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1/31 Dave Zinno Unisphere “River of January” CD release at Narrows
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Eric Wyatt featured in digital edition of January’s DownBeat
For full article by Chris Tart click here for print/digital subscription
WCSound releases on 11/27 JazzWeek Radio Chart: #27 Eric Wyatt “Look to the Sky,” #45, Alma Micic “That Old Feeling,” Chartbound, Dave Zinno Unisphere “River of January”
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#27, Eric Wyatt Look to the Sky Brooklyn-born and bred Eric owns a solid berth along the saxophone continuum originally laid out by guys like Parker, Coltrane and Rollins. Throughout his career, his playing has been edgy and inventive, heartfelt and poignant. In fact, his father was good friends with Rollins and after Wyatt’s dad passed away, Sonny Rollins became involved in Eric’s music. “After my dad passed in 1989, Sonny became very present in my music and offered his help. I was given the opportunity to record my first CD, Godson, on the Japanese label King Records. Sonny suggested the title Godson because it explained his and my dad’s Hope. The Godson CD featured Al Foster, Rufus Reid and Mark Soskin, all members of Sonny’s bands. Look to the Sky, Wyatt’s debut for Whaling City Sound and his sixth recording overall, is magnificently realized, both instrumentally and emotionally. There are musical nods to his father (“Jolley Charlie”) and mother (“Psalm for Phennie”), to Coltrane (“My Favorite Things”) and a few other intimate touch-points, some original, a few written by his accompanist, Benito Gonzalez. Indeed, Wyatt is joined here by excellent progressive musicians, including the resounding pianist Gonzalez, drummers Shinnosuke Takahashi and Kyle Pool, Eric Wheeler on bass and Keyon Harrold on trumpet. Together, their music is filled with hope and dedication, reciprocity and passion. With every recording, Wyatt flourishes, in terms of artistry and intensity, power and finesse. Look to the Sky is the man’s—and his band’s— finest and fullest record yet.
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#45 Alma Micic That Old Feeling check out new video for “Estate” on YouTube Alma Micic Quartet serves up a delightful take on timeless standards, embellished by an original, and a version of the Romany anthem “Solnishko”, with visions of a dreamy night, both sentimental and hopeful. Songs inspired by dancing in the moonlight, till the sunrise comes, Alma’s new album That Old Feeling will leave you with a sweet feeling.
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Chartbound Dave Zinno Unisphere River of January. CLICK HERE to download a general radio station ID “Hello, this is Dave Zinno of Dave Zinno Unisphere & the new WCS release River of January, thanks for listening.” The songs are lavish jazz adventures, rich with texture, ripe with melodicism, and simply joyful audio journeys. The band is spectacular: Unisphere includes the talents of sax man Mike Tucker (Arturo Sandoval), drummer Rafael Barata (Milton Nascimento, Marc Johnson), Leo Genovese (Joe Lovano, Esperanza Spaulding), and Crescent City trumpeter Benny Bloom. Zinno leads them the way a hopeless romantic treats a first love: gently, understanding and worshipful. He glorifies his accompanists and allows them to go on at length, indulging their considerable talents and making River of January a wall of glorious of sound. This isn’t to say that it’s stodgy. Zinno infuses the work with progress. The band takes the vibe of traditional jazz and reverses the paradigm, so the songs, while familiar, certainly don’t remain the same. There are many highlights here, and while it wouldn’t be a waste of space to speak about them individually, it would be easier to say that these tunes all include rushes of adrenaline, sweetness of melody and serious elements of style. River of January is a work of forward thinking tradition and one that has much substance within it to discover.
Eric Wyatt/WCS
Eric Wyatt
“A Song of Hope”
Soundcloud “Say Her Name”
Photo: Eric Wyatt 2021
Request EPK: ginny@mixedmediapromo.com
Publicity: Caribbean Life, Jazz Trail, Jazz Journal, France Musique, WVPE, WBGO, All About Jazz, Jazz Weekly, Midwest Book Review, Making A Scene, Midwest Record, KUVO, JazzQuad
Watch: Eric Wyatt with Eric Wheeler The Making of A Song Of Hope EDub N EDub; Watch “Eric Wyatt – The Making Of A Song Of Hope – Recorded At Van Gelder Studio” on YouTube
CDs: Distribution: NAXOS of America,
Mixed Media Client since 2017
The Joy of Jazz
Grammy-winning jazz artist Samara Joy does a “star turn” on
Eric Wyatt’s A Song of Hope
Eric Wyatt’s 2021 record A Song for Hope on the Whaling City Sound label is an adventurous, colorful, unpredictable, and wide-ranging session, a tour de force of immense creativity and incredible vision. It’s also something of a departure from his last effort, The Golden Rule: For Sonny, also on WCS, which featured the saxophonist in a more straight-ahead jazz setting.
A Song for Hope is also, as it turns out, a star turn for one of Wyatt’s guest performers, none other than Samara Joy, the young jazz vocalist that, quite unexpectedly, happened to win not one but two Grammy Awards last week, one for Best New Artist, and another for Best Jazz Vocal for Linger Awhile. Samara Joy now records for Verve.
Wyatt invited Samara Joy to sing two songs on A Song for Hope, and both are marvelous, in a way, a foreshadowing of the singer’s incredible talent. The first track, “Say Her Name,” is a luminous tribute to Breonna Taylor. “I was looking for her to convey the pain of that event,” says Wyatt, and she did. “When I listen back to it, I remember the hope we all felt in making these songs, and Samara Joy was an excellent part of that.”
Samara Joy is also featured on Wyatt’s soulful take on Sting’s “Fragile.” The singer delivers an ethereal, magical performance, accompanied by Wyatt on soprano sax. Listening to these tracks, it’s no wonder that Samara Joy got the attention she did, both from Wyatt, who invited her to sing with him, and more recently, by the Academy, who awarded her such a distinguished prize.
That said, no one was more surprised by the win than the vocalist herself. “I can’t even believe—I’ve been watching y’all on TV for so long!” she said, in an attempt at an acceptance speech. “All of you inspire me because of who you are. You express exactly who you are authentically. So, to be here by just being myself, I’m just so thankful.”
As it turns out, Wyatt’s recording was a big step in Samara Joy’s career journey so far. In fact, she parlayed several important steps into a recording contract with Verve.
Wyatt sensed he wanted an impressive singer to guest on his recording and he knew that Samara Joy had won the Sarah Vaughan International Jazz Vocal Competition back in 2019 at the age of 21. She had been referred to the session by one of his musicians, bass player Mike Boone, a relative of Samara Joy.
Wyatt has always had an eye for talent. A Song of Hope features drummer Jeff “Tain” Watts, bassist Eric Wheeler, and pianist Donald Vega along with an all-star horn section and a few additional guests.
“Samara became a blessing in disguise,” says Wyatt. He had originally thought he’d produce an instrumental version of “Fragile.” “When I heard her sing, I knew she could convey the feeling of both of those songs. And she did.”
Click here to read the full article
Click here to read the full article
Eric Wyatt – A Song Of Hope
O’s Notes: Tenor saxophonist Eric Wyatt leads the charge with an excellent band that sizzles and pops throughout the session. We enjoyed their cover of “Fragile” featuring vocalist Samara Joy, the funky “Fur Live”, “Contemplation” and Watts’ rousing drum solo on “Of Things To Come ime”, a duet with Wyatt. We also enjoyed “One For Hakim” featuring the entire band, a strong showing for trumpeter Theo Croker, Wyatt and the fierce rhythm section: Donald Vega (p), Eric Wheeler (b) and Jeff Watts (d).
Click here to read the full article
Click here to read the full article
On A Song of Hope, his second album for Whaling City Sound, saxophonist Eric Wyatt offers more than hope; he offers assurance that contemporary jazz is alive and well in and around his home base of Brooklyn, NY. Wyatt, the godson of another rather well-known saxophonist, Sonny Rollins, performs in groups of various sizes, from quartet to octet, with vocals by Samara Joy on two numbers, “Fragile” and Wyatt’s “Say Her Name.” The almost-constants are pianist Donald Vega, bassist Eric Wheeler and drummer Jeff Watts, who are on board for eight numbers but step aside for a pair of Wyatt-Watts duets and are replaced by bassist Mike Boone and his talented fourteen-year-old son, drummer Mekhi Boone, on John Coltrane‘s “Central Park West” and McCoy Tyner‘s “Contemplation.”
Watch Jeff “Tain” Watts and Delbert Felix meet after over 25 years!
Click here to read the full article
Click here to read the full review
Whaling City Sound, whalingcitysound.com Chris Lowery (tr.), Theo Croker (tr., flic.), Clifton Anderson (trne), Eric Wyatt (sop., ten., voc), Donald Vega (p.), Eric Wheeler, Mike Boone (cb.), Jeff Tain Watts, Mekhi Boone (batt., voc.), Kahlil Qwame Bell (perc.), Samara Joy (voc.).
New York, ottobre 2020.
This record is the bomb. We announced it last October on the occasion of an article who took stock of the situation of jazz musicians in New York during the full-blown period of the pandemic. In reality, its publication was scheduled for last May / June, while it came out in September. But it was worth the wait. Here we discover – and with pleasure – a greater versatility of the Brooklyn tenorist, with an attention to that spirituality which is now overwhelmingly current and present in certain tributes that he has decided to dedicate to some of the prominent personalities of modern music (Coltrane’s “Central Park West,” McCoy Tyner’s “Contemplation,” Sting’s “Fragile). But there is not only this: the Latin-tinged “Sunset Park Bonita”, the funkish gait of “Fur Live” (a composition by the young and emerging trumpeter Chris Lowery), the bop of “Blues For RH” (dedicated to Roy Hargrove), the metropolitan emotionality of the title-track, ultimately the whole album is pervaded by a contagious energy that accounts for an in-depth and visceral knowledge of the jazz language. With a phrasing poised between Rollins and Coltrane, Eric Wyatt has always loved to surround himself with solid (Jeff Watts, Clifton Anderson, Donal Vega) and new ones (Theo Croker, Chris Lowery, 15-year-old Mekhi Boone on drums) brilliant personalities of American jazz. Once again he hit the mark.
Gaeta
“The Golden Rule: for Sonny”
Soundcloud “What The World Needs Now”
Request EPK: ginny@mixedmediapromo.com
Publicity: Jazz Tokyo (Japanese), Musica Jazz Magazine (Italian), Jazz Journal, 91.5 KIOS, The Art Music Lounge, Arkiv Jazz exclusive interview, Jazz News, Music Web International, All About Jazz, Socrates Sculpture Park Performance, New York City Jazz Record, KL International Jazz, ALL MUSIC, JazzTimes, Audiophile Audition, OpenSkyJazz.com, DownBeat, Malay Mail E-Paper, Malay Mail, Amazon Business, O’s Place Issue 25.4
Video- The Making of The Golden Rule (For Sonny Rollins) – Eric Wyatt Album Studio Session
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This is the second time I review a CD album by Eric Wyatt on Musica Jazz, and we are even more impressed by the robust and brilliant phrasing of the saxophonist who pays tribute to the great tenorists of the past, in this countless beautiful concentrate of music (which since the title itself wants to remind us of the great Sonny Rollins), making use of a few top and on the rise names of contemporary jazz.
Among them we mention Giveton Gelin, now more than a promise, and the already established pianist Fortner, to confirm the healthy state of American Jazz. It seems to us that the strength of Mr Wyatt, besides his inventively, technique, sense of swing, and lyricism, is beyond any doubt his natural ability to put together bands of absolute level, thanks to his vision and instinct, which allow him to attract music personalities who are brilliant and of great interest.
The personnel in this album are all stellar both on an instrumental and expressive level, bot mostly they are able to put aside their own individualities to the benefit of music. That same music that comes out in all its swinging grandiloquence in each of the twelve tracks of this work.
Then, how not to let ourselves swing along with the rhythm, how not to feel the emotions from the solos and the voicings of Anthony Wonsey? How not to appreciate the ‘cavata’ of Tyler Mitchell? The round and robust sound of Eric Wheeler? How not to be impressed by Willie Jones III drumming, or Charles Gold’s and Chris Beck’s?
We won’t address here Mr Wyatt’s ability to communicate and his languid delicacy in ballads, of which we have spoken in other occasions (he works on percussions in all tracks). Just listen to his cover of Burt Bacharach’s What The World Needs Now to find out.
Eric Wyatt is among those voices who demonstrate that jazz still has a lot to express. Eric Wyatt is a name AND a guarantee.
Click here for the full article
“Look To The Sky”
Video: featured on Sonny Rollins The Bridge
CDs: Distribution: NAXOS of America
Mixed Media Client since: 2017
Dave Zinno/WCS
Dave Zinno Unisphere
“Fetish”
Publicity: Studio 10, Jazz Journal, Notes on Jazz, Making A Scene, The Jazz Word, JazzQuad (Russian)
Radio:
CDs: ArkivJazzMixed Media Client since: 2015
The Dr. Martin Luther King, Jr. Community Center this week announced the return of Live from the Loading Dock: A Summer Concert Series for the 2022 season.
On five Wednesday evenings beginning in May, the Center will host a variety of talented and local musicians for the concert series with the scheduled lineup* as followed:
May 18 – DAVE ZINNO QUINTET
Featuring Shawnn Monteiro, Matt DeChamplain and Yoron Israel
All concerts begin at 4:30 p.m. with hamburgers and hotdogs to be provided completely free of charge. Performances will be held at the Loading Dock in front of the Center at 20 Dr. Marcus Wheatland Boulevard. Please bring your lawn chairs so you can sit back and enjoy this fun community event.
Click here to read the full review!
Click here to read the full review!
Dave Zinno Unisphere
Fetish
Whaling City Sound
Bassist and composer Dave Zinno issues his third album, Fetish, with his group Unisphere. Zinno calls it the culmination of a year without live music and thus, it’s a huge, in some cases, unbridled release of energy for he and his band members – Mike Tucker (tenor sax), Eric Benny Bloom (trumpet & flugelhorn), Leo Genovese (keyboards), Tim Ray (piano), and Rafael Barata (drums/percussion), and guest Rafael Rocha on trombone. Most of the dozen tunes, recorded in two six-hour sessions, were composed by band members with Zinno (3), Tucker (3), Genovese (2), and Ray (1). They have their hands in the arrangements as well.
The album kicks off with Zinno’s title track. It’s a rollicking, volcanic thrill ride from the outset, meant to convey both chaos and celebration, that eventually settles into a groove once Genovese takes his keyboard solo, and the leader makes an emphatic bass statement to close it out. Genovese penned the robust, sweeping “Out of the Hole,” one of five where he plays the acoustic piano and Ray sits out. The pace on this one is not quite as frenetic, but it still clips along briskly, propelled by the pianist’s rapid runs and strong horn parts, especially Tucker’s elongated solo. Bloom steps in to make his first compositional contribution to the band on “Unknown Mystery,” a more relaxed pace than the two previous but celebratory and triumphant in tone. The burning pace, (album has not lagged a bit to this point) continues with the first of Tucker’s tunes, “The Golden Age,” one that he Barata crafted together in a 4/4 meter as a tip to hard bop.
“So Close, So Far,” the second of Zinno’s tunes, begins somewhat tentatively, before Tucker and Bloom state the theme, underpinned by the leader’s bass and Genovese comping on the piano, and stellar solos from Tucker and Bloom. Ray arranged “Beatriz,” from Brazilian composer Edu Lobo, presenting the band its first ballad, with Tucker’s gorgeous tenor leading the way. “Future History,” with its dramatic bass intro, is from composer Paul Nagel, a colorful piece featuring a bright sonic palette that again has sparkling turns from the front line and another glistening Genovese piano spot and impressive work on the kit from Barata.
Tucker authored both the sweeping and uplifting “Melancholy Daydream” and “Over the Horizon.” The former features both Ray (piano) and Genovese (keyboards) while the latter has Genovese at the piano. Tucker blows a storm in the former while the “Over the Horizon” breathes more easily but seriously, with Tucker, and Genovese engaged in dialogue before Zinno steps forth with his own poignant statement.
“Into the Whole” is the second Genovese piece, a pulsating jazz waltz that features a glowing flugelhorn solo from Bloom, followed by one of Tucker’s more lyrical statements, a rhythm section break led by Zinno, and a mellow trombone entry that builds into a bright burst of all three horns. “Nile” is one of Zinno’s early 1980s compositions inspired by the film “African Queen.” The band does a great job of creating and improvising the jungle sounds, transporting the listener to those river environs. The final track, “Meu Fraco e Café Forte” is from samba legend Dom Salvador, arranged by Rafael Rocha with assistance from drummer Barata. Unlike the others that were recorded in the studio, this one was recorded remotely with Barata assembling tracks from each member. The title suggests strong coffee and Unisphere, in their consistent fashion, bring the requisite potency, ending with a joyous climax.
This is a most jubilant recording with every track uplifting in its own way. These cats bring their ‘A’ game and swing hard throughout.
Jim Hynes
Click here to read the full review!
Click here to read the full review
Click here to read the full review
Readers have seen this name more than once in the reviews of his releases on the site. Two years ago, we also published a review of the previous album of the Dave Zinno’s Unisphere ensemble called “Stories Told” (2019). And after 2019, as you know, came the year marked by the sign of the COVID-19 pandemic …. … It seems to me that it is just right to introduce a special concept: “post-covid jazz”. Thousands of musicians locked in their homes during a lockdown, deprived of the opportunity to perform in front of an audience, have only one option left: to compose music and hope that the clouds will someday dispel. Some people still managed to give network concerts, but the bulk of them worked at home, for the future. And in 2021, a lot of albums appeared based on these materials, albums in the music of which one can almost physically feel the performers’ joy from the possibility of new meetings, while at least in the studio. “Fetish” is one of them. When Zinno and the musicians of his band gathered in the studio in November 2020, each of them brought the material he had accumulated. It has accumulated in as many as 16 songs. As a result, a 12-track program was selected for recording the album. All the musicians who played on “Stories Told” participated in the recording of the album, plus they were joined by Zinno’s old partner, Argentine keyboardist Leo Genovese, famous for his performances with Esperanza Spaulding, and also, as a guest, another, in addition to Raphael Barata, a Brazilian trombonist Rafael Rocha.
The album contains compositions and arrangements by Ray, Tucker, Genovese, Bloom and, of course, Dave Zinno himself – “Fetish”, “So Close So Far”, and “Nile”. The music of the ensemble, which is still mostly hard-bop in style, breathes with energy, joy of musicians’ communication with each other and, of course, mastery that has not disappeared anywhere. The album was recorded in two sessions, six hours each. As Dave himself says, “This project is the culmination of a year without live music. This record contains all the energy and emotions that have accumulated and have not found a way out for such a long time. Hopefully people will feel what we felt while making this album.” Zinno doesn’t have to worry – you can really hear it in the music of “Fetish”.
Click here to read the full review
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“Stories Told”
Photos: March 2016 colorColorB&W
Publicity: The Herald News, Ken Franckling’s Jazz Notes,
Stories Told: JazzWeek #20
River of January: Wicked Local Cambridge, The Enterprise, The Funk and Soul Revue, Fall River Herald News, Cape News, Jazz Jam session at the MAC
Radio: 
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Available Now!
Picking up where the enrapturing “River of January” left off, Dave Zinno Unisphere’s follow-up, “Stories Told,” further explores the wild and beautiful jungle of jazz, more specifically, the Brazilian/Latin tributary: electric, funky, passionate, and rhythmic. Zinno (John Medeski, Hal Crook, Adam Nussbaum) here is partnered with Unisphere co-founder Mike Tucker (Arturo Sandoval), Eric “Benny” Bloom (Lettuce), Tim Ray (Tim Ray Trio, Paul Winter Consort) and drummer/percussionist Rafael Barata (Eliane Elias, Marc Johnson, Dianne Reeves). The ensemble is supreme and ambitious, benefiting from having a recording under their collective belt and refinement of the Unisphere mission. The performance is a passionate ode to the band’s multicultural vision.
The recording kicks off with “Neurótico,” by J.T. Meirelles, a samba jazz gem that sets the tone perfectly. Elsewhere, there’s a sweet rendition of Lennon-McCartney’s “Michelle,” arranged by pianist Ray; “Tá,” a rhythmically dynamic fusion of neo-Latin styles; and the powerful “Requiem,” composed by Mike Tucker in his father’s memory, which was heartrending for all of the players. “Stories Told” is, as it should be, a melting pot of pure jazz excitement, performed with verve and executed with inspiration. If you liked “River of January,” a recording with broad appeal and accessibility even considering Unisphere’s gorgeous intricacies, you’ll surely appreciate hearing these Stories.
April 2019
Most Increased #8 and #5 in Most Added!!
Released, “Stories Told” is already one of the most added and biggest gainers on the JazzWeek chart!
“River of January”
Photos: March 2016 color Color B&W
Radio:
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Dave Zinno’s Unisphere Show at Narrows 1/31/18
1.31 CD RELEASE Narrows Center for the Arts
16 Anawan Street, Fall River, MA 02721
FOR IMMEDIATE RELEASE
For interviews contact: ginny@mixedmediapromo.com
Unisphere CD Release
Wednesday, January 31, 2018 8p
For interviews contact: ginny@mixedmediapromo.com
Unisphere CD Release
Wednesday, January 31, 2018 8p
Narrows Center for the Arts
16 Anawan Street
Fall River, MA 02721 – 508-324-1926
Dave Zinno, bass
Mike Tucker, sax
Tim Ray, piano (formerly with Lyle Lovett and occasionally with Tony Bennett, replaces Leo Genovese for this show)
Rafael Barata, drums
Eric “Benny” Bloom, trumpet$22 advance, $25 day of show
Click link for tickets
16 Anawan Street
Fall River, MA 02721 – 508-324-1926
Dave Zinno, bass
Mike Tucker, sax
Tim Ray, piano (formerly with Lyle Lovett and occasionally with Tony Bennett, replaces Leo Genovese for this show)
Rafael Barata, drums
Eric “Benny” Bloom, trumpet$22 advance, $25 day of show
Click link for tickets
Sharing the Love
Dave Zinno Unisphere
brings a jazz celebration to
in late January,
with the release of their new recording,
River of January
with the release of their new recording,
River of January
If there’s one jazz band you’d consider taking a chance to see live, make it Unisphere, Dave Zinno’s tremendous and joyous jazz experience. While the band’s recent recording, River of January—of which this night serves as an official release party—is an immense and beautiful record, there’s no doubt that this music is made for the stage.
The band Zinno has assembled is spectacular and all are citizens/musicians of the world. Unisphere includes the talents of sax man Mike Tucker (Arturo Sandoval), drummer Rafael Barata (Milton Nascimento, Marc Johnson), Leo Genovese (Joe Lovano, Esperanza Spaulding), and Crescent City trumpeter Benny Bloom. Tucker, a co-leader on the date, is frighteningly good and a perfect companion to Zinno. Drummer Rafael Barata is on the Rio jazz scene’s first call list, thanks to astonishing technique and great ideas. Argentine pianist and composer Leo Genovese first worked with Zinno in the band of trombone legend Hal Crook. He’s toured with Spaulding, been a member of Joe Lovano’s band, and played memorably with Herbie Hancock and Wayne Shorter. Eric “Benny” Bloom, he of quick wit and showmanship, is himself on the verge of stardom. His New England jazz upbringing plays well now in his New Orleans home.
Digging a bit deeper, the recording takes the vibe of traditional jazz and reverses the paradigm, so the songs, while familiar, evolve and explore. There are many highlights here, and while it wouldn’t be a waste of space, it would be easier to say that these tunes all include rushes of adrenaline, sweetness of melody and serious elements of style. River of January is a work of forward thinking tradition and one that has much substance within it to discover. It’ll be fascinating to see how this material translates, what colors it takes on, how Zinno and the band play it and play with it.
Fans of creative license and jazz invention can dig deep into this record, of course. But best would be to see Unisphere live at the Narrows and pick up their CD on New Bedford’s iconic Whaling City Sound label. It’ll be an excellent way to witness some adventurous jazz up close and personal, and it’s certain to leave you with the great aftertaste of pure jazz joy.
For campaign updates click Dave Zinno Unisphere
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Dave Zinno Unisphere River of January WCS101 Sentimental yet devoid of bathos, forward-surging yet never at the expense of thought or taste, River of January flows in two directions, simultaneously. Some laws, including those of hydrodynamics, are written to be broken. Unisphere, the cooperative (in so many ways than one) jazz band led by bassist/ composer/ arranger/pedagogue Dave Zinno, infuses the vanguard of modern jazz with what I hear as a romanticism all too uncommon in artistic expression corrupted by the materialist zeitgeist. “Evolution” and “change” are not synonymous, and these guys know it.
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🎉Congratulations Aaliyah Fuentes on graduating at Johnson & Wales University! Wishing all the best as she gets ready to leave Mixed Media and graduate with a degree in Media & Communications!🎉
#gradseason🎓 #springintern2024 #mixedmedia
🎉Congratulations Aaliyah Fuentes on graduating at Johnson & Wales University! Wishing all the best as she gets ready to leave Mixed Media and graduate with a degree in Media & Communications!🎉
#Gradseason #Springintern2024 #mixedmedia
Johnson & Wales University Class of 2024 Spring Intern Aaliyah Fuentes! | Mixed Media Promotions
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Wishing #JWU’s 2024 Spring Intern Aaliyah Fuentes all the best as she gets ready to leave Mixed Media and graduate with a degree in Media & Communications! linkedin.com/in/aaliyah-fuentes02
About Mixed Media
Music industry consultant and publicist Ginny Shea has garnered international exposure for her clients through radio and video promotion, print media, and her vast industry network.
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