In Case You Missed It…. “Roots & World Music Live Highlights of 2017”
so don’t miss out on 2018!
so don’t miss out on 2018!
Mardi Gras Ball Saturday
The 26th annual Cajun and Zydeco Mardi Gras Ball arrives in Cranston Saturday with great food, wide open dancing, and of course, the best music. Bands include favorites Beausoleil avec Michael Doucet, Nathan & the Zydeco Cha Chas, and the Knickerbocker All Stars, who will be playing a special set dedicated to Fats Domino. The event is run by Chuck Wentworth, producer of the annual Rhythm and Roots Festival. Details here.
Friday, January 26, 2018 8p
With Kerri Powers
Infinity Music Hall
20 W. Greenwoods Road (Rt. 44), Norfolk, CT
The Art of Storytelling
Vance Gilbert Works His Magic at the Historic Infinity Hall
His reputation precedes him. But that’s no reason to let an opportunity to see Vance Gilbert pass you by! Fresh off a tour of Australia, Vance has for some time now been a major mover of the singer-songwriter scene. His penchant for storytelling, mingled with his terrific sense of humor makes a Gilbert gig a lively event indeed. And, oh by the way, if you’ve heard the man’s latest album, Nearness of You—or any of his albums for that matter—you know he can sing.
Gilbert was born and raised in the Philly area and he started his career in Boston aspiring to be a jazz singer. But things happened, and he soon found himself in the warm embrace of the singer-songwriter world, opening for folks like Shawn Colvin and later comedians George Carlin and Paul Reiser. One of those shows, in Dallas, earned him some good press from the local paper: “With the voice of an angel, the wit of a devil, and the guitar playing of a god, it was enough to earn him that rarity: an encore for an opener.” Of course, that was ages ago. But the fact is, Gilbert has only gotten to be a more engaging performer, with beautiful, worldly stories, finely honed guitar technique, and a voice that delivers.
Over two decades-plus in the music business, Vance has produced a healthy helping of great recordings, including the widely raved about BaD Dog Buffet. Old White Men hit the Top 10 on the Folk DJ chart on its release and Unfamiliar Moon landed in the Boston Globe’s Top 10 Records of the Year upon its release in 2005. Perhaps most importantly for the purposes of this particular press release is the fact that Vance’s live album, Somerville Live, issued in 2000, was described by the Boston Globe as a work “young songwriters should study the way law students cram for bar exams.” And we haven’t even talked about Nearness of You, which features Vance singing stripped down versions of 14 of his jazz faves.
Vance’s upcoming gig at Infinity Hall will be reliably memorable. His show is entertaining, his stories are by turns funny and poignant, and his music, above all, is well worth hearing.
Whaling City Sound Website WCS106
Monika Herzig Website Calendar
Publicity: Read the Reporter, ScoopEmpire, The Exponent Telegram, Jazz Journalists Association, Giancarlo Mei, The Daily Progress,LA Jazz Scene, McLean Virginia Patch, O’s Place (see below), All About Jazz CD Review, All About Jazz Interview, Herald Times, Indystar, Downbeat, Era Jazzu, JazzFlits, The Herald-Times, Audiophile Audition, Midwest Book Review, Nuvo,Cision/Casio, The Early Registration JazzWeek
Radio Promotion: New World ‘N Jazz
#31 on the year-end radio charts and so much more!
Distribution: NAXOS of America
Mixed Media Client since: 2015
2018’s Wild Bunch: Music Of The Year
Physical CDs are still published, although nowadays methods of fruition of music tend to vanish the idea of a closed project to contain art and creativity. Just like romantic warriors, collectors of vinyls and compact discs continue to believe in an ancient way of producing and transmitting musical projects. And so do I. That’s why every year I put out a list of the most interesting Cds among quality productions in territories like adult contemporary, jazz, fusion and brazilian music.
A wide choice for 2018, fifteen cds, as usual each one included here with audioclip for a pre-listen. Music that really be worth a listen.
My “2018’s Wild Bunch” is all about women and I’d like it could be intended as a signal, a way to propose “women” as a symbol of intelligence and sensitivity, opposed to narrow lines of thinking traced by reactionary and religious governments throughout Islam, USA, Brazil, Italy, etc., etc.
“Music is culture” (música é cultura) was the slogan on the back cover of every published Lp in Brazil, during the horrible period of dictatorship between Sixties to Eighties. This time we could say even better “music is culture and woman is culture”. Listening to the right things could be like a first step of a good revolution. So, up against it!
Giancarlo Mei is an independent journalist and writer, host of radio and author for television. He is also the author of the critically acclaimed books “Canto Latino. Origine, evoluzione e protagonisti della Musica Popolare del Brasile” (Nuovi Equilibri, 2004) and “Spiriti Liberi – L’avventura brasiliana di Flora Purim & Airto Moreira (Arcana Jazz, 2017)
– 2018’s Wild bunch –Monika Herzig – “Sheroes” (Whaling City Sound, WCS106)
A good pianist with an all-female jazz band, eight originals and two covers: a fantastic album. German composer and arranger Monika Herzig create this ensemble to pay tribute to jazz women. An effort turned into a perfect goal putting together talents from all over the world: trombonist Reut Regen from Israel, canadian trumpeter Ingrid Jensen, deutch guitarist Leni Stern, cuban percussionist Mayra Casales and mexican drummer Rosa Avila, bassist Jennifer Vincent and flautist Jamie Baum from the U.S. A such powerful band offers to Herzig’s compositions dense quality and great energy. The language is complex but really exciting; a coral work with musicians always ready to start great solos and sheet music that covers the whole scale of jazz colors and moods. Herzig is a remarkable composer and pages like the “Nancy Wilson Portrait”, and “Time Again, D.B.” are very impressive. Other members contribute with quality creations too, just like it happens with Vincent’s “Song For C.C.” and Baum’s and “Wayning”. A jazzy “Ain’t No Mountain High Enough” and a soulful cover of The House of The Rising sun, complete this vary and inspiring work. Rich.
*”Time Again, D.B.”: https://www.youtube.
*”Nancy Wilson Portrait”: https://www.
CD Release Events
New York, NY • Wed Apr 4 The New School in the Jazz Performance Space, Arnhold Hall, 55 West 13th Street, 5th Floor. Panel discussion with SHEROES from 4:30 – 5:30. Concert 6:00 – 7:00. Free event but seating is limited, first come first served.
Newark, NJ • Thu Apr 5 Roundtable Presentation on Experiencing Chick Corea: A Listener’s Companion Rutgers University 7-9pm
Baltimore, MD • Fri Apr 6 SHEROES CD release An Die Musik live 409 North Charles Street Second Floor 6pm
Cleveland, OH • Sun Apr 8 SHEROES CD release Nighttown 7pm
Endorsements: Casio Keyboards
June 10 2016
“The Whole World in Her Hands”
Photos:#1, #2, #3, #4, #5, #6, #7
Publicity: Jazz Kitchen, Jazz History Online, The Oberlin Review, Indiana Daily Student, JAZZIZ Magazine, The Daily Progress,Melodiva CD News
Radio Promotion:New World ‘N Jazz, Peaked at #20, on chart for 16 weeks
The new album of pianist and composer Monika Herzig for the Whaling City Sound label is a logical continuation of not only her previous work The Whole World in Her Hands (2016), but also the whole creation of this German-born Germany. Monica is making great efforts to expand the presence of women in instrumental jazz, which in this case is emphasized even by the name of the album for which she invented the punky neologism of Sheroes – a combination of the concepts she (she) and heroes (heroes). Thus, the title of the project can be read as “Heroines”.
Who are they, these heroines? As part of the ensemble of Monica, with whom she tours, with which she recorded Sheroes, you can see many participants and the aforementioned previous project. This is the guitarist Leni Stern, the German, like Herzig, and the American Jennifer Vincent, who has postponed the cello and acts only as a bass player, and the Israeli trombone player Reut Regev, and the famous American flutist Jamie Baum, and the percussionist with the Cuban roots of Myra Casales. There are also impressive new faces: a very creative performer on the pipe Ingrid Jensen from Canada, Mexican drummer Rosa Avila, Italian tenor saxophonist Ada Rovatti. All of them are purely geographically united by the presence on the jazz scene of the world capital of this music – New York. And the principle of composing an album, which included plays not only of Herzig herself, but her colleagues,
Herzig herself is represented here by four compositions and two arrangements, including the well-known theme House of the Rising Sun. The most interesting of them seemed to me the starting Time Again, DB, dedicated to the late teacher Monica David Baker, and filled with Caribbean intonations Cantos, writing which Herzig thought of the melodism peculiar to such an outstanding jazz pianist as Chick Corea. Jamie Baum dedicated her composition to another giant of modern jazz – Wayne Shorter, she is called: Waining. Leni Stern once had occasion to encounter African music, where the appropriate intonations in her play Bubbles came from. The drama of the plot of the song Vincent Song For CC is broadcasted by the music of this play.
Even on this short list, you can judge the musical diversity of the album. Add to this the high performance class, lots of bright solos and duets, the general spirit of creativity that reigns in the album – and you will understand that this work is worth listening to. Of course, the final statement of I Am A Superstar is somewhat ironic. But the fact that all the participants of the project headed by Monika Herzig are genuine Sheroes of modern jazz, I do not personally change myself!
CD ReviewByNorman Vickers_______________________Monika Herzig:The Whole World In Her HandsWhaling City SoundRelease Date: June 10, 2016Monika Herzig is a performing pianist, educator and author. She has assembled a group of talented women musicians to perform on this recording. She brings guitarist Leni Stern (Germany/NYC), percussionist Mayra Casales (Cuba), Flutist/saxophonist Jane Bunnett (Canada), saxophonist Lakecia Benjamin( USA/NYC) and bassists Linda Oh (Malaysia/Australia) Anna Butterss(Australia) and cellist Jennifer Vincent(USA) and uses them in varying combinations. Ms. Herzig plays piano on all twelve tracks.There ís plenty of excellent piano on this recording but it ís the ensemble which is featured.One possible drawback for the average listener is that all twelve pieces are new except for a reworking of “The Whole World in Her Hands” (Get it?) It ís challenging to the average jazz listener to listen to new compositions. Ms. Herzig plays on all numbers but she assembles groups in varying combinations. One of my favorite cuts is “Peaceful Piece” featuring piano, bass, flute, alto sax and trombone. There ís much here to appreciate as Ms. Herzig has put the ensembles together with thoughtfulness. So, give this one a listen and stretch your “ears.”This was recorded at New York’s Avatar Studio May and August 2014 and produced by Suzi Reynolds. Ms. Reynolds spent a few years in Pensacola before launching her successful career as producer in New York. I’m pleased to see and hear this latest triumph from a longtime friend.More info at: MonikaHerzig.com and WhalingCitySound.com–End–