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Tag Archives | All About Jazz
Click here to read the full article regarding Mike Posner’s fellowship program featuring Vance Gilbert and catch him live Thursday at City Winery Boston.
By: Dan Bilawski
Few things are a given, yet we can always count on a flood of new music making its way into the world over the course of a year. In 2017 some of the best jazz found its path by looking forward, doubling back, and/or branching out. In short, this music and the dedicated artists who make it continued to uphold a legacy paradoxically built on tradition, change, absorption, and refraction. I had the pleasure of listening to more than four hundred albums over the past year, and I covered approximately one hundred of them for All About Jazz. These twenty-five stood tallest in that crowd (Note: selections on this list are NOT ranked):
Here is what Dan Bilawski thought about 92 years young when it released back in June:
By: C. Michael Bailey
Serbian vocalist Alma Micic‘s 2014 Tonight (CTA Records) was a welcome addition to the jazz vocals discography because of its bold repertoire and compelling performance. Micic returns with a decidedly more focused and refined recording that mixes the new and old with her own original “Ne Zaboravi me” and Neil Young’s “Harvest Moon” with durable standbys, “That Old feeling” and “Blue Moon.” Micic is joined by guitarist and husband Rale Micic, bassist Corcoran Holt, drummer Jonathan Blake and vibraphonist Tom Beckham, the latter whose presence provides the recital a playful sepia patina. Both Micics and Beckham tear it up on “Moonglow” and then, “Cry Me a River” and “Honeysuckle Rose” in a triptych highlighting the first half of the 20th Century. Micic’s voice is red-wine complex with subtle notes of Eastern Europe. The best selection on the recording, easily, is “Estate” which the Micics perform as a duet. That Old Feeling is a fine follow-up to Tonight and precedes some doubtlessly fine.
To buy That Old Feeling, click here
By: Jack Bowers
People who have an aversion to bugs (do you know any?) may hesitate to purchase (or even review) an album whose title epitomizes the very thing they abhor. But even though multi-instrumentalist Miles Donahue‘s new album does nod to that often-despised creature and even includes a song by that name, there is more to it than that; one might even say that Donahue removed the most of the “bugs” from the studio before he and his colleagues started recording.
One of the reasons that Donahue, who plays alto sax, trumpet and flugelhorn on The Bug, isn’t more widely known is that he chose to raise a family in his native New England rather than seek his fame and fortune in a wider arena, although he did spend time in Europe almost two decades ago before resuming a career in education with performance as a sideline. As this album marks his debut for Whaling City Sound, Donahue helped assure its merit by assembling a blue-ribbon supporting cast that includes guitarist Mike Stern, pianist Tim Ray and drummer Ralph Peterson. Going one step further, Donahue asked one of his college classmates if he would be able to make the gig, and Jerry Bergonzi said yes, he would.
To read the full review, click here
To buy Miles Donahue’s new album, click here