DOWNBEAT REVIEWS “NO BOUNDARIES”

DOWNBEAT REVIEWS “NO BOUNDARIES”


“A highly effective bebop player, who also has a way with Afro-Cuban rhythms, Bass proves his mettle … displaying wit, arranging chops, and impressive pianoism…The unusual mix of bebop and Afro-Cuban music … [is] complimented by three expert Cuban percussionists, often making the album surprising and invigorating.”
Whaling City Sound
Prince of Bebop Greg Abate’s total commitment to live jazz for 3 decades

Prince of Bebop Greg Abate’s total commitment to live jazz for 3 decades

Few alto players on the post-bop scene have the whole package like Greg Abate. The globally recognized bandleader is a composer and multi-instrumentalist, an educator, as well as a true ambassador for jazz music. Through the decades, Abate has impressed enough of the real jazz folks to earn the nickname “the prince of bebop, ” which makes good sense if you’ve ever seen him perform. The trio behind his work is undeniable, the power, passion and creative ability is in full view. Abate’s emotions emerge in every note.
“Abate is not content to rely on stock bebop riffs and standard chord progressions, ” says the Chicago Tribune’s Howard Reich. “Rather, the sharp angularity of his phrases and the often startling pauses in his fast-moving lines give his work a feeling of constant invention and creativity.”

To read full article, click here

For Greg Abate campaign updates, click here.

 

Terry Gibbs/WCS

Terry Gibbs/WCS

“92 Years Young: Jammin’ at the Gibbs House”

Whaling City Sound Website

Terry Gibbs Website

YouTube: Jazz Video Guy/Bret Primack, Devil & The Deep Blue Sea, Good Vibes: A Quick Portrait 

Photo: Terry Gibbs Recording Hi Res, Front cover, Back cover, HiRes Photos

National press release, Senior press release

Bio/Book

Publicity: Mountain Mail Newspaper, Jazz Wax ,LifestyleThe Straits Times-Lifestyle,Notes on Jazz,  Jewish Journal, All About Jazz, Jack Bowers, All About Jazz-Dan Bilowsky, Jazz Pensacola, JazzWax, Midwest RecordDownbeatBroadway World PR NewswireLA Daily NewsJazzNewsLos Angeles Daily News

 

“Terry Gibbs Returns with Homemade Recording” interview by Kirk Silsbee in July 2017 DOWNBEAT:

“IN 2015, VETERAN VIBRAPHONIST TERRY Gibbs decided to put his mallets away for good, leaving the family musical legacy to his son, drummer Gerry Gibbs. But a funny thing happened on the way to retirement: Terry got the itch and asked Gerry to bring some players to his house for an informal jam. Gerry’s wife posted a YouTube video of the get-together, which went viral a few days later. The group then decided to have a session with the tape rolling, and the result is an album Terry never thought he’d make—92 Years Young: Jammin’ At The Gibbs House (Whaling City Sound). The loquacious Terry Gibbs was happy to talk to DownBeat about the unique circumstances behind this project and reflect on his storied career.”

 

Radio

Sales Sheet

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iTunes Booklet

Mixed Media Client since: 2017


Terry Gibbs makes Amazon’s “Best Jazz Songs of 2017 So Far” comes in at #16! 

Click on Terry’s name above to see full Amazon list. 

Harvie S/Sheryl Bailey (Plucky Strum)/WCS

Harvie S/Sheryl Bailey (Plucky Strum)/WCS

Harvie S/Sheryl Bailey (Plucky Strum)

Whaling City Sound Website

Web site

Facebook

Youtube

Plucky Strum Saint Nick

Press Release

Harvie S short bio

Sheryl short bio

Publicity: Sounds of Timeless Jazz, New Jazz Adds WTJU, Sounds of Timeless Jazz, JazzPodium Review, Jazzwise Magazine (UK), Jazziz, Improvijazzation Nation, VintageGuitarMagazineSomething Else!, Buffalo News, JazzTimes, Jersey Jazz

 

 

Listen to the feature on BreakThru Radio

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Radio promo by: New World ‘n Jazz 

JazzWeek Charts

6/8 #47; 6/1 #39; 5/25 #40; 5/18 #35; 5/11 #56 Chartbound; 5/4 #103; 4/27  Most Added #155; 4/20 #260 Chart History

Promo Photos by Nick Carter: Departure cover photo, Photo 1, Photo 2

HarvieS+SherylBHarvie S2Harvie S3

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Mixed Media Client since: 2014
Listen: St. Nick

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As seasoned and important players on the national and international trad jazz scenes, Sheryl Bailey and Harvie S—known together as Plucky Strum—made real impact with their recent eponymous debut, a work which showcased discerning talent and true creative craft.

On their follow-up, the aptly named Departure, Harvie and Bailey dig a little deeper, engaging in some creative improvisation and interplay. Those familiar with their work—Harvie has played with many of the greats, including Jim Hall, Larry Coryell, Pat Martino, Gil Evans and Thad Jones—will love how they’ve enhanced the adventure here, filtering in Sheryl’s electric guitar with subtle electronics, clever bebop excursions and some stellar, simpatico interplay that takes the duo into exhilarating sonic regions.

All in all, Departure is accomplished and masterful. The material is bravely selected and boldly performed. The recording is balanced and skillfully produced, with lovely mixing and mastering. Interpretations, like CSN’s “Suite: Judy Blue Eyes” with Harvie’s bowed bass lines and Sheryl’s tactile exploration, is one example, but there are many equally wonderful examples on the record, all of which deserve to be heard. This is major league stuff, brilliant and beautiful.

Plucky Strum Review Jazz PodiumScreen shot 2016-01-27 at 12.12.38 PM

SHERYL BAILEY GETS PLAYFUL AND  VIRTUOSIC AT THE BULLS HEAD

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Plucky Strum cover picture

 

Introducing Plucky Strum

 https://www.youtube.com/watch?v=7rfqix5HoVk

Sheryl Bailey – Saint Nick

 https://www.youtube.com/watch?v=rc-bpJLQpD0

Screen Shot 2015-10-07 at 1.19.17 PMPlucky Strum
(Whaling City Sound)

Although guitarist Sheryl Bailey and bassist Harvie S have been neighbors for years and have gigged together, recording a duo session together is an idea that didn’t materialize until Bailey acquired a new, custom-made acoustic guitar. An informal jam one day lit the spark, and the heartfelt, intimate and stylistically diverse Plucky Strum is the result.

The relaxed mood that permeates most of the tracks is particularly evident on Bailey’s “Broken Glass,” a ballad rhythmically tied to gently sashaying bossa pulses. The guitarist leads the way throughout, her lustrous chords and single-note soloing sketching the tune’s meditative theme while the bassist remains in a supporting role. On Harvie’s good-natured “Bluzin’ F,” he and Bailey partner on tight unison lines that lend the piece a sense of formal structure. Throughout the album, though, the duo mostly switch between lead and supporting roles while milking the blues dialect to full effect. Bailey’s folksy “Woods Talk” finds the guitarist at her most expressive, spinning off steely chords and blues-inflected solo lines while Harvie displays the full tonal range of his double-bass, from plucked staccato notes in the outer limits of his instrument’s upper register to the rich, resonant tones at the bottom end.

Plucky Strum cover picture

Two tributes are album highlights. “To Bea,” written by Harvie to honor his late mother, is a vivacious, up-tempo bossa romp. “Charlie Haden,” another work by the bassist, is an homage to the late jazz legend that radiates a happy, upbeat spirit.
Regardless of their stylistic orientation, the 10 performances captured on Plucky Strum are uniformly warm-blooded, refreshingly spontaneous and occasionally truly virtuosic. —Mark Holston

– See more at: https://www.jazziz.com/harvie-s-sheryl-bailey/#sthash.JY0LTFA3.dpuf

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~A nice review written by editor, Dan Forte~

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WHALING CITY SOUND
“HARVIE S-SHERYL BAILEY/Plucky Strum:  The cover art could trick you into thinking this is a Grant Geissman set.  Fun thing is, the playing could as well.  With the guitarist and the bassist playing friendlier music that either of these chopmeisters is usually associated with, they might only be a duo with no augmentation, but they know how to raise a proper racket.  With killer technical skills between them, they actually sound like they are putting that aside to have a good time.  Never coming off like the master class it really is, this is just two cats working it off the clock that invite you to string along for a good time.”

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Announces April 7th release of

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Whaling City Sound is proud to announce the release for the debut acoustic project from bass virtuoso, Harvie S and “sizzling guitar goddess” Sheryl Bailey

CD Release Performances

Boston:

April 12 3-5 p

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April 14

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New York:

April 17, 6p

Screen shot 2015-02-16 at 1.31.22 PM55 Christopher St. (Sixth/Seventh Avenue) New York (212) 929-9883

April 23, 6:30p

Screen Shot 2015-02-19 at 5.25.15 PMScreen Shot 2015-02-19 at 5.56.04 PMGET TICKETS HERE

 Plucky Strum, featuring ten original tunes by Sheryl Bailey and Harvie S, is an extraordinary pairing that weaves together intimate musical story lines.
It is in a category ‘beyond’ Jazz, utilizing a myriad of musical styles.
Made up of Sheryl’s acoustic guitar and Harvie’s acoustic bass,
the two explore the joy of creative improvisation through lush harmonies, beautiful melodic lines, and captivating rhythms.

Pluck Strum #1 - Credit Nick CarterVisit Harvie S Client page

Email mixedmediapromo@cox.net to request advance copies for review.

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