Welcome to New England! This time the new release takes us to the smallest US state of Rhode Island and introduces musicians who are quite famous on the local stage – the Evening Sky ensemble from Providence. The ensemble is unique, they characterize their music as “root music under the influence of jazz and jazz under the influence of root music”. Bassist Joe Potenza said in an interview that Evening Sky’s music ranges from Bill Frizell to the Grateful Dead. In general, Evening Sky is a quartet, where, in addition to the bassist mentioned above, two guitarists play, Chris Brooks on a pedal steel guitar and Gino Rosati on an ordinary electric guitar, as well as drummer Eric Hastings. The ensemble already has a number of albums in its discography, and local vocalist Tish Adams also joined the band in her new project, which is why the designation +1 appeared in the title. Adams is also not the last person on the local scene. A versatile vocalist and a popular radio host for many years, Adams is a perfect fit for her collaboration with Evening Sky, which should clearly reflect on the popularity of the new album.

The album’s program looks rather motley. Here is the classic of American music Cole Porter (My Heart Belongs to Daddy), and Wes Montgomery (West Coast Blues), who influenced many generations of American jazz guitarists, and the popular singer and songwriter Joe Henry with the composition Stop, which became famous performed by Madonna, and Percy Mayfield’s old R&B ballad Please Send Me Someone To Love, and Horace Silver’s hard bop standard Peace. Such a set may seem eclectic, but just as everything King Midas touched turned to gold, Evening Sky and Tish Adams turn all these very different works into their own product with a very distinctive personal touch. The group’s motto mentioned above works in this project as well, and Adams, with her obvious inclination towards the blues, sings in such a way that in each track the listener receives a story-story composed as if specially for him. Small Day Tomorrow has been turned into a blues, there is practically nothing left of the characteristic swing in Porter’s My Heart Belongs to Daddy, and I would call Stop simply the pinnacle of the album, and even here there is very little in common with Madonna’s version. In a word, a real indi, a great gift for those who do not like standard sounds.

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