.  The burning pace, (album has not lagged a bit to this point) continues with the first of Tucker’s tunes, “The Golden Age,” one that he Barata crafted together in a 4/4 meter as a tip to hard bop.

“So Close, So Far,” the second of Zinno’s tunes, begins somewhat tentatively, before Tucker and Bloom state the theme, underpinned by the leader’s bass and Genovese comping on the piano, and stellar solos from Tucker and Bloom. Ray arranged “Beatriz,” from Brazilian composer Edu Lobo, presenting the band its first ballad, with Tucker’s gorgeous tenor leading the way. “Future History,” with its dramatic bass intro, is from composer Paul Nagel, a colorful piece featuring a bright sonic palette that again has sparkling turns from the front line and another glistening Genovese piano spot and impressive work on the kit from Barata.

Tucker authored both the sweeping and uplifting “Melancholy Daydream” and “Over the Horizon.”  The former features both Ray (piano) and Genovese (keyboards) while the latter has Genovese at the piano. Tucker blows a storm in the former while the “Over the Horizon” breathes more easily but seriously, with Tucker, and Genovese engaged in dialogue before Zinno steps forth with his own poignant statement.

“Into the Whole” is the second Genovese piece, a pulsating jazz waltz that features a glowing flugelhorn solo from Bloom, followed by one of Tucker’s more lyrical statements, a rhythm section break led by Zinno, and a mellow trombone entry that builds into a bright burst of all three horns. “Nile” is one of Zinno’s early 1980s compositions inspired by the film “African Queen.” The band does a great job of creating and improvising the jungle sounds, transporting the listener to those river environs.  The final track, “Meu Fraco e Café Forte” is from samba legend Dom Salvador, arranged by Rafael Rocha with assistance from drummer Barata. Unlike the others that were recorded in the studio, this one was recorded remotely with Barata assembling tracks from each member. The title suggests strong coffee and Unisphere, in their consistent fashion, bring the requisite potency, ending with a joyous climax.

This is a most jubilant recording with every track uplifting in its own way. These cats bring their ‘A’ game and swing hard throughout.

Jim Hynes

 

Click here to read the full review!

Click here to purchase “Fetish”

Click here for more information

Pin It on Pinterest