WCSound releases on 11/27 JazzWeek Radio Chart: #27 Eric Wyatt “Look to the Sky,” #45, Alma Micic “That Old Feeling,” Chartbound, Dave Zinno Unisphere “River of January”

WCSound releases on 11/27 JazzWeek Radio Chart: #27 Eric Wyatt “Look to the Sky,” #45, Alma Micic “That Old Feeling,” Chartbound, Dave Zinno Unisphere “River of January”

 

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#27, Eric Wyatt Look to the Sky Brooklyn-born and bred Eric owns a solid berth along the saxophone continuum originally laid out by guys like Parker, Coltrane and Rollins. Throughout his career, his playing has been edgy and inventive, heartfelt and poignant. In fact, his father was good friends with Rollins and after Wyatt’s dad passed away, Sonny Rollins became involved in Eric’s music. “After my dad passed in 1989, Sonny became very present in my music and offered his help. I was given the opportunity to record my first CD, Godson, on the Japanese label King Records. Sonny suggested the title Godson because it explained his and my dad’s Hope. The Godson CD featured Al Foster, Rufus Reid and Mark Soskin, all members of Sonny’s bands. Look to the Sky, Wyatt’s debut for Whaling City Sound and his sixth recording overall, is magnificently realized, both instrumentally and emotionally. There are musical nods to his father (“Jolley Charlie”) and mother (“Psalm for Phennie”), to Coltrane (“My Favorite Things”) and a few other intimate touch-points, some original, a few written by his accompanist, Benito Gonzalez. Indeed, Wyatt is joined here by excellent progressive musicians, including the resounding pianist Gonzalez, drummers Shinnosuke Takahashi and Kyle Pool, Eric Wheeler on bass and Keyon Harrold on trumpet. Together, their music is filled with hope and dedication, reciprocity and passion. With every recording, Wyatt flourishes, in terms of artistry and intensity, power and finesse. Look to the Sky is the man’s—and his band’s— finest and fullest record yet.

 

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#45 Alma Micic That Old Feeling check out new video for “Estate” on YouTube Alma Micic Quartet serves up a delightful take on timeless standards, embellished by an original, and a version of the Romany anthem “Solnishko”, with visions of a dreamy night, both sentimental and hopeful. Songs inspired by dancing in the moonlight, till the sunrise comes, Alma’s new album That Old Feeling will leave you with a sweet feeling.

 

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Chartbound Dave Zinno Unisphere River of January. CLICK HERE to download a general radio station ID “Hello, this is Dave Zinno of Dave Zinno Unisphere & the new WCS release River of January, thanks for listening.” The songs are lavish jazz adventures, rich with texture, ripe with melodicism, and simply joyful audio journeys. The band is spectacular: Unisphere includes the talents of sax man Mike Tucker (Arturo Sandoval), drummer Rafael Barata (Milton Nascimento, Marc Johnson), Leo Genovese (Joe Lovano, Esperanza Spaulding), and Crescent City trumpeter Benny Bloom. Zinno leads them the way a hopeless romantic treats a first love: gently, understanding and worshipful. He glorifies his accompanists and allows them to go on at length, indulging their considerable talents and making River of January a wall of glorious of sound. This isn’t to say that it’s stodgy. Zinno infuses the work with progress. The band takes the vibe of traditional jazz and reverses the paradigm, so the songs, while familiar, certainly don’t remain the same. There are many highlights here, and while it wouldn’t be a waste of space to speak about them individually, it would be easier to say that these tunes all include rushes of adrenaline, sweetness of melody and serious elements of style. River of January is a work of forward thinking tradition and one that has much substance within it to discover.

 

Fred Farell/WCS

Fred Farell/WCS

Reviewed by Kev Rowland

“Listening to Farell is like stepping back in Time, to mid-20th Century America, when Jazz and Romance were popular. His Sounscapes are like Odes to Love…Farell’s “Distant Song” provides enough soothing sounds for listeners to ponder the Human condition…He is joined by Dave Liebman on soprano & tenor Saxophones, and by Richie Beirach on acoustic Piano.” 
          “I give Fred, and his fellow master (musicians) an energy quotient rating of 4.99 for this CD.…One of the strongest Jazz Vocal performances I’ve listened to              yet in 2018.”
“…FARELL is the real deal in terms of Sincerity, his voice speaks authority as does the tender Truth expressed in his Lyrics…and musical arrangements…A performance that regularly stops you…in your tracks…”
“The mood of the Program is dark blue, solemn, and well matched to Fred’s Baritone, and the accompanying Instrumentation…with Farell writing all the Lyrics.”

“Fred Farell’s new CD is rewarding on several levels…”

“Fred Farell’s new CD is rewarding on several levels. His lyrics for the songs of Dave Liebman and Richie Beirach show that the instrumental pieces are surprisingly singable, adding to the jazz vocal repertoire. His singing is warm, quietly expressive, and really gets into the messages of the songs. And the playing of Liebman and Beirach is as creative as ever. Their fans will find much to enjoy on this rewarding set.”

Scott Yanow, Jazz journalist/Historian and Author of “The Jazz Singers”

Vocalist Fred Farell’s latest project Distant Song captures the music of Liebman and Beirach beautifully. Farell didn’t merely copy Liebman’s and Beirach’s compositions, he added sublime lyrics and a magically ethereal vocal style.

Devon Wendell, L.A. Jazz Scene

 

FRED FARELL began singing professionally during his military service in the USA, and Europe in 1967. His musical training includes: jazz vocal improvisation with pianist-composer and educator Richard Beirach; Private voice studies with Cynthia Hoffman, Richard Dorr, and Larry Chelsi; and music courses taken at The City College of New York; at which time he enrolled in Jazz studies taught by Jazz songstress and educator Sheila Jordan. His first appearances as a solo artist and group leader in New York, were at Loft galleries, and Jazz clubs during the 1970’s and early 1980’s; including return engagements at Sweet Basil, and Greene Street; during which time he was
an artist-member of Cobi Narita’s Universal Jazz Coalition. As a featured soloist, as well as an ensemble singer, Mr. Farell has performed at Avery Fisher Hall, The Brooklyn Academy of Music, The Kitchen, WBAI Radio, The Museum of Modern Art, and Symphony Space, with such jazz masters and artists as the late saxophonist Dexter Gordon; Pianists: Barry Harris, the late Albert Dailey, and Kenny Barron; Bassists: the late Herman Wright, Rufus Reid and Ratso Harris; Female Vocal Artist-educator Jay Clayton (The Voice Group); and Natural Sound Composer-pianist Kirk Nurock. In the creative expression of Jazz used to present the Gospel message, the singer has been a featured soloist with the Don Hanson Ensemble, led by the saxophonist-composer; has appeared on the Queens Public Cable TV Network; and is currently co-leader of the Gospel Jazz group “JazzLite”. In this group setting, Mr. Farell ministers with his gospel lyrics for original compositions, and Jazz standards, and features Pianists Jeff Kruh, and Joel Weiskopf in varying instrumental formats, depending upon the venues entered.

Richard Beirach, Dave Liebman, Frederick Farell, Red Rock Recording Studios, June 11, 2015. David W. Coulter Photography

Image from HighResAudio.

 

 

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